A Tidewater Morning (Hardcover)

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Editorial Reviews

From Publishers Weekly

The publisher bills this as Styron's first book of fiction in more than a decade. Sophie's Choice was published in 1979--but that is misleading: the most recent of these three Esquire stories collected here was published in 1987, and the other two appeared in 1978 and 1985. As one would expect, there are patches of startling writing here, particularly in the title story, in which Styron's evocation of the Virginia landscape of his youth is achingly beautiful. But on the evidence of these unremarkable pieces, Styron does not seem to be a natural short-story writer; his lush prose needs the breathing room of a long novel, space enough for his narrative to gather momentum before lifting off. The three tales are united by their single narrator, one Paul Whitehurst, and his search for "light refracted within a flashing moment of remembered childhood." They take up the issues Styron has grappled with in previous fiction--the legacy of slavery and racism in the South, the constricting ties of family relationships, the tragedy of war--but with neither a refreshing new perspective nor the tremendous oratorical potency that Styron's readers expect from him. This is well-crafted magazine fiction that is satisfying only for as long as it lasts.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In each of these three stories, which orignally appeared in Esquire magazine in the Seventies and Eighties, narrator Paul Whitehurst recalls significant episodes from his childhood in Virginia during the Depression and the Second World War. In "Love Day," Paul remembers his father's analysis of the economic benefits the war has brought to the South, as he himself sails to Japan with the invasion fleet. In "Shadrach," a dying former slave returns to the rundown plantation where he was born. In the title story, Paul commemorates his mother's agonizing death from cancer. The narratives, as Styron says in a preface, "reflect the experiences of the author," as well as recapitulate, in luminous prose, most of the major themes of his longer fiction, from Set This House on Fire (1951) to Sophie's Choice (1981). For all its brevity, this collection is arguably the best single-volume introduction to this important author. Previewed in Prepub Alert, LJ 5/15/93.
- Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover
• Publisher: Random House Value Publishing (November 21, 1995)
• Language: English
• ISBN-10: 0517164507
• ISBN-13: 978-0517164501
• Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #1,945,182 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

4.0 out of 5 stars Not essential Styron but a good intro to his work, June 12, 2000

By	Randall Ivey "Randall" (USA) - See all my reviews

This review is from: A Tidewater Morning (Paperback)

Styron revisits old themes in this collection subtitled "Three Tales from Youth" and set, two thirds of the way, in Tidewater Virginia in the earlier part of the twentieth century. In it we see three episodes from the life of Styron's autobiographical protagonist Paul Whitehurst at ages twenty, ten, and thirteen.

In "Love Day" Paul, a young Marine lieutenant, experiences intense homesickness in the Pacific Ocean during the waning months of WWII. This is well-written but perhaps the least impressive of the three tales. Next is best. "Shadrach" is a wonderfully affecting, funny, and touching story of a 99-year old former slave who walks all the way from Clay County, Alabama, to Virginia to die and be buried in his homeplace. The title story shows Paul's struggle to accept his mother's approaching death from cancer and pays especial attention to the complex relationship between his parents.

Despite Styron's wonderfully indulgent and rococo style, these stories make for fairly quick reads, as we are carried along on a stream of telling detail and crystalline reminiscence. Not that the work lacks complication. As with his larger-canvased works, Styron deals with issues of race, Southern identity, heterosexual love, courage, cowardice, religion, and art. Here and there the stories are marred by facile liberal pieties and stilted dialogue, but for the most part it is a pleasure to watch this old master cast perhaps one last look at the familiar but still-fertile landscape of his heart and imagination.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Picturesque and memorable, March 13, 2000

By	Steve (Massachusetts) - See all my reviews

This review is from: A Tidewater Morning (Paperback)

Styron raises enough intriguing issues and questions that A Tidewater Morning could have been a full-bodied novel. Instead, we are treated to three short stories that, while somewhat disjointed, do manage to flow with relative ease. There's little new material addressed here: Styron returns to his favorite themes of slavery, war, and death, but he does manage some fresh twists that allow Tidewater to stand memorably on its own merits.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Enter the world of Styron HERE!, January 17, 2000

By	jenna (Central New York) - See all my reviews

This review is from: A Tidewater Morning (Paperback)

This book is a beautiful intermingling of past memeories and present strife. The war time world of Paul Whitehurst is made apparent; his childhood battles were fought just as passionately as any battle in WWII. Paul is a fictional character full of wit and wisdom. He comes alive in the three separate stories of his life. Your only thought at the end of this (way to short) novel is that you wish there was some kind of continuation or sequel to Paul Whitehurst's story.