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Special Features
- Audio commentary with director Terence Young and others
- Audio commentary with editor Peter Hunt, co-screenwriter John Hopkins and others
- Selling Bonds original 1965 TV commercials
- On Location with Production Designer Ken Adam
- A Child's Guide to Blowing up a Motor Car 1965 Ford Promotional Film
- Bill Suitor: The Rocket Man Movies featurette
- The Secret History of Thunderball featurette
- Thunderball boat show reel
- The Making of Thunderball featurette
- The Thunderball Phenomenon
- 007 Mission Control Interactive Guide into the World of Thunderball
- The Incredible World of James Bond original 1965 NBC-TV special
Editorial Reviews
Amazon.com
James Bond's fourth adventure takes him to the Bahamas, where a NATO warplane with a nuclear payload has disappeared into the sea. Bond (Sean Connery) travels from a tiny health spa (where he tangles with a mechanized masseuse run amuck) to the casinos of Nassau and soon picks up the trail of SPECTRE's number-two man, Emilio Largo (Adolfo Celi), and his beautiful mistress, Domino (Claudine Auger), whom Bond soon seduces to his side. Equipped with more gadgets than ever, courtesy of the resourceful "Q" (Desmond Llewelyn), agent 007 escapes an ambush with a personal-size jet pack and takes to the water as he searches for the undersea plane, battles Largo's pet sharks, and finally leads the battle against Largo's scuba-equipped henchmen in a spectacular underwater climax. This thrilling Bond entry became Connery's most successful outing in the series and was remade in 1983 as Never Say Never Again, with Connery returning to the role after a 12-year hiatus. Tom Jones belts out the bold theme song to another classic Maurice Binder title sequence. --Sean Axmaker
Product Description
The thrills never let up as James Bond dives into this riveting adventure filled with explosive confrontations and amazing underwater action sequences! Sean Connery brings his characteristic style, humor and magnetism to Agent 007 as he travels to Nassau to track down villainous criminal Emilio Largo, who's threatening to plunge the world into a nuclear holocaust. From Bond's thrilling jetpack flight to his heart-stopping clash with Largo's killer sharks, Thunderball is a stupendous mixture of action, romance and edge-of-your-seat suspense!
Customer Reviews
Most Helpful Customer Reviews
29 of 33 people found the following review helpful
5.0 out of 5 stars
This is what Bond is all about! Clearly the best Bond film in the franchise!
September 6, 2005
Format:DVD
I noted that this is the only Bond film of the entire series that, to date, has not received a single 1-star review here on Amazon. That's pretty dang good!
Director Terrence Young had introduced us to Bond in DR. NO and FROM RUSSIA WITH LOVE. Guy Hamilton then took us down the GOLDFINGER road, and while his attention to action made that the first SMASH Bond film, he also seemed to lose alot of the more down-to-earth flavor that made the first two Bonds so much better.
But, Terrence Young returned for his final Bond film, and somehow managed to provide the perfect mesh of the realistic Bond from the first two films, and the more action-oriented Bond of GOLDFINGER. The result is a very happy marriage indeed - it's just too bad there were very few legitimate children born of it!
THUNDERBALL contains all the great locales, villains, and Bond coolness that we love, without getting into the ridiculous, gadget-filled territory of the later films. It introduces us to our first true Bond femme fatale, and also gives us the first really interesting Bond girl in Claudine Auger's Domino character.
The music in the movie by John Barry is very nice, high-lighting the slower pace of much of the film. This movie is longer than the previous three by almost 20 minutes, and it is a nice extra cushion to really build the tension. In fact, Bond is largely absent from the first 45 minutes of the movie, and we finally see more of the villians plans - what they are and how they are being accomplished - in almost meticulous detail. Somehow, this makes the threat more real. Speaking of the threat, the plot being about terrorists stealing nukes and demanding ransom to prevent blowing up an undesignated city, is as fresh as today's headlines!
The only real gripe that can be levied at the film is that Connery does indeed seem a little less interested in the role than he had been. I think he's still mostly on track here, but he's missing the total devotion that he showed in the first three films.
That aside, THUNDERBALL is simply the best Bond - offering everything that makes Bond great, and eliminating all the over-the-top sillieness that made the later films so excruciating to sit through!
