| ||||||||||||||||||||||||||||||
|
Summer Reading
Browse the best books of summer including blockbusters, beach reads, and editors' picks in our Summer Reading Store. |
Product Details
Would you like to update product info or give feedback on images? |
The ideas are revolutionary in a genre whose readers normally subsist on casual magic and Sword & Sorcery. Themes of memory, identity, destiny and freedom are seamlessly interwoven in a breathtaking tapestry; identity can only be founded on the recovery of memory, and it is only with a sense of identity that one can attain the freedom to fulfill one's destiny. 'Tigana' features characters who have had their identities brutally torn from them, and the result is that they are left empty and searching for a way to fill the void in their souls. Their desperate attempts sometimes lead them in the wrong directions, toward things which are cruel or unnatural, but provide temporary solace from the emptiness. The tragedy of their existence is especially wrenching in Kay's portrayal of love, as he shows that it cannot exist as long as there is no sense of identity, and hence, no freedom. Without these things, it is only a selfish grasping for rescue from emptiness, turning the act of love into a degradation.
Kay's portrayal of the characters is one of the high points of this book's brilliance. Who is the enemy? This is a question difficult to answer in a book which has characters on the 'good' side committing terrible acts, while the designated 'enemy' is a wonderfully complex character; and the fact that Brandin inspires such loyalty in his followers--and such love in Dianora, who had sworn to kill him--is totally justifiable, and may be shared by the reader. On the other hand, the soul-deep pain for which he is responsible--and for which he has no remorse--makes a strong case against him. There are no evil people or good people in this book: there are only evil actions, bringing this book into a realm of 'grayness' in its approach to good and evil which most fantasy avoids.
In addition to his skill in characterization, Kay knows how to plumb the very depths of human emotion, yet somehow without once lapsing into melodrama. All the extremes of pain and suffering are there, as well as the extremes of love and tenderness. And there is no better vehicle for these powerful emotions than Kay's gorgeous writing.
The ending fit perfectly with the rest of the story, tying together the themes of identity and destiny which the riselka had come to symbolize all along. Like a graceful end note to a piece of music, the last lines rounded it off and trailed away, softly.
For anyone who enjoys an unconventional fantasy with ambivalent characters, this is a must-read. Fans of George R.R. Martin should have no trouble with this aspect of the work. It is also recommended to anyone who wants some depth and power in their reading fare, regardless of the genre.
Tigana's world is based loosely on Renaissance Italy. The Peninsula of the Palm has been split down the middle by two separate conquerors from larger countries. The conquerors were able to subjugate the peninsula easily due to the rivalries between the seven formerly independent provinces of the Palm.
The final province to be conquered, Tigana, managed to kill the son of one of the tyrants. In a fit of wrath, the tyrant descends upon Tigana and crushes it utterly. However, he also takes the extra step of erasing the country's name from the minds of every citizen on the Palm except for the survivors of Tigana. Non-citizens cannot hear or speak the name; instead, Tigana is renamed after its most bitter rival in the old provincial struggles. Years later, a small group of Tiganese rebels begin a campaign to bring their name back to the Palm and expel both tyrants...
And this just doesn't convey the subtleties and character interaction the plot has. The use of Italian linguistics and political situations gives the book an atmosphere of plausibility but doesn't ram it down our throats (as Jordan's Aes Sedai mythos or Goodkind's descriptions of the Mother Confessor's office tend to do).
The characters, though, are what drive the book. Even those characters that only make a brief appearance are startlingly well-crafted and at times even touching. An episode early in the book which examines very closely the relationship between a proud, authoritarian father and his doomed son moved me to tears- and it happened in the first one hundred and fifty pages.
Bottom line: if you enjoy fantasy that is literate, well thought-out, and exquisitely crafted, then buy this book. If your taste leans more toward the Jordan/Goodkind/Feist vein, be warned that Kay takes his time getting to where he wants you to go... but for me, that makes him the finest living fantasy writer.
Very few fantasy books can make you feel sorry for the villain (purest evil, maniacal cackling and callous cruelty are the order of the day generally), fewer still have heroes whose decisions at times are distinctly morally ambiguous. Tigana is one of them. Brandin of Ygrath, one of the two main villains (foreign sorceror-conquerors who have split between them the land in which the story is set, a large palm-shaped peninsula with a society similar to the Italian city-states) of the book is revealed as a human and positively kind man at times, who commits what amount to atrocities in revenge for the . He's certainly nicer than Alberico of Barbiador, who is merely avaricious and cruel (but still not just pure evil - he has motivations other than simply killing people for the fun of it). The good characters' use means justified by ends in their attempt to remove the two tyrants and rebuild their land, which has been ravaged and its very name torn out of people's minds by Brandin's revenge.
The story is well-crafted (the ending reminded me of a Shakespearian tragedy) and filled with multi-dimensional characters. It is also non-stereotypical - there are no axe-wielding dwarves or other Tolkien imitations, unnecessary magical pyrotechnics and suchlike. My only gripes were one slightly extraneous plotline which possibly could have been lost, and the epilogue, which I didn't like for some reason which I can't put my finger on. Apart from this, Tigana is a fantastic book and a must-read for all fans of good fantasy.