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Most Helpful Customer Reviews
86 of 88 people found the following review helpful:
5.0 out of 5 stars
Talk about translations!,
By A Customer
This review is from: Thus Spoke Zarathustra: A Book for Everyone and No One (Penguin Classics) (Paperback)
I only want to say one thing here, and I say it primarily because I already love this work. This is the translation to buy. Everyone seems to adore Kaufmann, but the truth is he's much more obtuse and difficult to read (and I don't believe it's necessary, as some may say). Hollingdale gets it right. I'll defend myself with one example from a class I took, where Kaufmann's translation was the required text. I had read both translations (cover-to-cover), and sold my copy of Kaufmann's translation, keeping only my Hollingdale. So, needless to say, I wasn't about to buy Kaufmann again, and went to class with Hollingdale. Slowly, but surely, as the other students read bits of the translation I had, or heard when I spoke pieces aloud, they overwhelmingly agreed with me: Hollingdale is simply more clear, more beautiful, more powerful (less academic, shall we say, which is pure Nietzsche). Ok, over and out, enjoy.
171 of 185 people found the following review helpful:
4.0 out of 5 stars
Review for the non-philosopher,
By Andy Gill (Dorset, England) - See all my reviews
This review is from: Thus Spoke Zarathustra: A Book for Everyone and No One (Penguin Classics) (Paperback)
There seem to be plenty of reviews debating the philosophical principles of Nietszche and the statements he makes, so, for the non-philosophy students present (i.e. ME) I'll rate it for the layman. `TSZ' is very longwinded, and as the introduction states, filled with `excess', but that does not make it a bad book. Every sentence is imbued with its own iconic poetry, and, philosophy aside, the metaphors and similes alone make this book worth reading. It is clear that Nietszche, or perhaps his translator, had a mind better suited to creative expression than most philosophers, or indeed today's authors, and it is in this that lies the book's real strength. Through its use of imagery it not only makes an interesting, inspirational, conjectural read (apart from a few really boring parts that seemed written only to slow down the pace), it makes its message easy to understand and backs it up with surrealistic examples. Whereas sometimes in philosophy, the use of allegory can confuse the issue (More's `Utopia' - mockery of idealism, framework for perfect society, or rambling tale?), in `Zarathustra' the reader, no matter whether they are new to the field or not, cannot fail to discern the message that Man is not a goal but a bridge, a rope over an abyss. As philosophy, and as literature, it succeeds in conveying its point, setting up a platform for discussion or merely to digest individually. Admittedly, some refuse to read Nietszche because of his view of women (`shallow waters'), and because of how his ideas for the Superman allegedly inspired Hitler's Aryan vision for the world, but such people deprive themselves of an interesting viewpoint that defines the meaning of life in human rather than spiritual terms. One potential problem for the newcomer to philosophy is the storyline. For a man remembered for the statement `God is dead', Nietszche obviously drew inspiration from the Bible, for Zarathustra is strongly reminiscent of Jesus, recruiting disciples and disappearing into the wilderness with a frequency that Bigfoot would be proud of. The problem with an allegorical tale is the reader's propensity for bringing western narrative expectations to it - `Zarathustra' is a text-book, not a story, but sometimes you do find yourself waiting for the climax, the big show-down, the cinematic denouement. So long as you remember that it is philosophy, not a novel, and so long as you appreciate each segment as an expressive point and not part of a conventional plot, there should be no troubles. I'll leave you with a sample of Nietzsche's verbal wizardry: `It is the stillest words which bring the storm. Thoughts that come on doves' feet guide the world.'
15 of 15 people found the following review helpful:
5.0 out of 5 stars
One of the most challenging works I have ever read,
By Kurt A. Johnson (North-Central Illinois, USA) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 100 REVIEWER) (REAL NAME)
This review is from: Thus Spoke Zarathustra: A Book for Everyone and No One (Penguin Classics) (Paperback)
Thus Spoke Zarathustra (originally Also Sprach Zarathustra) is considered by some (myself included) to have been the crowning work of the nineteenth century German philosopher Friedrich Wilhelm Nietzsche (1844-1900). Unlike most modern philosophical works, Zarathustra's format harkens back to the Bible and to the ancient Greek works such as Plato's dialogues. In it, Zarathustra wanders the landscape, talking to people, drawing out the fallacies of what they believe and propounding Nietzsche's philosophy.
Overall, I found this to be one of the most challenging works I have ever read. Nietzsche's use of paradox and ambiguity tends to obscure his teachings, while at the same time challenging the reader to read closely and understand what he is saying in spite of the ambiguity. But, it is well worth the effort. In his seminal work, The End of History and the Last Man, Francis Fukuyama argues that the last philosophy standing that can possibly challenge the reigning philosophy of the West is that of Friedrich Nietzsche. And so, I do believe that it is worth understanding Nietzsche. Is this the best book to read to understand the great philosopher? I can't say. But, it is the book I started with. It is a challenging read, but definitely well worth the effort. I have had a copy of this book since college, and to this day I still periodically take it off the shelf and read it again.
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