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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Sleep To Dream | 4:08 | $0.99 | |
| Play | 2. Sullen Girl | 3:54 | $0.99 | |
| Play | 3. Shadowboxer | 5:24 | $1.29 | |
| Play | 4. Criminal | 5:41 | $1.29 | |
| Play | 5. Slow Like Honey | 5:56 | $0.99 | |
| Play | 6. The First Taste | 4:47 | $0.99 | |
| Play | 7. Never Is A Promise | 5:54 | $0.99 | |
| Play | 8. The Child Is Gone | 4:14 | $0.99 | |
| Play | 9. Pale September | 5:50 | $0.99 | |
| Play | 10. Carrion | 5:43 | $0.99 |
Product Details
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From the first track, Sleep to Dream, Fiona grabs you with her strong vocals, both in their performance and their lyrics. Fiona effortlessly transitions from such passionately angry pieces as Sleep to Dream to quieter, piano-centered pieces like Sullen Girl, giving us, through voice and lyric, a musical journey through the range of emotions that make up the ebb-and-flow of a young woman's journey through romantic life (that ebb-and-flow being the inspiration of the album's name, Tidal.)
Other notable pieces are of course the quite famous Criminal, with its jazzy, self-impugning look at romantic sin; The First Taste, combining a dance beat with all of Fiona's subtle lyrical poeticism, and the perhaps underappreciated Never is a Promise, a breathtakingly beautiful, melancholy song about the limits to which one can communicate one's essence, even to those one most deeply cares about.
Fiona sings with a maturity, her lyrics reveal a depth, her music demonstrates a passion most would say was "beyond her years." To me, Fiona demonstrates clearly that popular music created by a young person (Fiona was only 18 when this was released), need not sound like the general conception of what popular music created by a young person sounds like (e.g.. the Pop Princess Cabal.) No, this is the beautiful work of a profoundly mature young artist, and it is one that you cannot afford to miss.
I didn't like Fiona when I first heard her way back in '96 (seems like eons ago). I thought "shadowboxer" was boring. A year later I still didn't like her or her new song, "sleep to dream"--it was boring too. But I began to respect her, artistically. I knew she had talent and could sing and write very well (a combination lacking in today's music). By the end of 1997, I fell in love with her song, "sullen girl" and the rest of her album, through a friend's copy of "TIDAL".
Now "sleep to dream" is one of my favorite songs, and I also like "shadowboxer". "Sullen Girl" is a song anyone, male or female, could relate to in regards to the lyrics:'Days like this, I don't know what to do with myself . . .' Of course the song turns out to be about her rape. The rest of the album is flawless. Even the slower, less appealing tracks, "The Child is Gone", "Slow Like Honey" have a unique, beautiful sound. It's hard to pick a favorite track cuz there's so many good ones--"Never is a Promise" is a meditation on hopelessness and that familiar suicidal urge, "Criminal" is one of the best songs to hit the airwaves in years, and "The First Taste" is perfect.
Overall, this is an impressive debut. It's rare to find a young female artist who can sing AND write so well.