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Tik-Tok of Oz (Books of Wonder) Hardcover – April 26, 1996

45 customer reviews

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Editorial Reviews

From Publishers Weekly

Can the queen of Oogaboo, a small country in an isolated corner of Oz, take over all of Oz? Talking roses, Shaggy Man and Betsy from Oklahoma are but a few of the unusual characters in Tik-Tok of Oz, the eighth Oz novel by L. Frank Baum, and the first to bring a girl other than Dorothy to that enchanted land. This facsimile edition features 12 color plates and nearly 80 black-and-white drawings by Oz artist John R. Neill. Apr.)
Copyright 1996 Reed Business Information, Inc.

From the Publisher

This book is in Electronic Paperback Format. If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. Just put the CD in your CDROM drive and start reading. The simple easy to use interface is child tested at pre-school levels.

Windows 3.11, Windows/95, Windows/98, OS/2 and MacIntosh and Linux with Windows Emulation.

Includes Quiet Vision's Dynamic Index. the abilty to build a index for any set of characters or words.

This Electronic Paperback is illustrated.

This Electronic Paperback is read aloud by an actor. --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Age Range: 8 - 12 years
  • Grade Level: 3 and up
  • Series: Books of Wonder
  • Hardcover: 304 pages
  • Publisher: HarperCollins; New edition edition (April 26, 1996)
  • Language: English
  • ISBN-10: 068813355X
  • ISBN-13: 978-0688133559
  • Product Dimensions: 6.8 x 0.2 x 9 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Best Sellers Rank: #97,189 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful By F. Orion Pozo on April 28, 2002
Format: Hardcover
Tik-Tok of Oz by L. Frank Baum (Books of Wonder edition)
Tik-Tok of Oz is a delightful book with an interesting story of how it came to be. A small Editor's Note by Peter Glassman on page 10 of this book tells the story. There had been two successful stage plays based on the first two Oz books and Baum wanted to write a play based on the third, Ozma of Oz. However, he found out he couldn't use many of the characters because he had already sold the stage rights to them. He took the plot of the third book and changed Dorothy and Ozma into two new characters Betsy Bobbin and Queen Ann Soforth. Then he used the popular Shaggy Man who was introduced in The Road to Oz and changed many of the incidents in the story to create a new script for the stage that he called The Tik-Tok Man of Oz. The play was a success so he then rewrote it into this novel.
If you have read Ozma of Oz, you will indeed see the similarities. Once again an army of one soldier and many officers is led by a girl leader in an attack against the Nome King. This time it is Queen Ann Soforth from the smallest and poorest kingdom in Oz. She is young and tired of her tiny kingdom and wants to seek adventure. When her sister jokingly suggests that Ann raise an army and conquer Oz, Ann likes the idea. She convinces all but one of the eighteen men of her kingdom to join her army and they set out. However, the sorceress Glinda, learns of her plans and magically transports Ann and her army across the Deadly Desert and out of Oz entirely.
Meanwhile Betsy Bobbin, like Dorothy in Ozma of Oz, is lost at sea in a storm with her companion Hank the Mule. They are cast up on shore of the Rose Kingdom where they meet up with the Rose Princess, the Shaggy Man and Polychrome, the Rainbow's daughter.
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5 of 5 people found the following review helpful By A Customer on February 17, 1998
Format: Hardcover
I read Tik-Tok of Oz, and I thoght it was a wonderful tale. It begins when Ann Soforth, queen of Oogaboo decides to conquer Oz. When she sets out with her army towards the Emerald City, Glinda finds out immeadiately about it in her book of records. She then changes the army's road direction, over the deadly desert over to the Nome King's Dominions. Meanwhile, a girl named Betsy Bobbin and her mule Hank are shipwrecked on the shores of the Rose Kingdom after their ship sinks. They go to a nearby greenhouse, where a bunch of female roses cast them out. Then who should come crashing through the roof than the Shaggy Man. He and Betsy pick a rose princess, and proclaim her the new ruler of the Rose Kingdom. However, the roses don't wan't the rose girl, whose name is Ozga, as their ruler, so he to is cast out of the Rose Kingdom. They then travel over a bridge to the Nome Kings Dominions, where they find Tik-Tok crashed in a well. Then Queen Ann's Army comes along and tries to capture the party. The private then resigns, and Tik-Tok takes his place. Then the two parties band together, and go to conquer the Nome King, because they have to rescue Shaggy Man's brother from Ruggedo, the King of Nomes. Then................................, well I'll leave you to read th book and fin out what happens. Anyways, this book is he greatest, and should be greatly praised.
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11 of 14 people found the following review helpful By The Wingchair Critic on February 19, 2003
Format: Hardcover
When L. Frank Baum set out to write and produce a second Oz musical for the stage, he discovered he had signed away the theatrical rights to his early Oz stories and characters.

Apparently unwilling to create new material, Baum drafted a play that he called 'Tik-Tok Of Oz,' which was simply a retelling of his third Oz novel, 1907's 'Ozma Of Oz,' with some character names changed and minor plot elements rearranged. Since he owed publishers Reilly & Britton a new Oz book, Baum then rewrote his new play into a novel, and 1914's redundant 'Tik-Tok Of Oz' was born.

With such a circuitous pedigree, it's no wonder that 'Tik-Tok Of Oz' is a generally unimpressive entry into the Oz chronicle.

Baum was occasionally careless with his prestigious fairyland, and nothing suggests that here more than the fact that wind-up mechanical man Tik-Tok, though his name lights up the book's title, is only a secondary character in the narrative and often appears to be absent from much of the story, even when present in theory.

In fact, the Tin Woodman or Jack Pumpkinhead could have replaced the clockwork man without altering the essential plot in the least.

But the uncomplicated Tik-Tok was particularly useful in a lazily composed narrative, since, as a preprogrammed machine of limited potential in need of continuous winding, Baum could silence him at any time by simply having him run down, no dramatic action or mental fatigue required. Despite several warm and imaginatively written chapters, such as 'The Lovely Lady Of Light,' the book plods on without building in strength or imagination until its final section, when it suddenly awakens to life.
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2 of 2 people found the following review helpful By Lee Edward Fodi on June 18, 2006
Format: Hardcover
I teach creative writing to children and have used this book as an excellent model for the fantasy genre. It has all the great elements of a fantasy story--strange and enchanted happenings, magical creatures, faeries, and a wonderful quest. Many of Baum's books are not so plot-driven; this, like "The Patchwork Girl of Oz" is an exception, and the story works marvelously. Fans of the Oz series will know that this book is a re-telling of "Ozma of Oz," but there are enough new characters, settings, and details to make it a fresh and rewarding tale. Certainly, old favorites such as Tik-Tok, the Nome King, Polychrome, and the Shaggy Man are at their best in this tale (one of the most delightful scenes is when Shaggy "breaks the law"), while new additions Private Files and Quox the Dragon bring much humor and whimsy. Young children will certainly enjoy the test of the three maidens towards the end of the book. This books has a very cohesive direction (not always the case with Baum) and I especially enjoyed how each chapter title is alliterative (I suppose that's the English Lit in me!). And, as usual, the John R. Neil's illustrations are wonderful; my favorite illustration is that of the greedy Nome King strutting out of his kingdom, his countless pockets filled with jewels.
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