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Three Greek Plays: Prometheus Bound / Agamemnon / The Trojan Women
 
 
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Three Greek Plays: Prometheus Bound / Agamemnon / The Trojan Women [Paperback]

Euripides (Author), Aeschylus (Author), Edith Hamilton (Translator)
4.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

November 17, 1958

Three classic Greek tragedies are translated and critically introduced by Edith Hamilton.


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Editorial Reviews

About the Author

Edith Hamilton won the National Achievement Award in 1950, received honorary degrees of Doctor of Letters from Yale University, the University of Rochester, and the University of Pennsylvania, and was a member of the American Academy of Arts and Letters. In 1957 she was many an honorary citizen of Athens and was decorated with the Golden Cross of the Order of Benefaction by King Paul of Greece.

Product Details

  • Paperback: 239 pages
  • Publisher: W. W. Norton & Company (November 17, 1958)
  • Language: English
  • ISBN-10: 0393002039
  • ISBN-13: 978-0393002034
  • Product Dimensions: 7.8 x 5.1 x 0.8 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #584,759 in Books (See Top 100 in Books)

More About the Author

Edith Hamilton, an educator, writer and a historian, was born August 12, 1867 in Dresden, Germany, of American parents and grew up in Fort Wayne, Indiana. Her father began teaching her Latin when she was seven years old and soon added Greek, French, and German to her curriculum. Hamilton's education continued at Miss Porter's School in Farmington, Connecticut, and at Bryn Mawr College near Philadelphia, Pennsylvania, from which she graduated in 1894 with an M.A. degree. The following year, she and her sister Alice went to Germany and were the first women students at the universities of Munich and Leipzich.
Hamilton returned to the United States in 1896 and accepted the position of headmistress of the Bryn Mawr Preparatory School in Baltimore, Maryland. For the next twenty-six years, she directed the education of about four hundred girls per year. After her retirement in 1922, she started writing and publishing scholarly articles on Greek drama. In 1930, when she was sixty-three years old, she published The Greek Way, in which she presented parallels between life in ancient Greece and in modern times. The book was a critical and popular success. In 1932, she published The Roman Way, which was also very successful. These were followed by The Prophets of Israel (1936), Witness to the Truth: Christ and His Interpreters (1949), Three Greek Plays, translations of Aeschylus and Euripides (1937), Mythology (1942), The Great Age of Greek Literature (1943), Spokesmen for God (1949) and Echo of Greece (1957). Hamilton traveled to Greece in 1957 to be made an honorary citizen of Athens and to see a performance in front of the Acropolis of one of her translations of Greek plays. She was ninety years old at the time. At home, Hamilton was a recipient of many honorary degrees and awards, including election to the American Academy of Arts and Letters. Edith Hamilton died on May 31, 1963 in Washington, D.C.

 

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Wonderful Translations and Great Introductory Material, August 8, 2009
This review is from: Three Greek Plays: Prometheus Bound / Agamemnon / The Trojan Women (Paperback)
Edith Hamilton's choices for this fine small collection of Greek Plays includes two selections from Aeschylus and Euripide's Trojan Women. Her brief but insightful analysis introducing each play is alone worth the price of this book. It is clear she favors Euripide's and her exposition of the Trojan Women as the greatest of all Anti- War literature is thought provoking and a wonderful way to introduce the reader to the play that follows. I've had this book for many years and have returned to it numerous times. These are works that have as much meaning today as they did to their Greek audiences over 2,500 years ago. Quite an achievement.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Three Greek Plays, May 12, 2007
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William R. Manning (Novato, CA United States) - See all my reviews
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This review is from: Three Greek Plays: Prometheus Bound / Agamemnon / The Trojan Women (Paperback)
Edith Hamilton does such a fine piece of work. We gave it as a gift to an an admirer of Edith Hamilton. Joyfully received.
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0 of 2 people found the following review helpful:
3.0 out of 5 stars Skip to "Prometheus Bound", November 11, 2010
This review is from: Three Greek Plays: Prometheus Bound / Agamemnon / The Trojan Women (Paperback)
Edith Hamilton does a good job prefacing these three plays and also talking about the difficulties of translating ancient Greek poetry. Her enthusiasm, competence, and knowledge, is evident, and this is a fair selection as far as ancient Greek plays go.

"The Trojan Woman" is made mildly interesting because of Hamilton's historical preface, but without the context it would simply not be worth reading, as far as general entertainment goes. "Agamemnon" is less interesting. Its main merit is a tenuous connection to Homer. Dramatists and theater-goers might enjoy these plays, but the average person will not.

On the other hand, "Prometheus Bound" though flawed also stands out at times. The start, where Hephaestus is reluctantly applying the bonds to the main character is fairly dramatic. Prometheus's talking down to Hermes, while supine and chained, is pretty engrossing, but the character of Ocean and his four legged bird-mount seems fairly non-sequitur and weakens the story. To my mind it is about as ineffective as Shakespeare's attempts at comedy.

Ultimately, most modern readers will not enjoy Greek tragedy. It lacks Shakespeare's great monologues. Because it had to be acted out, it is more limited in scope than Homer. It also lacks much of anything in the way of musical language. Virgil was not happy with "The Aeneid", though he tinkered with it until he died, but Augustus made sure it wasn't destroyed. On the other hand, many ancient Greek plays were simply lost to us. Probably in part because they weren't judged to have the same value. In these plays, poetry is more often cited than made. Two out of the three are derivative of Homer, while Prometheus was probably just derivative of the pre-existing myth.

To add to it, the tone here is always pretty melancholy, and the writing doesn't have the countervailing force of action or direct historical facts. People are made slaves of, while they mourn the dead. Cities burn. Babies are thrown from walls. Wives murder husbands and helpless slaves. The benefactor of man is chained for near eternity. At the time this sort of thing was meant to be cathartic, and Plato though its popularity meant that it was crass. But technology has made more forms of entertainment available to us.

Sure, it is interesting to learn more about the ancient Greeks, but I like lighter fare than this. If you are like me, try Xenophon or Homer. If you do read this and later ache for a happy Trojan ending, try the Aeneid. Technically, it is not Greek, but Virgil read a lot of Homer.
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