Three Easy Pieces (Dig)

Buffalo Tom | Format: Audio CD

Product Details

• Audio CD (July 10, 2007)
• Original Release Date: 2007
• Number of Discs: 1
• Label: New West Records
• ASIN: B000Q6ZH2E
• In-Print Editions: Vinyl  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (14 customer reviews)
• Amazon Best Sellers Rank: #206,383 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

4.0 out of 5 stars welcome back, old friends, July 16, 2007

By 

Dr. Philgood (USA) - See all my reviews

This review is from: Three Easy Pieces (Dig) (Audio CD)

I've been a huge fan of Buffalo Tom since the Let Me Come Over days, and over the years I've eagerly anticipated the arrival of each new release. With such a long gap since the last album, the band had drifted off my radar until recently when I did a random search for them and found that some fresh material was about to hit the street. Having listened to Three Easy Pieces now in its entirety, I have mixed feelings. Overall it is not an outstanding album, but the quality of the good songs and the pristine production more than makes up for the overall weakness of the opus. The opener "Bad Phone Call" immediately strikes you as being something new for the Tom - a lazy, country-tinged rocker that could almost be a love duet if it hadn't been sung by two heterosexual males. "Bottom of the Rain" is more familiar and would have fit right in on Big Red Letter Day, the bands crowning achievement of almost 15 years back. "You'll Never Catch Him" sounds more like Let Me Come Over era material, and is also excellent. However, the band's finest moment is "Lost Downtown," a song that could perhaps be their best ever. Bill Janovich sings as if he is a love-smitten teenager instead of a 40+ something. The gentle, melodic rhythm is complemented perfectly by the bouncing baseline and Janovich's impassioned vocals. It's a subtle piece that demonstrates just how amazing a songwriter Janovich is when he's on top of his game. The rest of the album is, unfortunately, fairly forgettable, and Tom Colburn's contributions are weaker than usual. There is no "Late at Night" "The Bible" or "Twenty Points" here, sadly. All said, this is a "must buy" for Buffalo Tom fans, and others would be recommended to download the above mentioned songs from itunes, lest they be disappointed by the album as a whole. Despite my mixed review, I will be praying to the rock gods that Buffalo Tom deliver at least one more album before they call it quits for good.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Return of the Tom, July 16, 2007

By 

T. Lewis (HURST, TEXAS United States) - See all my reviews
(REAL NAME)   

This review is from: Three Easy Pieces (Dig) (Audio CD)

Okay, so it's time to have a tempered review put up here. There will be no gushing, nor will there be no bemoaning hate. It's simply this; it's been a long pause since Smitten and it shows. I rather take issue with the Amazon review that this album is reminicent of past records... it does only in the respect that it "is" a Buffalo Tom record. When I initially put this album on, I'd steeled myself for a let down, as earlier return efforts this year had underwhelmed me. The good news... this is a decent Buffalo Tom record. The bad news... it's not outstanding and I don't hear anything on it that has "breakout" accessibility. Furthermore, a certain spark is somewhat dulled on here... a blunting of spirit, I guess from the passage of time, maybe. Smitten, their last effort, if a little overproduced, still had a sharper pop, spirit to it, even in sad songs. If you have liked Buffalo Tom all through their career, definitely get this. If you have not, start with an earlier Buffalo Tom release, just about any of them. Finally, my favorites and skips change over time, some songs grow on me, and some, I grow out of. My fave on this album, so far, is Pendleton, and I feel, personally, that the album's weakest tracks are ironically the first two. Cheers.~

2 of 2 people found the following review helpful:

4.0 out of 5 stars Buffalo Tom comes home, June 21, 2008

By 

Duane Ambroz "Duane" (Chicago IL) - See all my reviews
(REAL NAME)   

This review is from: Three Easy Pieces (Dig) (Audio CD)

While doing some recent shopping for CDs, I saw a cover for a Buffalo Tom record that I had never seen before. Buffalo Tom recorded a new record in 2007, and somehow I missed it, as I am sure most people did. My first response was that they must just be riding the nostalgia wave, since it seems that every early 1990's band that got more than one video onto MTV's "120 Minutes" is getting back together. I held off on picking it up. I was apprehensive. I hearkened back to an unpublished Pitchfork review I had written for "Smitten" way back in 1998. I had closed out the review with the statement, "I hope that Smitten is an anomaly, and not a swansong. These guys sound tired and bored with the recording industry that should have made them stars, then tried to make them stars, but never really understood what Buffalo Tom was all about."

Given that it is 10 years between "Smitten" and "Three Easy Pieces", the latter case appeared to almost be true. After a while, I decided to purchase "Three Easy Pieces" and give it a listen. The first song, "Bad Phone Call" comes on. Chris Colburn's falsetto backing harmonies start up. The loud, melodic yet harshly distorted guitar ring through my ears. Tom Maginnis' drumming keeping a perfect beat and setting the tempo and energy. Then Bill Janovitz's vocals come in, and a song about looking back and moving forward kicks in.

"Hell yeah!" I shouted in my Civic, driving down the highway. "Buffalo Tom has come home!"

For those who don't remember Buffalo Tom (likely most anyone reading this), they came out of the 1980's lo-fi scene in Boston. Unlike most of the bands that came from that scene, Buffalo Tom had three things going for it: they understood melody, they knew when to turn the amps up to 11, and they were the tightest band of the entire genre. (The final point is probably because, unlike their contemporaries, they had a stable lineup throughout their run.) Their live performances blew you away. They were that good. Until their record company too late realized what they had, tinkered with their sound, and apparently caused the Toms to get bored and frustrated and hang it up. Or maybe they just got tired of it all. Whatever the case, they pretty much vanished, going off to side projects and the occasional one-off.

The ten-year layoff seems to have recharged the batteries. The band sounds refreshed and invigorated again. The songs are melancholy yet more mature, with a wider-eyed look at the world. There are a few clunkers on the record, but nowhere near the level they were to be found on smitten. And things get a bit too "mellow" in the middle. But despite the layoff, the Toms are as tight as ever. They still know when to turn the amps all the way up, and they still know when to ease everything back. They still know how strike that perfect balance between delightful melody and lo-fi noise.

There's nothing new on this record. No innovations. No exploring new musical directions. And that's a good thing in the case of Buffalo Tom. They do what they do so well, and they are so good together as a band, you don't mind that this record sounds like it would be more at home in 1995 than 2007. Fans from way back will revel in a new set of songs that capture the energy and songsmanship that made Buffalo Tom the best band you never heard of. It likely won't win over any new fans, but even if a few people take a listen and seek out an old copy of "Let Me Come Over" or "Birdbrain", it's all worth it.

Listening to this CD on that ride home put a smile on my face all the way, like seeing your best friend for the first time in years, and finding out that nothing has changed between the two of you despite the time apart. It's great to have you back, Buffalo Tom. We've missed you.