Customer Reviews

Tiger Man

5 star:		(8)
4 star:		(4)
3 star:		(1)
2 star:		(0)
1 star:		(1)

 

 

Elvis made so many great recordings that it's real disheartening to see how his career floundered in the mid-60's, almost as much as seeing what's become of his image after his death. Still, if it wasn't for that low point of his career, the public would never be treated to what is arguably the greatest comeback of all-time. Much is made of the TV special, but for me, this CD captures the highpoint of those television sessions taped in Burbank. Elvis taped two "informal" sessions that day, one at 6pm and another at 8pm. He spent the 6pm show working through his nerves (he was incredibly nervous up to the very minute they began taping), and once he was confident that he would actually be appreciated, he came back to the 8pm show with a vengeance, letting loose some raw vocal performances and taking some greater chances with his interpretations. THIS was an Elvis that hadn't been heard from in years. Not since "Hound Dog" has Elvis sounded this rough and raucous, and not since his the Sun sessions has Elvis sounded so happy in his work yet so hungry, as if he was preparing to launch his career.

As much as I love this CD, there are a few things that I could see being problematic for some. First of all, Elvis messes up on a few tracks. "Heartbreak Hotel," is a great, raw take that unfortunately breaks down. Then, "Are You Lonesome To-night" is tossed off as sort of a joke, but it's not really Elvis's fault; the song is really out place in this setting, requiring some real seriousness in order to be pulled off (otherwise, it seems like a mushy song, which is probably why Elvis ended up treating it like a joke). Besides those flaws there's also the incredibly irritating screaming girls that are heard all over this disc. For the first few minutes, it's not so bothersome, but when you get to Elvis's definitive performances of "One Night" and "Trying to Get To You," hearing these screams overwhelming his voice ever thirty seconds becomes really annoying. Still, bear in mind these were meant to be informal sessions, and this disc basically presents it unedited and uncut, warts and all.

This is a disc that should be heard by any fan of rock n' roll, but if you prefer your live recordings a bit more polished and professional, you may want to hold off on purchasing this.

If you are any kind of Elivs fan, and especially a musician like myself, then this is definitely a CD worth picking up. I never used to like Elvis until I went to Graceland (cheesy, I know), but I started buying some of his stuff and finally picked up the '68 Comeback Special. I loved the first disc, but it was disc 2 that really hit me. As a musician and having played countless shows, it's always refreshing to see a band you absolutely idolize and find out after playing with them that they are, in fact, very down-to-Earth people and quite genuine (most of them, anyways). That CD did just that for Elvis and I wanted more! It displayed his true personality and went beyond just the idol that was The King and let you into a person that could have very well been your next-door-neighbor.

Tiger Man, to me, picks up where the Comback Special disc 2 left off. It's the whole 8 p.m. show stright through and is, quite simply, amazing in all respects. Many of the people who posted previous reviews griped about all the on-stage banter and the other musicians yelling while Elvis is performing, well, don't forget they are ALL performing, not just Elvis. Until you've been onstage and have been totally wrapped up in the music and completely forgetting the audience sitting around you, you'll never understand. This CD picks up on the rawness of a true "live" show and exemplifies just how great a performer they all were, not just the King. To be this rock-solid after all those years of not performing live is a true testament to all of them.

In short - Buy this. It's so much more real than anything else I've ever heard (although I'm still a huge fan of Comeback Special disc 2) from Elvis, especially his studio work. You can do take after take in the studio until you get it right... but it's a live performance that is a true test of a musician's skills. I'm happy to say that Elvis, Scotty, DJ Fontana and the rest of the crew get a solid A+!!

This is the entire 8:00 pm live "sit-down" jam session in its entirety. This album sums up the guy, for me. Simply put, Elvis never sounded so impassioned, and the "female reaction" here borders on sheer orgasm! The palpable sense of energy and electricity here betters anything he ever did, including the legendary Sun Records recordings. Witness his visceral, electrified interpretaion of Jimmy Reed's classic blues: "Baby What You Want Me to Do," which is definitive. Drawing heavily on rockabilly and elements of the blues, this album almost lets you forgive Elvis for the years of insipid movie soundtracks, and hackneyed Vegas concert albums. A true desert island pic, Tiger Man shows why Elvis remains for many, the undisputed "King."

