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28 of 29 people found the following review helpful:
5.0 out of 5 stars
One of the Great Masters of the Macabre, November 18, 2003
Arthur Machen (1863-1947), an English author best known for his eerie stories about supernatural creatures and situations, served as a major influence on later explorers of the macabre. H.P. Lovecraft, for example, cited Machen as an authority and even wrote articles about him on occasion. The introduction to this compilation of some of Machen's best stories, written and edited by S.T. Joshi, underscores the author's ability to shock his Victorian contemporaries, who blasted his works publicly by labeling them obscene. Joshi argues the ridiculousness of this criticism, for Machen actually was an orthodox Anglo-Catholic who presented the concepts of nature as a corrupted influence that only civilization with its strict rules can negate. That's one way to view Machen's work: with a lot of scholarly blather. For most horror fans, it simply does not matter whether this author used horror as a means to support the social status quo. What is important is that Machen wrote cracking good stories that are not only eerie but also inspired future writers in the genre.The best story in this collection is arguably the first one, "The Great God Pan." This horrific tale boils down to one sublime theme: don't mess with Mother Nature. A doctor performs a brain experiment on a young lady with absolutely horrific results, although the scope of the terror isn't widely known at first. As the story unfolds, we discover that this woman had a physical experience with something beyond our realms of perception, something so bizarre that our frail little minds can barely grasp the implications of such an unholy union. The result is a child, a very special child with a very evil character. This wicked offspring consequently ravages her way through the upper crust of British society, luring men into her clutches and then performing acts on them that cause the dupes to die in a quite terrible manner. There are some clever twists and turns throughout the story, such as bringing one of the doctors present at the beginning of the story back into the plot towards the end, that I quickly realized is a trademark of Machen's writing style. "The Great God Pan," perhaps better than any other story in this collection, shows the influence this author had on Lovecraft and others. Like the author of "The Mountains of Madness," the narrator here only alludes to shocking incidents in an oblique way, leaving it up to the reader to fill in the terrible blanks. "The Inmost Light" and "The Shining Pyramid," while intriguing in their own ways, do not seem to pack the emotional punch of the "The Great God Pan." One story that does rise to the level of greatness is "The Three Imposters; or, The Transmutations," a sprawling epic that forms the bulk of the book. This is a wonderfully constructed oddity, a larger story built up of numerous interlocking smaller tales that could well stand on their own. Two characters, a Mr. Dyson and a Charles Phillips, encounter three individuals looking for a mysterious man wearing spectacles. The three people tell various stories to one or another of these men, including one set in the American West, a wacky yarn about an overachiever who imbibes a mysterious white powder with horrific results, and "The Novel of the Black Seal," my favorite story by far. In this intense tale concerning our lack of knowledge about the ancient past, a scientist going on retreat to the wilds of Wales mysteriously disappears forever after attempting to prove his theories about a weird little seal inscribed with the most curious markings. Parts of this story read like a mystery novel, as the main character in the story (a female servent/secretary type) discovers the aftermath of weird goings on and attempts to investigate the strangeness. I thought Machen achieved an amazing level of taut pacing with this story, and the conclusion to "The Three Imposters" shows the author bringing together the story in a satisfactory way. One of the things I liked about Machen's stories is the emphasis he puts on atmosphere and background. Outside of Dickens, I cannot remember reading another author who describes the squalid streets and alleyways of London as well as Machen does. Joshi mentions this in his introduction to the book, but until you actually sit down and read the stories you simply won't grasp the detail Machen offers on every page. Moreover, this hyper atmospheric writing style extends to stories that take place outside the city as well. As anyone who has read horror knows, atmosphere is as important, if not more so, to a story than nearly any other element. With his bleak descriptions of the seedy London byways, Machen elevates horror to new heights. In fact, all of the stories in this collection achieve greatness in their own unique ways. From what editor Joshi said in the introduction to this book, Machen failed to sustain his career in the long run. His later stories didn't sell well at all and seemed to be mere shadows of his former glories. Fortunately, we still have his creepy gems to read and savor today. If I had to rank Machen in the pantheon of grand horror writers, I would place him on more or less an even keel with Lovecraft but below Algernon Blackwood. But that comparison comes from only having read the few stories in this slim book. Certainly there are still Arthur Machen gems out there I have yet to see, so perhaps his stature will rise even higher in my eyes in the near future. Still, if you like Lovecraft and wish to read similarly themed stories, you need to pick up "The Three Imposters and Other Stories" soon. You won't be disappointed.
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by S. T. Joshi (Editor) Arthur Machen
by Algernon Blackwood
by Robert E. Howard
See all 11 books citing this book
