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Timewyrm Genesys (Doctor Who)
 
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Timewyrm Genesys (Doctor Who) [Paperback]

John Peel (Author)
3.3 out of 5 stars  See all reviews (6 customer reviews)


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Product Details

  • Paperback: 230 pages
  • Publisher: London Bridge (Mm); 1st Ed. edition (June 1991)
  • Language: English
  • ISBN-10: 0426203550
  • ISBN-13: 978-0426203551
  • Product Dimensions: 6.9 x 4.2 x 0.3 inches
  • Shipping Weight: 4.8 ounces
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,057,581 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
3.3 out of 5 stars (6 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
3.0 out of 5 stars The First "Doctor Who" Novel, December 19, 2001
By 
Jason A. Miller (New York, New York USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Timewyrm Genesys (Doctor Who) (Paperback)
"Timewyrm: Genesys" was published a decade ago and is now just the first of about 200 "Doctor Who" original novels. It has a great hook as the first book -- it really is about the First Book, the epic of Gilgamesh.

The story is a blend of the historical -- Gilgamesh and Enkidu, Uruk and Kush, Ishtar and Ea -- mixed neatly with the time-travel/science-fiction "Doctor Who" formula -- an evil robot woman from the stars comes to Ancient Earth and manipulates the nascent civilization in her evil scheme for universal domination. Enter the Seventh Doctor and Ace, helping Gilgamesh find his destiny and lay off the local beer.

Lots of characters from the first 30 years of DW history -- old friends, even two old Doctors -- make cameo appearances in the book. The novel's resolution even depends in part upon the Third Doctor showing up to assist the Seventh. And yet the story -- human heroes and powerful aliens struggling for control over the future of human history -- moves along quickly, with lots of drinking and fighting and philosophizing. There is a reliance on continuity but that never really harms the book.

"Genesys" has been criticized over the years for its poor characterization of the Seventh Doctor and Ace. There's also a sophomoric attitude towards sex (never seen in DW before up to this point) and an awful lot of bare breasts and senseless killing. However, there's a mostly happy conclusion and the book is mostly devoid of the darkness that would enshroud the Doctor in many subsequent New Adventures. It is not the best sci-fi tie-in novel ever written but it is good of its kind.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars The groundwork is set, November 29, 2001
By 
John S. Drew "drewshi" (Brewster, NY United States) - See all my reviews
(REAL NAME)   
This review is from: Timewyrm Genesys (Doctor Who) (Paperback)
Timewyrm: Genesis was not only the first in a four part series of novels, but also the first in the series of Doctor WHo novels published by Virgin Publishing back in the 90's. Out of the entire series, this book has the strongest ties to the original series and yet, lays the groundwork for what was to come. There are mentions of nudity and sexual behavior, though none is actually committed in this first volume, a definite no-no in the Doctor Who universe. The story is classic Who though, dealing with an ancient power mistaken as a god by Gilgamesh. The doctor and Ace must try to save the entire world from falling under the goddess/alien Ishtar's control. A fun read and a good start to the series. Though out of print, track it down.
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2 of 2 people found the following review helpful:
3.0 out of 5 stars Flawed, but enjoyable, September 29, 2001
This review is from: Timewyrm Genesys (Doctor Who) (Paperback)
Looking back at the first New Adventure, TIMEWYRM: GENESYS, it's hard not to crack a smile at the beginning paragraph of editor Peter Darvill-Evans' preface that reads, "Here is an introductory word about Doctor Who - The New Adventures: continuity." Fortunately, the words that follow make clear that the change in format will be taken to its fullest advantage and the Doctor and Ace will be traveling to places and worlds that would have been impossible for them to reach due to the limitations of the small screen. We know now how successful this experiment became, but how much of this was evident at the very beginning?

