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Summer Reading
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This is the plight of the heroes of Timeline, Michael Crichton's thriller. They're historians in 1999 employed by a tech billionaire-genius with more than a few of Bill Gates's most unlovable quirks. Like the entrepreneur in Crichton's Jurassic Park, Doniger plans a theme park featuring artifacts from a lost world revived via cutting-edge science. When the project's chief historian sends a distress call to 1999 from 1357, the boss man doesn't tell the younger historians the risks they'll face trying to save him. At first, the interplay between eras is clever, but Timeline swiftly becomes a swashbuckling old-fashioned adventure, with just a dash of science and time paradox in the mix. Most of the cool facts are about the Middle Ages, and Crichton marvelously brings the past to life without ever letting the pulse-pounding action slow down. At one point, a time-tripper tries to enter the Chapel of Green Death. Unfortunately, its custodian, a crazed giant with terrible teeth and a bad case of lice, soon has her head on a block. "She saw a shadow move across the grass as he raised his ax into the air." I dare you not to turn the page!
Through the narrative can be glimpsed the glowing bones of the movie that may be made from Timeline and the cutting-edge computer game that should hit the market in 2000. Expect many clashing swords and chase scenes through secret castle passages. But the book stands alone, tall and scary as a knight in armor shining with blood. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.
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That said, once the cast of main characters arrives in the High Middle Ages of France, their interactions with the medieval citizens and the non-stop action provides for quick page-turning; however, this is also the point where it begins to get a bit too much to swallow (having swallowed so much already to get to this point). This cast of characters is like a team of superheroes, each one with individual talents, strengths and fatal flaws. One is an expert rock climber, another is nearly fluent in several medieval languages, dialects and weaponry usage, and the last one is a scholar of medieval technologies. As can be easily predicted during the introductions and characterizations of this cast, all of these strengths will certainly come into play later on in the book, and they do. Again and again and again. Sometimes, you wonder when one of them will suddenly sprout wings and say, "Hang on, I learned this cool flying trick while I was an aviation major back at Yale...before I switched to history."
Still, despite the tremendous leaps in superhuman skill and a never-ending supply of luck that Crichton liberally grants his characters, I truly enjoyed the fantasy that oozes from the book and found the imaginative departure from our modern world to be refreshing. I would definitely recommend this book to friends.