Customer Reviews

Ticket to Minto: Stories of India and America (Iowa Short Fiction Award)

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Reviewer John Green errs blatantly in calling most of these stories "first-person accounts." Only four are told in first person. The other eight clearly show third-person. I also disagree with Green's view that "these stories often lack a clear and consistent narrative voice and tend to end with contrived imagery of closure."
Sohrab Fracis creates a rich variety of Indian characters, beginning with the Parsi schoolboy whose religious faith helps him defeat a bully in the first story, "Ancient Fire" and ending with an Indian-American whose artistic faith keeps him going as a talented author in the last story, "The Mark Twain Overlook."
I notice an underlying sensibility in this collection that appears almost like a character. This sensibility is upper class, cultured, dynamic. It thrives on nuance, at times challenges with ambiguity. It lives as an uneasy minority in India and in America. It values stability and family life but prefers mobility and single life. It searches for love less by convention and more on its own complex terms. It portrays promiscuity with serio-comic effect. It feels for the downtrodden and is painfully aware of class divisions that contribute to India's misery. It casts a keen eye at American provincialism and residual racism. It understands the dilemma of mainstream Americans who are identified with past wrongs to minorities and are trying to right the wrongs but in ways that bring the mainstream more condemnation. It empathizes with the elderly, especially with those who live their declining years with calm and dignity.
It often closes stories with images of remarkable subtlety like the broken tree branch in "Stray" and the drifting hairs of a pickled rabbit's paw in "Rabbit's Foot" (stories in which students from India feel the tug of their country's traditions and life in contemporary America). Arguably, the most skillful use of imagery occurs in the conclusion of "Keeping Time." Here music and writing interweave to underscore an aging piano teacher's alleviation of frustrations and sadness with stoic acceptance.

With "Ticket to Minto" Sohrab Homi Fracis has given the world twelve brilliantly written short stories and, beyond that, has set a new benchmark for the genre. Substantively different from mainstream narrative writing, his writing is a reminder of what finely crafted literature is able to accomplish. He has something to tell, and he spend ten years to render his thoughts and feelings into this excellent prose. The book is not an easy read through (superior literature never has been and never will be), it demands the reader to take his or her time to feel the beauty of every single sentence.

The stories are set in India and the United States, related by their protagonists - Indian people of different religious groups - Hindu, Muslim, or Parsi - who are condemned to live as outsiders and strangers, abroad in America or even at home in India. Fracis writes about his characters with knife-like insight, but not without humour and poignancy, to show their (inner) struggle. His protagonists fight for recognition, search for love, and try to live a decent live. The writing draws the reader into the stories and into the live of those people. The narrative voice is so startling and colourful and one that takes the reader along on an unforgettable journey between two continents.

I came across the book by chance - but this has been one of the luckiest coincidences ever. I translated the story "Keeping Time" into German and read it to friends and other audiences. The responses were great. It is the underlying universal validity of the stories that make the collection a rewarding read for people even outside India and the United States.

I recommend this book highly to anyone who likes valuable literature and is interested in Indian an American contemporary life and life in general. I can't wait to read more by Sohrab Homi Fracis.