When we first encounter Ace, she has conveniently lost all of her memories due to the Doctor's accidental meddling. In keeping with the desire to tell stories that are more adult than could be shown on the BBC on Saturday evening, she has also conveniently lost all of her clothes. Don't worry -- she pieces together her mind shortly after a lengthy dressing scene. In having Ace gradually discover everything in her surroundings, John Peel gradually brings the casual reader up to speed with all the background details that he or she will need in order to understand the Doctor's adventures. The Doctor quickly explains things to her, while using the TARDIS to restore the bulk of her memories. This isn't a terrible idea (and ties up nicely with the memory circuits business at the end), but in execution it turns out rather poorly. The scenes of the amnesiac Ace just keep going on and on while the Doctor has to explain more and more of the plot. It was a nice idea to get some of the more difficult concepts across to the reader, but having this information dump lasting through multiple chapters just seems like cheating.

As for the gratuitous Ace nudity, sadly much of the book is equally as adolescent. Although there are one or two scenes of this nature that are serviceable, add to the plot and don't come across as needless, there are far too many scenes of people (usually teenage girls) wandering around naked with juvenile descriptions of their exposed parts. I understand the difficulty that the author and editor must have had to go from the virtually nonexistent sense of sexuality of the television years to the grown-up and sophisticated version that could exist in book form. Sadly, in this initial effort, the result is stuck somewhere in the middle of those and comes across as immature and childish.

The level of violence is also a little bit higher than we were used to on the show, though since blood and gore was something we had encountered before, it doesn't come across as that much of a difference. It's also written with a tad more subtlety than the nudity scenes, and it isn't dwelt on. Nevertheless, there are several battle sequences with rather high body counts. People lose heads, lose limbs, have axes buried into their chests and stomachs, etc. The violence comes across as being fairly cartoonish.

The plot of the story is relatively simple, yet fairly enjoyable. A cybernetic alien has crash-landed at Mesopotamia and is slowly preparing to use her powers of mind-control to enslave the human race. Finding a warning that he left for himself several regenerations ago, the Doctor has come to this time period in search of something called the Timewyrm. He finds the robotic alien who is masquerading as the Goddess Ishtar and attempts to put an end to her evil ways. In doing so, he inadvertently unleashes the very creature he had hoped to defeat - the Timewyrm, who escapes at the end setting up the events of the following three books.

The characters aren't drawn terribly well. The Doctor and Ace seem rather flat and generic. One wonders why the Seventh Doctor needed to summon the Third Doctor to solve a problem, when he'd been acting like that incarnation the whole way through the story. Gilgamesh is brought into the story, and in his opening sections he comes across as a fairly competent leader. Unfortunately, in each of his subsequent scenes he loses what depth he had and by the middle of the book he's degenerated into a drunken, screaming, bellowing, fighting buffoon. Ishtar herself is also portrayed a little strangely and I couldn't quite figure out her motivations. It's explained that she is a very advanced being from an extremely sophisticated society, and yet almost immediately after landing she becomes caught up in a bunch of petty feuds among primitive civilizations. To me it just didn't seem to flow correctly.

I have a few other small nit-picks. No explanation or reason for Enkidu the Neanderthal existing 5,000 years after he should be extinct (this is acknowledged in the narrative, but not justified). The endless continuity references that served no purpose other than to take up space. The numerous typographical errors (was it just my copy, or did the font suddenly change at the bottom of page three?) and as these sorts of mistakes are things that I almost never catch, I'm guessing that there were a lot of other misprints that I didn't notice. The Doctor and Ace arguing for no reason other than to artificially insert a level of angst that the story didn't require.

However, despite the problems with the characterization and sloppy prose, I was quite entertained while reading this. It's a slight, but enjoyable read. There are a lot of places that are a bit weak, but the pieces in between are very readable. The Doctor gets quite a few good lines: "I never make stupid mistakes, just very, very clever ones." Although there are numerous problems, somehow the whole ends up being greater than the sum of its weak parts and makes for a fairly entertaining book.

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