Director Terrence Young had introduced us to Bond in DR. NO and FROM RUSSIA WITH LOVE. Guy Hamilton then took us down the GOLDFINGER road, and while his attention to action made that the first SMASH Bond film, he also seemed to lose alot of the more down-to-earth flavor that made the first two Bonds so much better.
But, Terrence Young returned for his final Bond film, and somehow managed to provide the perfect mesh of the realistic Bond from the first two films, and the more action-oriented Bond of GOLDFINGER. The result is a very happy marriage indeed - it's just too bad there were very few legitimate children born of it!
THUNDERBALL contains all the great locales, villains, and Bond coolness that we love, without getting into the ridiculous, gadget-filled territory of the later films. It introduces us to our first true Bond femme fatale, and also gives us the first really interesting Bond girl in Claudine Auger's Domino character.
The music in the movie by John Barry is very nice, high-lighting the slower pace of much of the film. This movie is longer than the previous three by almost 20 minutes, and it is a nice extra cushion to really build the tension. In fact, Bond is largely absent from the first 45 minutes of the movie, and we finally see more of the villians plans - what they are and how they are being accomplished - in almost meticulous detail. Somehow, this makes the threat more real. Speaking of the threat, the plot being about terrorists stealing nukes and demanding ransom to prevent blowing up an undesignated city, is as fresh as today's headlines!
The only real gripe that can be levied at the film is that Connery does indeed seem a little less interested in the role than he had been. I think he's still mostly on track here, but he's missing the total devotion that he showed in the first three films.
That aside, THUNDERBALL is simply the best Bond - offering everything that makes Bond great, and eliminating all the over-the-top sillieness that made the later films so excruciating to sit through!
23 of 28 people found the following review helpful
5.0 out of 5 stars
The Thunderball Phenomenon: Skip the Special Edition for the 2-Disc Ultimate Edition
March 16, 2007
Format:DVD
In the wake of the enormous success of GOLDFINGER, THUNDERBALL became one of the most anticipated films in cinema history. "Bondmania" was at a fever pitch in the 1960s and that lended a certain air of confidence to the cast and crew. By Bond's fourth adventure, everyone was assured of success and everything was done on the largest scale possible. THUNDERBALL is often regarded, along with GOLDFINGER, as one of the better Bond films. It contains all of the elements of a good Bond flick at a time when Bond was not tired or clichéd. Bond's fourth adventure finds him taking to the sea, culminating in some of the most spectacular underwater fight footage ever recorded. And with Terence Young once again taking the director's chair after his temporary hiatus, the audience and the film is in good hands.
After the opening "gun barrel" sequence, re-shot for the first time in widescreen format with Sean Connery playing the part, we are greeted with the opening pre-credits "teaser." Audiences loved GOLDFINGER's teaser and the producers knew that they would have to arise to the occasion. We find Bond in France discreetly attending the funeral of Colonel Jacques Bouvar, SPECTRE's Number Six, who we learn is personally responsible for the death of two of Bond's colleagues. Thanks to Bond's sharp eyes, he determines that the Colonel has faked his own death and Bond makes it a priority to finish the job personally. After a brutal fight sequence, Bond strangles Bouvar and escapes using a jet pack. The Bell Rocket Belt used was a functioning jet pack, capable of a flight time of twenty one seconds. The scene is spectacular, all the more so because of the real jet pack. Bond makes his way to his waiting Aston Martin DB5 (first seen in GOLDFINGER) and prevents his enemies from reaching him with the use of rear-firing water canons--a new feature of the DB5. The water rushes over the screen and seamlessly morphs into the opening credits. Maurice Binder serves up a great title sequence featuring the naked silhouettes of female swimmers being chased by armed scuba divers. The colors are rich and vibrant and maintain the visual themes of the previous title sequences. Tom Jones belts out the title track, containing some awkward lyrics about our protagonist. I suppose it's hard to work Thunderball into song lyrics, leaving us only with "He strikes...like Thunderball."
