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Three Princes Hardcover – February 4, 2014


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Product Details

  • Hardcover: 352 pages
  • Publisher: Tor Books (February 4, 2014)
  • Language: English
  • ISBN-10: 0765335972
  • ISBN-13: 978-0765335975
  • Product Dimensions: 8.5 x 5.9 x 1.2 inches
  • Shipping Weight: 2.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #1,231,013 in Books (See Top 100 in Books)

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About the Author

RAMONA LOUISE WHEELER is the author of the "Ray and Rokey" series appearing in Analog magazine and has written nonfiction on comparative mythology, and on the literature and beliefs of the ancient Egyptians.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER ONE


 
LORD SCOTT Oken sharpened the focus of the opera-eyes so that a particular pair of legs filled the frame. She was the tallest woman on the stage, and to Oken’s eye, she was Golden Hathor with all her graces, a joy to behold. Certainly, there was not another pair of legs so exquisite, white thighs shaped by riding wild Cossack ponies as a child. In his better moments, Oken regretted the power he had over her intentions. In other moments, he simply had to admit that he loved his work.
His attention was interrupted by a knock on the door to his private viewing booth. It would be unseemly for a man of his rank to leap at an interruption.
The dancers sank into their final pose amid a swirl of silk and pearls. The gentle knocking became more insistent. The booth was small and carefully secured, so Lord Oken had only to turn in his seat to unlatch the door behind him.
The theater manager peered around the door, with only his self-important face and fashionably trimmed beard visible. He reverently held out a velvet cushion with a leather scroll-case. The gold-wax seal was the explanation for the manager’s excited decision to interrupt a dance scene. Oken took the case, thanking him with a casual word. The manager gave such a deep bow that he had to retrieve his top hat with a sudden snatch, and he retreated, struggling to balance his hat and the cushion while bowing as he backed away.
Oken shut the door and latched it. He sat, looking down at the golden seal on the case, feeling the familiar tug of duty and awe invoked by that familiar and historical icon. The Queen of Egypt was thousands of leagues away at Pharaoh’s Palace in Memphis, yet she could ensnare him with such a simple gesture. The blare of brass instruments striking up the final strains sounded, but he did not look up.
Oken unclipped his watch fob from its gold chain, a small, enameled-gold Watch It Eye. He tapped the snake coiled in the inner corner of the Eye and the cover opened, revealing a magnifying lens. The signs of tampering on the gold-wax seal were slight yet unmistakable: indentations in the bottom edge. Someone had read the Queen’s message, then skillfully resealed the case.
Oken closed the Eye and returned it to the chain, then broke the seal and unrolled the scroll. He raised it to his nose and sniffed gently. The unique incense of Pharaoh’s Palace was faintly present, evoking the majesty and wonder of Memphis. He was an agent of the Egyptian Empire. That thought had more power over him than the lure of those long, long legs.
The presence of Lord Scott Oken is requested at the palace in Memphis, for a presentation to Pharaoh Djoser-George. Life! Health! Courage! On Famenoth 30, commencing at 8 of the clock.
The handwriting was Lady Khamanny’s formal secretarial hand, signed with the hieroglyphic signet of the palace. Underneath it, however, was a simple sentence in the Queen’s familiar hand: We are counting on you to be there to dance with us, Scott, since poor old Dozey says his knees just won’t take the strain! Sashetah Irene.
Oken returned the little papyrus roll to its case and slipped it into an inner pocket, resettling his jacket around the stiff shape with a graceful shrug. He was smiling.
A reply to the Queen’s message could wait until morning. Oken returned to his close-up view of the stage.
*   *   *
HE LEFT his fur-lined overcoat in the booth. The manager would send it to the embassy hotel. Street carriages were heated, and Natyra kept her apartment unusually warm. She claimed she did so because she could spend more time in the bathing pool in the center of her bedroom. “Water, it keeps my body ready for the next dance!” Oken believed, however, it was more likely that she preferred being nude. This thought kept him warm as he climbed the nine stories to her apartment via the back stair, unheated and unguarded, lit only by small and ancient windows admitting the streetlights.
Natyra Arkadyena Solovyova lived in a great, round room in the sky above Novgorod, at the top of a stone tower in a western wall of the royal palace. Her sponsor, the grand vizier of all Oesterreich, Nevski XXI, was generous. Her room was as luxurious as any in the main halls of the palace, where the vizier and his many wives lived. It was also quite private, in its remote tower above the city.
