From Publishers Weekly
Kellogg (Paul Bunyan; Johnny Appleseed) here serves up a rollicking farce inspired by a selection from Joseph Jacobs's 19th-century English Fairy Tales, with roots in the Brothers Grimm's "Clever Else." The narrative tells of a gentleman who is courting a farmer's daughter. When first the suitor's sweetheart, then her parents, disappear into the cellar one by one, he discovers the trio "A-sobbing and a-screeching and a-swimming in the cellar full of cider" (for quite a silly reason). He then sets out on horseback to "find three sillies who are even sillier than you three," and after he does, he returns to marry the daughter. Kellogg exploits the oddball scenarios to the fullest as he portrays an old woman trying to boost her cow onto her cottage roof ("to eat the weeds that were a-growing there") and a group of "a-whining, a-whimpering, and a-wailing" villagers who, spying the moon's reflection in a pond, believe it has tumbled from the sky. His riotous ink and watercolor illustrations spill over with preposterous particulars, including the antics and wisecracks of assorted opinionated animals. Presented in balloons, rhyming commentary from a boisterous chorus of townsfolk adds to the cheerful mayhem. Ages 5-10. (Nov.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Kindergarten-Grade 3-In this zany retelling of a familiar folktale, a suitor discovers that his potential betrothed and her family suffer from a severe affliction of the sillies. He sets out on a journey, promising to return only if he can find three people sillier than they are. In rapid succession, he meets an old woman who insists on grazing her cow on the roof, a man with a highly unusual way of donning his trousers, and an entire village of moonstruck fools. He returns to marry and suffers a near (but predictable) tragedy; a resultant pint-sized silly promises a lifetime of outrageous adventures. Kellogg's ink-and-watercolor illustrations are wonderfully suited to the goofy goings-on. From full-page spreads to small boxed action sequences, the bumptious characters and talking animals engage in glorious mayhem. The many visual references to previous stories by Kellogg will delight fans. While the telling itself is simple and straightforward, the dialogue balloons and plentiful asides add greatly to the humor. Kathryn Hewitt's porcine version (Harcourt, 1989) and Paul Galdone's classic (Clarion, 1981) are sedate compared to this rollicking good time. Best shared one-on-one so the myriad details will not be missed.
Carol Ann Wilson, Westfield Memorial Library, NJ Copyright 1999 Reed Business Information, Inc.