The plot of the film is, once again, larger than life and would end up being a frequently copied and parodied theme. SPECTRE, this time represented by one-eyed Number Two, Monsieur Emilio Largo (Adolfo Celi), has managed to penetrate NATO forces and hijack two nuclear missiles. SPECTRE threatens to destroy two cities if NATO does not agree to cough up 280 million. It is described as SPECTRE's most ambitious project to date. Blofeld makes his second appearance, though once again we cannot see his face, in a secret French lair. The set is wonderful, containing a long table with all of SPECTRE's top officials present. Here we meet Numbers Seven, Ten, Five (obviously, they have replaced the previous Number Five of FROM RUSSIA WITH LOVE), Nine, and Eleven. We also get a sense of the range of SPECTRE's activities (blackmail, assassination, crime consultation, and narcotics) and also the brutal efficiency of Number One, who kills Number Nine on suspicion of embezzlement. It is a sign to all those present of what the consequences of failure are. Number Two must not fail in his NATO plans!
The first part of the film is filled with wonderful espionage as we learn how SPECTRE has penetrated NATO security. The actual hijacking of the missiles is spectacular. After SPECTRE has transmitted its demands to Britain, MI6 is called into action to find those missiles at all costs. All of the 00 agents are called in on this one and sent to different parts of the world to try and discover the hiding place before it is too late. Bond asks to be reassigned to Nassau because he believes he has a lead on the case, stemming from his experiences early on in the film. Of course, his instincts are correct and soon Bond finds himself playing a game of cat and mouse with Emilio Largo, who is all to aware of who Bond is and what he intends to do. What follows is a terrific storyline in which Bond inches his way closer to Largo's operation to discover the villain's secrets, with all of the destruction, love-making, and mayhem that entails.
Many have complained that THUNDERBALL is too long (at 130 minutes) and that the last half hour of the film is incredibly slow. Shot entirely underwater, the last bit of the film can seem long due to the slow movement of underwater action. But I do not think its pace suffers at all. I can remember seeing the film on television and thinking that it was a bit dull. But with the enhanced sound of the score pushing the beautifully restored images of the Ultimate Edition, I believe these sequences shine. They truly look spectacular and it is certainly the most ambitious underwater fight sequence I've ever seen. A seemingly endless supply of divers swim from all angles, launching an equally endless supply of harpoons at each other. The underwater images are surprisingly clear and we can honestly say that we haven't seen anything quite like it before (or since). Bond breaks new ground here and I think the action is as suspenseful as ever. In fact, the lack of sound underwater (besides the score) can actually increase the tension of the moment, in a manner reminiscent of 2001: A SPACE ODYSSEY, produced three years later).
Connery, once again, is impeccable as Bond. Reunited with director Terence Young, whom many say is the real inspiration for Bond's class and sophistication, Connery plays the role with a renewed sense of vigor and style. I particularly enjoyed the increasing chemistry between Q (Desmond Llewelyn) and Connery. If they were slightly antagonistic in GOLDFINGER, they are thoroughly annoyed with each other here. Q is back with a host of new gadgets suited to the underwater nature of the film: a homing device pill that Bond can swallow, a watch that doubles as a Geiger counter, a waterproof camera that doubles as a Geiger counter, a mini signal flare, and a small rebreather (capable of giving Bond an extra few minutes of air underwater in a pinch). Bond is fitted with these devices in the field and, naturally, they all get put to use before the film is out.
The Bond girls in THUNDERBALL are some of the most beautiful Bond girls of all. Former Miss France, Claudine Auger, plays the main role of Domino Derval, an absolutely stunning beauty who proves to be both elegant and athletic. Her beauty and grace remind me of Audrey Hepburn. She is everything a Bond girl can hope to be. Opposite her is the film's female protagonist, femme fatale Fiona Volpe (Luciana Paluzzi), a deadly girl who seduces Bond (or is it Bond who seduces her?). Unfortunately, their play is not long lived, for the girl capable of stopping traffic with her beauty is also capable of stopping bullets--particularly when Bond throws her deliberately into their path! Also of Bond girl note is Bond's assistant, Paula Caplan, played by Martine Beswick. Bond fans will remember her as first appearing in FROM RUSSIA WITH LOVE as Zora the gypsy dancer.