Lord Oken found the door at the top of the staircase also unguarded, as he had expected. He removed his left glove and rested his fingertips against the touch-points of the ornate figure in the central panel. The hidden circuits in the silver inlay responded only to bare skin. Oken felt, rather than heard, the slight tremble as the panel activated; then it divided down the center and silently slid apart. He had to bend his head down and to the side as he stepped through the portal that had opened in the door. He was taller than most.
There were candles everywhere in her apartment, in silver and alabaster candlesticks. He could smell the soft, warm-wax scent of candles that had, until only moments before, been lit. The dying smoke made a sweet, mournful fragrance that told him the candles had burned while she awaited his arrival. He had known that they would not be lit when he walked in.
Oken asked her about it once. She told him someone (she would never tell him who, or when or why) had used candle flame to hurt her, badly. She showed him the pale scar still lingering on her sweet white breast. Whoever it was had used her own candles to burn her until she screamed her throat raw and confessed to things that she had not done and had never thought of doing until those ideas were put into her head. She had adored candles and candlelight from the first time she had been carried—small and helpless, and loving of the arms that held her—into a temple ceremony of the divine Neith, she of the wick and the lamps. Natyra’s first dances on temple stages had been to this ancient divinity. Natyra loved candles, the waxy scent, the yellow orange glow, the simple magic of light and heat that arose from string and wax and oil. She could not let that night of torture turn her away from her divine guide, but she could never bear to have anyone share them with her. She lit candles only when alone.
Oken, upon hearing this sad confession, had gotten up from her bed and taken a fat green candle from the mantel and set it on her nightstand. When he lit it, he saw her face go pale and her lips tremble. She held her chin up, still proud, yet a cloudy fear touched her green eyes.
He did not touch the lit candle. He held his hands out beside it, with the firm, tanned flesh of the backs of his hands and wrists close to her.
“Burn me,” he said to her, firmly. “Burn me with the candle.”
Natyra shook her head. He could see the candlelight gleaming in her eyes and on the smooth, polished skin of her shaved head.
“Do it.”
She stared at him, gauging his conviction, then took the candle and dripped hot wax onto the backs of his hands.
He winced.
He let her drip more wax, until he saw something fierce and clean shine in her perfect face. With a cry of alarm, she put the candle back into its holder and pushed it away. Oken blew out the flame, watching her face in the sudden twilight. He used a bit of ice from his drink to chill the wax on his hands until it was brittle and fell away.
Natyra had tears in her eyes as she kissed his hands then, the soft, unburned insides of his wrists and his palms. They never spoke of it again. She did not light candles when he was there, but she trusted him.
Her trust hurt Oken more than the mild blisters on his hands. He was testing a theory, doing his job. What truly mattered was that he discover the identity of her contact in Novgorod, in the palace of the grand vizier of Oesterreich, who was leaking vital information to Bismarck in Turkistan, the only nation in open resistance to Egypt’s embrace.
*   *   *
THE TAPESTRY that concealed the hidden entrance to her apartment was drenched with the fragrance of incense, oils and candles. Oken was familiar now with that mingled scent of smoke and time and he felt his pulse quickening.
He paused with the corner of the tapestry’s fabric in one hand, gazing around, adjusting to the dim light. At the far side of the room, tall windows looked out over Novgorod. City lights created an orange glow in the night sky. Opposite the tapestry was a fireplace, originally built to burn whole trees at once, radiating warmth into the room from the complex flutings of a steel radiator. White peonies filled the mantel, masses of them in crystal vases set between miniature lotus columns.
Oken could see the gold and silver threads of the tapestry’s design reflected in the mirror above the mantel, making the divine faces of Isis and Osiris shine softly in the darkness. They seemed to be smiling down benignly at his face, reflected in the mirror as well. For an instant he felt himself to be a part of their eternal scene. He pushed the feeling aside to focus on the moment. However lovely the scene, this moment was not benign. He was here on a mission, weaving lies in search of a truth.
Natyra’s pale form was outlined by blue radiance as she floated comfortably in the bathwater with an ivory headrest supporting her slender neck and shaved head. She raised her glass to him in salute when he stepped into sight.
Oken strolled slowly toward the glowing pool and her magical presence. He circled the pool so that he could see every curve in the water, then he stopped beside the ivory headrest. The blue radiance emphasized the pattern of veins in her throat and breast. Her eyes were deeper green in this light, large and luminous, gazing up at him with sultry promise.
He dropped to one knee beside her upturned face. “My mum spent a lot of her wealth to make sure that I had a proper appreciation of classical art. You are a c...

