4 of 4 people found the following review helpful:
5.0 out of 5 stars
Where is the next book?, July 31, 1999
This review is from: Time Beyond Beginning (First Americans Saga) (Mass Market Paperback)
As with all of the First American books I have really enjoyed this one. I was a little disappointed at first hoping to continue in the lives of the people from the second five books, as I was also disappointed when I didn't find the first people in the second set of the series. But what I want to know is were is the rest of the series. I am ready to read them now. And by the way, the story synopsis that is on here is not the story that I read. Get it together people.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Paleo-Indian life at the close of the last ice age!, July 2, 2005
This review is from: Time Beyond Beginning (First Americans Saga) (Mass Market Paperback)
Sarabande has set this dark, tragic tale of struggle and survival on the northeast coast of North America during the final days of the last ice age. To the paleo-Indian people of the day, the pace and magnitude of climactic change must have seemed powerful and frightening. Mammoths and mastodons remained but were obviously so well on the path to extinction that they had been elevated to enormous symbolic religious importance. Even for elders, wise shamans and the most accomplished hunters, knowledge such as migratory routes of critical food and resource supplies like caribou, beluga and geese must have seemed fleeting and frustratingly inconsistent. Cree and Inuit people from the Arctic and the unforgiving barrens of northern Quebec and Labrador, the beginnings of the Ojibway, Algonquin and Iroquois nations that found themselves more at home in the woodlands of southern Ontario and Quebec or upstate Vermont, New Hampshire and Maine, plus the eastern maritime ancestors of the Micmac tribe meet, intermingle, mate and breed, battle for territorial and cultural supremacy, trade, pray and make offerings to their gods, kill or help one another, and live and die.
Sarabande fills in her panoramic, complex canvas with all the attention of the most assiduous realism painter. Tiny, single brush strokes are made with the greatest of care and no detail is too small to be included in her exquisite portrayal of this pre-historic North American landscape - the slate gray colour of the sky during a powerful late winter storm; the sickly, smell of rotting meat on the hoof as a dying mammoth searches for a final resting place; the rich, sweet colour and taste of sap rising in spring maples; the incredible development of the bow and arrow as a weapon capable of striking from a distance, terrifying hunters who know only the lesser power of a stone-tipped spear; the first hesitant use of metallic copper in weaponry, commerce and art; tattoos, jewellery and all the finery of aboriginal costumes.
In the foreground of this stunning canvas, she paints the portrait of M'alsum - a venal, self-important, cowardly, almost psychopathic headman. M'alsum abandons his youngest brother, Ne'gauni, trapped in a deadfall, dying of wounds sustained in an attack by a tribe of northern hunters foraging far out of their regular territory in the barrens. In the same raid, his mate, Hasu'u, is kidnapped and forced to serve as wet nurse to a motherless infant. M'aslum, adds self-pity, self-doubt and avarice to his list of failings and murders his two other brothers whom he sees as competitors to his position as chief.
Sarabande's description of a woodland tribesman's courageous stand against the charging mammoth and M'alsum's cowardly flight from the same beast ultimately leading it by chance over a steep embankment to its death was absolutely breathtaking. The development of the characters of the Old One and her grand-daughter, Mowea'qua, as members of a very hairy, bone-deep ugly race on which modern native werewolf mythology might have been based is essentially a whimsical flight of fancy but, frankly, I found it particularly charming.
Other reviewers have commented that they thought the story particularly cruel or savage. In an unapologetic afterword, Sarabande herself suggests that if her portrayal was harsh, it only reflected her genuine beliefs of what life was like at that time based on her extensive research into the findings of archeologists, historians, anthropologists, geologists and meteorologists. She goes on to suggest that it is perhaps to our credit that we are shocked and appalled when we read of such things. I'm inclined to agree and I, for one, found the story exciting from the opening page.
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2 of 2 people found the following review helpful:
2.0 out of 5 stars
Unlike her other books, this one develops much too slowly., April 16, 1999
By A Customer
This review is from: Time Beyond Beginning (First Americans Saga) (Mass Market Paperback)
I have thoroughly enjoyed all of the First American series, until this book. The book develops slowly, dwells on details far too long, and has no real characters to identify with until later in the book. Those that one is later drawn to are glossed over in the early part of the book, or become so muddled with details, that I found myself speed reading. Over half way through Time Beyond Beginning seems to fall into the style of the other First American series. From that point it becomes entertaining.
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