Our villain Emilio Largo (Adolfo Celi), for my tastes, is a bit bland. Perhaps it is because he seems merely SPECTRE's pawn, but Largo seems to lack the necessary evil of his predecessors. Of course, he is evil. But he is out for blackmail money and doesn't seem personally invested in the affair other than to generate profit for SPECTRE. Besides his personal shark pool and his excellent taste for women, there really isn't much going for him. Indeed, Bond's immediate threats in this film seem to revolve around the dangers of being underwater--hand grenades used as depth charges, killer sharks, and an army of henchmen armed with powerful harpoons--rather than from menacing villains and uniquely skilled henchmen. Whatever the case, THUNDERBALL still manages to be a roaring success and the action is still quite good. It won't be the last time that the evil villains are left a little underdeveloped.
All in all, I believe THUNDERBALL is one of the best of the Bond series. Connery is fantastic in his role, Terence Young's directing is superb, the women are some of the most beautiful we have seen yet, and the action breaks new ground in special effects. Make sure that you get the 2-disc Ultimate Edition set. The Ultimate Edition, like all of these releases, is absolutely wonderful. The DTS sound is amazing and really bring the action and John Barry's terrific score to life. The picture is amazing and blows the old television and DVD releases out of the water (I had to say it). Plus, it is packed with extras, including a "Making of" documentary, a documentary about the "Thunderball Phenomenon" created by the film, and a 45 minute television production released at the time exploring "The World of James Bond." I highly recommend it to any Bond fan or anyone interested in classic action pictures. THUNDERBALL holds up well to the test of time.
After the opening "gun barrel" sequence, re-shot for the first time in widescreen format with Sean Connery playing the part, we are greeted with the opening pre-credits "teaser." Audiences loved GOLDFINGER's teaser and the producers knew that they would have to arise to the occasion. We find Bond in France discreetly attending the funeral of Colonel Jacques Bouvar, SPECTRE's Number Six, who we learn is personally responsible for the death of two of Bond's colleagues. Thanks to Bond's sharp eyes, he determines that the Colonel has faked his own death and Bond makes it a priority to finish the job personally. After a brutal fight sequence, Bond strangles Bouvar and escapes using a jet pack. The Bell Rocket Belt used was a functioning jet pack, capable of a flight time of twenty one seconds. The scene is spectacular, all the more so because of the real jet pack. Bond makes his way to his waiting Aston Martin DB5 (first seen in GOLDFINGER) and prevents his enemies from reaching him with the use of rear-firing water canons--a new feature of the DB5. The water rushes over the screen and seamlessly morphs into the opening credits. Maurice Binder serves up a great title sequence featuring the naked silhouettes of female swimmers being chased by armed scuba divers. The colors are rich and vibrant and maintain the visual themes of the previous title sequences. Tom Jones belts out the title track, containing some awkward lyrics about our protagonist. I suppose it's hard to work Thunderball into song lyrics, leaving us only with "He strikes...like Thunderball."
The plot of the film is, once again, larger than life and would end up being a frequently copied and parodied theme. SPECTRE, this time represented by one-eyed Number Two, Monsieur Emilio Largo (Adolfo Celi), has managed to penetrate NATO forces and hijack two nuclear missiles. SPECTRE threatens to destroy two cities if NATO does not agree to cough up 280 million. It is described as SPECTRE's most ambitious project to date. Blofeld makes his second appearance, though once again we cannot see his face, in a secret French lair. The set is wonderful, containing a long table with all of SPECTRE's top officials present. Here we meet Numbers Seven, Ten, Five (obviously, they have replaced the previous Number Five of FROM RUSSIA WITH LOVE), Nine, and Eleven. We also get a sense of the range of SPECTRE's activities (blackmail, assassination, crime consultation, and narcotics) and also the brutal efficiency of Number One, who kills Number Nine on suspicion of embezzlement. It is a sign to all those present of what the consequences of failure are. Number Two must not fail in his NATO plans!
The first part of the film is filled with wonderful espionage as we learn how SPECTRE has penetrated NATO security. The actual hijacking of the missiles is spectacular. After SPECTRE has transmitted its demands to Britain, MI6 is called into action to find those missiles at all costs. All of the 00 agents are called in on this one and sent to different parts of the world to try and discover the hiding place before it is too late. Bond asks to be reassigned to Nassau because he believes he has a lead on the case, stemming from his experiences early on in the film. Of course, his instincts are correct and soon Bond finds himself playing a game of cat and mouse with Emilio Largo, who is all to aware of who Bond is and what he intends to do. What follows is a terrific storyline in which Bond inches his way closer to Largo's operation to discover the villain's secrets, with all of the destruction, love-making, and mayhem that entails.