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Customer Reviews

I haven't read a "dang this is a really bad book" in awhile.
J. Hamby
The main characters have little to no backstory and no flaws to speak of, making them rather boring, pretty much vehicles for the description of the world.
Kay Hudson
Too much feels random or without sufficient explanation/motivation, while other plot points are dropped in or dropped out.
B. Capossere

Most Helpful Customer Reviews

2 of 2 people found the following review helpful By Arthur Enyedy on March 8, 2014
Format: Hardcover
hree Princes is an alternate history novel; it is a world where the Mayan and Egyptian empires never collapsed, but instead remain thriving entities into what appears to be the equivalent of our 19th century. It is the story of two princes of the Egyptian Empire - Lord Scott Oken and Professor Prince Mikel Mabruke - who work as spies for the Pharoah Queen Sashetah Irene. In the beginning of the novel, the pair are concerned about a secret organization called the Red Hand, as well as the evil plotting of rogues Albert and Victoria; but a report has come in that the Inca empire is trying to build a rocket ship to send to the moon, so all these initial concerns are dropped and Princes Oken and Mabruke are sent to the new world.

What Wheeler does best is write lavish descriptions of opulent luxury. At every location, including in desert tents out in the Sahara desert, the princes encounter beautiful and rich scenes - tasty and elaborate feasts, wonderous architecture, priceless furniture, amazing clothes, heady scents, the finest wines, glittering jewels, etc. The people who live in these places are healthy, strong and beautiful, with restrained manners and tastefully knowing their places. A movie directory would need a giant budget to film all the ornate locations described here.

Another nice part of the novel is Wheeler's description of the flying Quetzals of the Inca empire. (Wouldn't the Incas call their air ships condors? Quetzals are only found in central America, which is the location of the Mayan empire.) I have loved flying airships ever since I read A Princess of Mars back in my high school days. Wheeler envisions huge craft levitated by the lighter-than-air gas Tlalocene in huge balloons of caoutchouc.
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2 of 2 people found the following review helpful By B. Capossere TOP 1000 REVIEWERVINE VOICE on February 21, 2014
Format: Kindle Edition
Ramona Wheeler came up with a great setting premise for her novel Three Princes: an alternate Earth where neither the Egyptian nor the Incan Empires ever failed. Now, from their center in Memphis, Egypt rules an enormous swath of land across Africa, Europe, and Asia, though not all are happy with said rule, especially a resistance group led by Otto von Bismarck. Meanwhile, across the Atlantic, the Incans rule most of that area, which they crisscross in their Quetzal airships, the secret of which they closely guard. When rumors arise of an Incan attempt to land a rocket on the moon, two royal agents of the Egyptian Empire, Lord Scott Oken and Professor/Captain Prince Mikel Mabruke are sent across the wide ocean to investigate.

Like I said, it’s a great setting premise, one refreshingly distant from the usual European-based background. Unfortunately, though Wheeler flashes some moments, the setting and premise are mostly missed opportunities, thanks to a host of issues.

Plotting is mostly weak, relying on coincidences and conveniences, perfectly timed arrivals and departures, and too many people knowing just what to do too often. The action is episodic in nature as Scott and Mik travel from place to place, but it all feels a bit disjointed and removed and I can’t say any of it is all that exciting or even interesting. Too much feels random or without sufficient explanation/motivation, while other plot points are dropped in or dropped out.

The characters are pretty pallid and all too simplistic, either all good or all bad. Mik, for instance, has this magical charisma that charms everyone immediately, while one of the villains is a raving maniac, literally. Not to mention nearly everyone Scott meets is beautiful and full of “presence.
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3 of 4 people found the following review helpful By Sherry Briggs on February 12, 2014
Format: Hardcover
The premise of this book is that Julius Caesar never went back to Rome after meeting Cleopatra, and so was not assassinated, but went on to found, along with her, the Pharoman Empire. This empire is based on roads and commerce, rather than total conquest. This forms the background of a story which leads the reader along a road of sometimes startling adventure, as well as attempted betrayal. The technology is an actor in this story, having never been hobbled by the dark ages that we experienced in our own reality, If I have any complaint, it is that I have been kept awake too long at night while I was reading this book!
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3 of 4 people found the following review helpful By Ria (Bibliotropic) on February 10, 2014
Format: Kindle Edition
Whereas many pieces of alternate history fiction I've seen take place either at or around the turning point in history, or else far enough into the future that it becomes a combination of alternate history and science fiction, Ramona Wheeler's Three Princes was alternate history set long after the division of timelines, but still set in the past, making it notable in that regard alone. Wheeler plays with the timeline of civilization so that things changed at least 2000 years ago, and the book takes place in the late 1800s, making quite a gap to fill in with possibilities and tweaks that yielded an interesting world to explore.

Enter Scott Oken, royalty by blood, and Mikel Mabruke, called the Professor Prince, both of whom are well-trained intelligence operatives for the Egyptian empire. They are sent to investigate the Incan moon launch, as well as to uncover more information at the black orchid cult that is growing in strength and numbers. In Tawantinsuyu, the Incan Empire, we have Viracocha, who is the final of the titular three princes whom the story revolves around. Though really, the vast majority of the story surrounds Oken, a man who can seemingly do no wrong and who attracts women at every turn.

The first half of the story involves a lot of travelling, a fair bit of characters showing off their expansive skillsets and knowledge while dodging members of the black orchid cult as they travel by land and air from Memphis to Tawantinsuyu, across the Atlantic Ocean, in order to investigate the rumours of the Incan empire launching a ship to the moon. This plot gets all but forgotten in the second half of the book after they've arrived there, when they meet Viracocha and get tangled in the politics of his life.

As antagonists go, Pachacuti was rather weak.
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