One Way Ticket To Hell...And Back [Digital Album Clean]

The Darkness | Format: MP3 Download

Product Details

• Original Release Date: November 28, 2005
• Release Date: November 28, 2005
• Label: Atlantic Records
• Copyright: 2005 Warner Music UK Ltd
• Total Length: 35:05
• Genres:
• ASIN: B001232RFA
• Average Customer Review: 3.8 out of 5 stars  See all reviews (114 customer reviews)
• Amazon Best Sellers Rank: #408,738 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

42 of 49 people found the following review helpful:

4.0 out of 5 stars So much fun that you'll forget the ride, December 3, 2005

By 

Tim Brough "author and music buff" (Springfield, PA United States) - See all my reviews
(TOP 1000 REVIEWER)    (VINE VOICE)   

This review is from: One Way Ticket to Hell & Back (Audio CD)

Great Sweet Queen, wipe the Slade clean. Justin Hawkins and his bandmates in The Darkness have given us an exuberant reminder of why - when it was really great - the kind of arena rock that you loved in the 70's was fabulous. In fact, even the syrup-stringed ballad ("Seemed Like A Good Idea At The Time") isn't a total embarrassment. There's even a couple of hilarious one-offs to make sure you never forget that The Darkness can make light. You get "Knockers" (complete with the most outrageously funny second verse I've heard in years) and the ode to that middle-age scourge of crotch-rockers everywhere, "Bald." (Hey, is this a knock at Rush? Remember "I Think I'm Going Bald"?)

That is the beauty of The Darkness and "One Way Ticket To Hell...And Back." This is serious rock by a bunch of guys who have no problem NOT taking themselves all that seriously. My main quibble with The Darkness remains that their voice is still not gone beyond a too-easily identified composite of other bands. You'll hear an awful lot of Sweet and Queen here, and dabs of Slade, Boston, AC/DC, Def Lep etc, and the final third of the CD loses momentum. But then, if you can muster up the charisma of Freddie Mercury and the harmonies of the mighty Sweet, as The Darkness does on the title cut and "English Country Garden," I'm not going to be the one to tell you it's a bad thing. Add to the mix Roy Thomas Baker's usual kitchen sink approach to the production (sitar, bagpipes, pan flute, tubular bells and a pitch-perfect Brian May sound-alike opening guitar on "Hazel Eyes") and you can't help but get swept up in the ride. Besides, would any of the cocaine-cowboy bands of the seventies even dared to open their album with an anti-drug song AND the sounds of line-snorting?

Best Songs" "One Way Ticket," "Knockers," "Hazel Eyes."

28 of 33 people found the following review helpful:

4.0 out of 5 stars Kick-Ass!, December 5, 2005

By 

Daniel Maltzman (Arlington, MA, USA) - See all my reviews
(REAL NAME)   

This review is from: One Way Ticket to Hell & Back (Audio CD)

Ah, the dreaded second album, the album that will separate the one-album-wonders and the bands with staying power. Having to have your second album be as good as your debut is hard enough, but it's going to be particularly challenging for The Darkness. With their ultra falsetto singer and screeching guitars, The Darkness are a complete throwback to the pre-Nirvana 70/80s. Some view The Darkness as a novelty act, and see the success of their debut album as an anomaly. So needless to say, The Darkness have a lot riding on their second album, it's either going to make them or break them.

Much to the relief of the band and their fans, "One Way Ticket to Hell...and Back" (2005) totally rocks. It has all the ingredients of a great old-school rock album: in-your-face head-banging arena rockers with kick-ass solos, a touch of the theatrics, and a balled or two that isn't to too corny. The Darkness have avoided the pitfalls of many sophomore slumps which include re-making the debut or letting creative aspirations run wild. "One Way Ticket to Hell...And Back" is cut, more or less, from the same cloth as the debut. It's the same retro style of AC/DC meets Queen, but Roy Thomas Baker's production has given the songs an authentic touch of the theatrical operatic aspirations from which the band first strived for on their debut. The mellotrons, flugelhorns, sitars and saxophones added to the mix work well. At times, the channeling of Queen and the added orchestration may be a little overdone, but the album is still a thoroughly enjoyable listen.

The critics have given "One Way Ticket to Hell and Back" fair reviews. But much like Queen, The Darkness could very well turn out to be a band of the people, rather than the critics. Fans of the debut, old-school metal, and Queen should be very pleased with this album.

9 of 10 people found the following review helpful:

5.0 out of 5 stars one way ticket to heaven..............., November 30, 2005

By 

Thin Timmy "Bela Drake" (New Orleans, La.) - See all my reviews

This review is from: One Way Ticket to Hell & Back (Audio CD)

Great! It's like when KISS made Destroyer. Critics and fans
didn't appreciate it. This is a great effort and shows these
guys are no one hit wonders. Slick production and keyboards
and backing vocals make this a classic rock album. The Thin
Lizzy celtic "hazel eyes" is my favorite. "Dinner Lady Arms"
sounds like a rocking Raspberries song. The title track and
"Is it just me?" are good rockers like the first album. It's
like Queen meets AC/DC. It's got everything a true fan of rock
n' roll would love. Give it a chance. These guys are for real
and I hope stay around a long time. Rock n Roll needs them!!!!