Many have complained that THUNDERBALL is too long (at 130 minutes) and that the last half hour of the film is incredibly slow. Shot entirely underwater, the last bit of the film can seem long due to the slow movement of underwater action. But I do not think its pace suffers at all. I can remember seeing the film on television and thinking that it was a bit dull. But with the enhanced sound of the score pushing the beautifully restored images of the Ultimate Edition, I believe these sequences shine. They truly look spectacular and it is certainly the most ambitious underwater fight sequence I've ever seen. A seemingly endless supply of divers swim from all angles, launching an equally endless supply of harpoons at each other. The underwater images are surprisingly clear and we can honestly say that we haven't seen anything quite like it before (or since). Bond breaks new ground here and I think the action is as suspenseful as ever. In fact, the lack of sound underwater (besides the score) can actually increase the tension of the moment, in a manner reminiscent of 2001: A SPACE ODYSSEY, produced three years later).
Connery, once again, is impeccable as Bond. Reunited with director Terence Young, whom many say is the real inspiration for Bond's class and sophistication, Connery plays the role with a renewed sense of vigor and style. I particularly enjoyed the increasing chemistry between Q (Desmond Llewelyn) and Connery. If they were slightly antagonistic in GOLDFINGER, they are thoroughly annoyed with each other here. Q is back with a host of new gadgets suited to the underwater nature of the film: a homing device pill that Bond can swallow, a watch that doubles as a Geiger counter, a waterproof camera that doubles as a Geiger counter, a mini signal flare, and a small rebreather (capable of giving Bond an extra few minutes of air underwater in a pinch). Bond is fitted with these devices in the field and, naturally, they all get put to use before the film is out.
The Bond girls in THUNDERBALL are some of the most beautiful Bond girls of all. Former Miss France, Claudine Auger, plays the main role of Domino Derval, an absolutely stunning beauty who proves to be both elegant and athletic. Her beauty and grace remind me of Audrey Hepburn. She is everything a Bond girl can hope to be. Opposite her is the film's female protagonist, femme fatale Fiona Volpe (Luciana Paluzzi), a deadly girl who seduces Bond (or is it Bond who seduces her?). Unfortunately, their play is not long lived, for the girl capable of stopping traffic with her beauty is also capable of stopping bullets--particularly when Bond throws her deliberately into their path! Also of Bond girl note is Bond's assistant, Paula Caplan, played by Martine Beswick. Bond fans will remember her as first appearing in FROM RUSSIA WITH LOVE as Zora the gypsy dancer.
Our villain Emilio Largo (Adolfo Celi), for my tastes, is a bit bland. Perhaps it is because he seems merely SPECTRE's pawn, but Largo seems to lack the necessary evil of his predecessors. Of course, he is evil. But he is out for blackmail money and doesn't seem personally invested in the affair other than to generate profit for SPECTRE. Besides his personal shark pool and his excellent taste for women, there really isn't much going for him. Indeed, Bond's immediate threats in this film seem to revolve around the dangers of being underwater--hand grenades used as depth charges, killer sharks, and an army of henchmen armed with powerful harpoons--rather than from menacing villains and uniquely skilled henchmen. Whatever the case, THUNDERBALL still manages to be a roaring success and the action is still quite good. It won't be the last time that the evil villains are left a little underdeveloped.
All in all, I believe THUNDERBALL is one of the best of the Bond series. Connery is fantastic in his role, Terence Young's directing is superb, the women are some of the most beautiful we have seen yet, and the action breaks new ground in special effects. Make sure that you get the 2-disc Ultimate Edition set. The Ultimate Edition, like all of these releases, is absolutely wonderful. The DTS sound is amazing and really bring the action and John Barry's terrific score to life. The picture is amazing and blows the old television and DVD releases out of the water (I had to say it). Plus, it is packed with extras, including a "Making of" documentary, a documentary about the "Thunderball Phenomenon" created by the film, and a 45 minute television production released at the time exploring "The World of James Bond." I highly recommend it to any Bond fan or anyone interested in classic action pictures. THUNDERBALL holds up well to the test of time.
