From Publishers Weekly
Fabulous fabulist Svoboda (
Trailer Girl) checks in to indulge a talent for wild, sketchy comedy. Laid in Willa Cather country, this quick take has some of Thomas Pynchon's quirky Americana crossed with the Indian tales of Jaime de Angulo. A conquistador rides through the Midwest of 500 years ago; his blue eyes make the Indians think he's God—and God in fact narrates the book. Flash to contemporary slackers Pork and Jim as they lose a bag of drugs in the same field, while God watches wryly, speaking with the crusty accents of a cracker-barrel philosopher. God feels at home in the Midwest, where everyone is waiting for His (or Her) signs. Bessie, the clairvoyant cleaner (she sees God in a tin hat) and the mother of Pork, is the daughter of a migrant worker; with Rolf, her bar-owner ally, she tries excavating the treasure she's glimpsed in her dreams, until alien light storms and the whispers in the grass scare them off—and, it is implied, destroy their budding romance. Back and forth the narrative moves, with Steinian
The Making of Americans logic gluing together this eccentric vision of a God-driven Middle America. Svoboda loves her red-state mopes, and that warmth both illuminates and animates her eccentric prose.
(Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
When G-O-D broadcasts in Svoboda's fictional realm, it's not a message of revelation sent from on high. That would be way too predictable. Instead, this edgy, irreverent supreme being would rather spread grass than gospel over the rolling fields of the midwestern heartland. But there's grass, and then there's grass, and it's the eponymous latter that has captured the attention of Jim and Pork, two hapless jokers who have somehow managed to lose a bag of the "good stuff" in tough guy Rolf's field. It's the same field, where, eons ago, a Don Quixote-like conquistador flummoxed a tribe of whispering natives when, on his horse, he catapulted to earth from out of the blue. As Pork starts digging for his lost stash, he uncovers evidence of the earlier man's presence. Is there a message here, a cosmic connection that spans centuries? Only G-O-D knows for sure, and she's not saying. Svoboda's fiercely symbolic and brashly audacious allegory is a fanciful yet cautionary tale.
Carol HaggasCopyright © American Library Association. All rights reserved