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Time On My Hands

John ScofieldAudio CD
4.7 out of 5 stars  See all reviews (3 customer reviews)

Price: $11.98 & FREE Shipping on orders over $35. Details
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Amazon Price New from Used from
MP3 Music, 11 Songs, 1990 $9.49  
Audio CD, 2011 $11.98  
Vinyl, 1990 --  
Audio Cassette, 1990 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. Wabash III 6:22$1.29  Buy MP3 
listen  2. Since You Asked 6:13$1.29  Buy MP3 
listen  3. So Sue Me 6:03$1.29  Buy MP3 
listen  4. Let's Say We Did 4:27$1.29  Buy MP3 
listen  5. Flower Power 5:01$1.29  Buy MP3 
listen  6. Stranger To The Light 7:32$1.29  Buy MP3 
listen  7. Nocturnal Mission 4:17$1.29  Buy MP3 
listen  8. Farmacology 6:44$1.29  Buy MP3 
listen  9. Time And Tide 5:53$1.29  Buy MP3 
listen10. Be Hear Now 6:54$1.29  Buy MP3 
listen11. Fat Lip 3:48$1.29  Buy MP3 

Amazon's John Scofield Store


Image of album by John Scofield


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Born in Ohio, 1951, JOHN SCOFIELD is one of the principal innovators of modern jazz guitar, a creative artist of the rarest sort: a stylistic chameleon who has forged a consistent and rock-solid aesthetic identity. Regardless of the stylistic setting, his distinct guitar sound and compositions are unmistakably Scofieldesque, always coupled with an improvisational excellence and dedicated to ... Read more in Amazon's John Scofield Store

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Product Details

  • Audio CD (December 30, 2011)
  • Number of Discs: 1
  • Label: Blue Note
  • ASIN: B000005HFE
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #162,485 in Music (See Top 100 in Music)

Editorial Reviews

Time On My Hands by John Scofield

This product is manufactured on demand using CD-R recordable media.'s standard return policy will apply.

Customer Reviews

4.7 out of 5 stars
4.7 out of 5 stars
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Most Helpful Customer Reviews
15 of 15 people found the following review helpful
By A Customer
Format:Audio CD
From the opening be-bop tune "Wabash III" to the acoustic(!) fushion-ish "Fat Lip", Scofield's amazing depth in both composition and technique are all on display on this 1989 outing. Lovano's passionate solos (check out "Let's Say We Did") shows why he is quite possibly the best tenor man of the last ten years. DeJohnette puts in his usual excellent work on the drum kit, but it is Charlie Haden who manages to outdo himself here. His dead-on bass lines nicely fills the void left by the lack of keyboards and stretches out without going too far on "So Sue Me".
Overall, a record that hits the mark in every aspect; a must purchase if you like the straight-ahead jazz side of John Scofield. Or if you like straight-ahead jazz at all, for that matter.
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24 of 27 people found the following review helpful
5.0 out of 5 stars surprising mix, gets better with every listen February 3, 2002
Format:Audio CD
I bought this album because it just... well... it was in a bargain bin. There. I've said it.
It just about took my head off, though. I've always loved Jack
DeJohnette, and Charlie Haden just seems to magically appear on so much that interests me. Joe Lovano is marvelous... but this mix confused me in concept - Scofield's electric style, the nature of the tunes, and acoustic bass (the no-brainer on this stuff would have been electric bass).
I've listened to it several hundred times now, and the fluidity, grit and warmth that Scofield puts behind a horn line is just amazing. Understated, but really powerful. And the DeJohnette and Haden work with it is prime.
I'd say get this, because it's WONDERFUL. But also, if you want to hear something a little different that a guitar can do while backing up a tenor - and playing off a tenor - check it out. I can't imagine being let down.
(Sorry about the bargain bin thing, John. I got nothing but love for you.)
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1 of 2 people found the following review helpful
4.0 out of 5 stars Well rounded originality August 8, 2009
By IRate
Format:Audio CD
This underrated (2 reviews?) calibrated gem has in fact aged like a fine wine, that rare jazz release whose production transcends placement, allowing the guitar genius to shine in his own right while maintaining fascinating interplay with this great quartet.
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