29 of 37 people found the following review helpful
Format:VHS Tape
THUNDERBALL (1965) the fourth of the James Bond 007 series is among the best of the films. As a follow-up to the phenomenally successful and definitive GOLDFINGER, THUNDERBALL is just a shade less satisfying. In terms of tone and composition the two films are of an era in the James Bond mythology.
Sean Connery returns as the inimitable British Secret Agent, this time set against SPECTRE Agent Number Two, Largo (Adolfo Celi). SPECTRE has stolen an atomic bomb and is holding the world hostage.
Largo is a worthy adversary. Strongly-built, silver-haired, wearing an eyepatch, and more physically intimidating than Gert Frobe's plump Goldfinger, Celi's Largo lacks the faintly tongue-in-cheek air which animated Goldfinger's behavior. In fact, the entire film lacks the decidedly humorous undertone of GOLDFINGER. The villains are more vicious, and Connery's Bond, his wit more honed than ever, is playing for keeps.
The theme song (with Tom Jones singing), plot and story are at least on a par with the predecessor film; however, the action, based in the Caribbean, takes place largely around, and under, water, and the film drags deplorably during most of the underwater sequences despite the fact that one of these is the climactic fight scene. The change in tempo between land and undersea action is jarring and detracts from the movie in a manner that its innate excellence in other respects cannot compensate.
Of course, Bond successfully seduces just about every woman on the set (except for Miss Moneypenny, the Penelope of the series). While he is able to win an ally in Domino (Claudine Auger), he is less successful with others, though as he admits, after all, it is "all for King and Country." What a sense of selfless sacrifice the man has!
THUNDERBALL was later remade as NEVER SAY NEVER AGAIN in which Connery, still trim, fit, and feisty (but with toupee) returned to the James Bond role after more than a decade's hiatus. The remake is great to watch as a counterpoint to the original.
While THUNDERBALL is not as much fun as GOLDFINGER, if all subsequent Bond films could have been as good as THUNDERBALL, even Timothy Dalton would have been a tolerable 007. Let's give this one FOUR AND A HALF STARS.
Most Recent Customer Reviews
5.0 out of 5 stars
classic
sean connery at his best, the locations, great underwater battle as connery works his classic bond with spectre and the evil number two
Published 18 days ago by hb
4.0 out of 5 stars
Sean was the original and best Bond.
Good older flick with good action without a lot of the modern special effects. For those Bond lovers, a most.
Published 20 days ago by LRL
4.0 out of 5 stars
THE classic 007 film!
Visually stunning and suspense filled even if you have seen it dozens of times!
If you have a big screen TV, you are in for a treat!
If you have a big screen TV, you are in for a treat!
Published 23 days ago by Tracy P. Neeley
5.0 out of 5 stars
Yea.. that's Bond
Good to see the "classics" The quality was a bit not up to par, but it was the '60s for goodness sakes. They didn't even have push button phones back then.
Published 23 days ago by M. Butkus
4.0 out of 5 stars
Best of the Sean Connery Bond movies
A little campy by today's standards, but great story line and fantastic underwater sequences (for early 60s). Neat location in the Bahamas. Read more
Published 24 days ago by mathwiz
5.0 out of 5 stars
classic
who needs to review this movie, james bond has been a classic for many years. i enjoy them all even the new ones with d. craig
Published 29 days ago by nero
1.0 out of 5 stars
Amazed!
Looking back on this early James Bond piece, I am amazed that the series has continued to inspire people. I found the work badly edited, the audio was a joke, and acting stiff.
Published 1 month ago by B. Hart
4.0 out of 5 stars
Classic
I love the Bond movies and grew up with Sean Connery as Bond. This movie sets the stage for his era and doesn't disappoint.
Published 1 month ago by JohnS
3.0 out of 5 stars
Hold the remote!
Just watched this on Amazon instant videos (PRIME) and was unpleasantly surprised at the sound in this movie. Read more
Published 1 month ago by N. Gregg
3.0 out of 5 stars
Vintage Bond...and That's the Problem
Never saw this movie except in little pieces when watching TV in my younger days. It is unbelievable how simple the plot lines were compared to modern day Bond movies. Read more
Published 1 month ago by D. Mark Waldoch
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