The two intimate jam sessions that compose this album may be the only spontaneous moments of Elvis Presley's carefully orchestrated 1968 television comeback special. In his prime at 33, Elvis reunites with his original backup band from '56 - guitarist Scotty Moore and drummer D.J. Fontana. The feeling is loose & limber and Elvis delivers some of his rawest singing ever. Just imagine Elvis hanging out in your living room, and he sees a guitar in the corner and asks "Mind if I play that?" You reply with a hearty "Yes!" and the King just starts wailing away.

The set list on "Tiger Man" emphasizes his very early hits. Elvis jumbles lyrics and rests in between songs for storytelling and joke making (of which his bandmates seem a little too eager to laugh at). There's some serious country-blues singing on the Jimmy Reed classic "Baby, Tell Me What You Want Me To Do". When Elvis finally performs the title cut (at that time a new song for him), he engages the tune with great energy, unleashing much eagerness for his recent material. His only bit of forced enthusiasm rises when he comments on the then-present rock 'n' roll scene of 1968, with compliments best described as faint praise. Sadly, one star gets stripped off this rating due to the almost incessant screaming from the teenage girls seated nearby (especially during "Are You Lonesome Tonight" and "One Night"). It really gets annoying after the first 5 minutes!

Elvis closes the album with the string-heavy romantic ballad "Memories", providing a hint of what direction his music was about to head into. No matter how overlooked it is, I believe this performance is the unheralded highlight of the '68 comeback special. A heavily recommended album for hardcore Elvis lovers, or anyone who gets off on stripped-down acoustic rock and blues.

This is the complete June 27, 8PM "Sit Down" show. It is one of the two informal live shows that Elvis taped for the legendary '68 Comeback Special. Bits and pieces of the Sit Down shows were inserted into the Special. The premise of the Sit Down shows was Elvis having fun singing and playing with his buddies, while occasionally making a comment about his career. The music is great, although some people may be annoyed by the screaming females in the audience. It doesn't bother me, though. I love this stuff.

...so sang Elvis. Rembember back to the first time you saw Elvis on stage wearing that black leather outfit? He looked like a big 'ol Panther, stalking around that stage. The original album/video left out quite a few songs from these two shows. This CD includes what may be the balance of the '68 Comeback. Who knows? While at Graceland, I was talking to an official from Elvis Presley Enterprises, and she indicated they probably had 30 years of music they can still release. This is my favorite Elvis era...his voice was incredibly polished, with almost a growl to it. He strutted through each and every song. If you go through the old Rolling Stone magazines that featured articles on Elvis, you'll read an opinion I've always agreed with. "Presley has the finest voice Rock & Roll has ever produced." That's still true. No one will ever be that cool again. Elvis...forever rockin, rockin and free, free at last.

Exhibit A: "The King of Rock and Roll" box set, containing the complete 1950's masters. Exhibit B: "Memories the 68 Comeback Special" which serves as the companion piece to this play-it-dirty sit-down session. Verdict? Elvis was, is, and always will be the King of Rock and Roll. Case closed!

Elvis is alive and kicking in this original unplugged concert. If you enjoyed listening to "Eric Clapton Unplugged", then you will enjoy "Tiger Man". "Tiger Man" is high voltage from the start and ends with the beautiful and reflective "Memories". Elvis is screaming out lyrics with raw energy that had been building up since Elvis returned to the United States in the early 1960s."Trying to Get to You","Tiger Man", and "Memories" are the high points of the show. It is not "The Way It Is", but it is better than "The Number Ones".

After a decade of languishing in bad movies, Elvis reclaims his position as the King of Rock with this fabulous performance. He gave it all that he had. One of the high points in the history of rock n roll.

Many came after him but just listen to that voice that has sold more than a billion records and anyone can see why he is STILL the King of Rock and Roll. Nobody has the combination of voice, style and charisma like Elvis had and still has in his recordings.