Tinker Tailor Soldier Spy: A George Smiley Novel [Paperback]

John le Carre (Author)

Book Description

Release date: October 5, 2011

Featuring George Smiley, this New York Times bestseller is the first installment in John le Carré’s acclaimed Karla Trilogy. From the author of A Delicate Truth and The Spy Who Came in from the Cold.

The man he knew as "Control" is dead, and the young Turks who forced him out now run the Circus. But George Smiley isn't quite ready for retirement—especially when a pretty, would-be defector surfaces with a shocking accusation: a Soviet mole has penetrated the highest level of British Intelligence. Relying only on his wits and a small, loyal cadre, Smiley recognizes the hand of Karla—his Moscow Centre nemesis—and sets a trap to catch the traitor.
 
The Oscar-nominated feature film adaptation of Tinker Tailor Soldier Spy is directed by Tomas Alfredson (Let the Right One In) and features Gary Oldman as Smiley, Academy Award winner Colin Firth (The King's Speech), and Tom Hardy (Inception).
 
With an introduction by the author.

Editorial Reviews

Review

“The premier spy novelist of his time. Perhaps of all time.”—Time

“A rattling good novel.”—San Francisco Chronicle

“John le Carré is the great master of the spy story…the constant flow of emotion lifts him not only above all modern suspense novelists, but above most novelists now practicing.”—Financial Times

“Stunning.”—Wall Street Journal

(Praise for Tinker Tailor Soldier Spy)

From the Publisher

John Le Carre's internationally famous hero, British Secret Service Agent George Smiley, has a world-class problem. He has discovered a mole--a Soviet double agent who has managed to burrow his way up to the highest level of British Intelligence. Under the direction of Karla, Smiley's equivelent in the Soviet Union, the agent has already blown some of the most vital secret operations and most productive networks. Now-how can Smiley use a lifetime's worth of espionage skills to ferret out a spy who posseses them as well?

"A stunning story of espionage."--The Wall Street Journal.

"Le Carre is simply the world's greatest fictional spymaster."--Newsweek --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 400 pages
• Publisher: Penguin Books; Movie Tie-In edition (October 5, 2011)
• Language: English
• ISBN-10: 014312093X
• ISBN-13: 978-0143120933
• Product Dimensions: 7.8 x 4.9 x 0.5 inches
• Shipping Weight: 4 ounces (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (258 customer reviews)
• Amazon Best Sellers Rank: #12,219 in Books (See Top 100 in Books)

More About the Author

John le Carre was born in 1931. His third novel, The Spy Who Came in From the Cold, secured him a worldwide reputation, which was consolidated by the acclaim for his trilogy: Tinke, Tailor, Soldier, Spy; The Honorable Schoolboy, and Smiley's People. His novels include The Little Drummer Girl, A Perfect Spy, The Russia House, Our Game, The Taileor of Panama, and Single & Single. John le Carre lives in Cornwall.

Amazon Author Rankbeta 

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#70 in Books > Mystery, Thriller & Suspense > Thrillers

#90 in Kindle eBooks > Literature & Fiction > Mystery & Thrillers > Thrillers

#96 in Books > Mystery, Thriller & Suspense

#70 in Books > Mystery, Thriller & Suspense > Thrillers

#90 in Kindle eBooks > Literature & Fiction > Mystery & Thrillers > Thrillers

#96 in Books > Mystery, Thriller & Suspense

Most Helpful Customer Reviews

251 of 260 people found the following review helpful

4.0 out of 5 stars Gripping Espionage Thriller - 1st In Smiley /Karla Trilogy November 29, 2003

By Jana L. Perskie HALL OF FAMEVINE™ VOICE

Format:Paperback|Amazon Verified Purchase

"Tinker, Tailor, Soldier, Spy" has been called the best espionage novel ever written. John Le Carre's cynical and spellbinding spy thrillers are so unique because they are based on a wide knowledge of international espionage. Le Carre, (pen name for David John Moore Cornwell), acquired this knowledge firsthand during his years as an operations agent for the British M15. Kim Philby, the infamous mole, actually gave Le Carre's name to the Soviets long before he defected. The author's professional experience and his tremendous talent as a master storyteller and superb writer make this book one of the best novels I have read in the genre.

"Tinker, Tailor..." is the first in what has come to be called LeCarré's "Karla (or Smiley) Trilogy", in which English spy George Smiley is pitted against the Soviet spymaster Karla. Written during the Cold War, it is a portrait of that time, with its paranoid and morally ambiguous view of global politics.

A botched espionage operation in Czechoslovakia causes "Control," (Head of British Intelligence), and his associates to be discredited. "Control," already ill and aging quickly, dies soon after this debacle. George Smiley, his able lieutenant, is retired in disgrace. The two are succeeded by four "young turks," all highly ambitious men from Intelligence who had been trained by "Control" and Smiley. Months later, a maverick Far Eastern agent turns up in London with a story suggesting there is a mole (a deeply concealed double agent) in the Circus (Intelligence HQ). Smiley is called out of retirement to investigate the possibility that a Soviet mole has penetrated the very top levels of the British Secret Service. The "Tinker, Tailor..." nursery rhyme of the title refers to the codewords for the four prime suspects - the four men now running the Service.... Smiley's job is to find the double agent. However the entire Intelligence network is so suspect that he must operate entirely without its resources, for fear of alerting the mole. Therefore he must operate undercover from his own people. This novel has more in common with the guessing-game puzzle of a great whodunit than with the typical action-packed spy thriller. Smiley gradually pieces together the story by analyzing files, interrogating witnesses and scouring his own memory and those of other retired Intelligence personnel, until he finally unmasks the traitor at the heart of the Circus.

This is not a simple, easy to read book. There is personal and public betrayal along with the treason of an unknown colleague. Smiley's beautiful, upperclass wife has been unfaithful with at least one of his associates, adding stress to his urgent, high-pressured assignment. Although Le Carre's novels are well-written and convincing, they can be very complicated - and this book is an example of one of his more complex endeavors. The storyline is not linear, and contains many subplots. Much is left for the reader to puzzle out, at least until the end. Just like the spies, themselves, the reader only observes the outward actions of the characters, and must piece together the facts without the assistance of an omniscient narrator. Some may find that it is difficult to get started with this novel, and once started, even harder to see where one is going. The effort to stay with Le Carre is well worth it though. A big part of the fun is working out the puzzle along with George Smiley.

An FYI: The other two books in the series are "The Honourable Schoolboy," and "Smiley's People." ENJOY!!
JANA Read more ›

141 of 149 people found the following review helpful

5.0 out of 5 stars Excellent low-key spy novel - quite different from James Bon December 23, 1998

By A Customer

Format:Audio Cassette

Here's one attempt at a book review of Tinker Tailor Soldier Spy, which I consider is a classic in its own way.

The arrival of a schoolmaster at a remote English boarding school is the unlikely beginning of a master spy-story. If the reader has perused the dust jacket, he is left wondering where the connection is. A bit boring in the beginning, the start of the novel is far from spectacular. Characters unfold almost as an aside. Connections are not evident. When the hero of the novel, George Smiley makes his entrance it is almost as an afterthought.

Far unlike Ian Flemming with his techno-laden James Bond licensed to kill, Le Carre's George Smiley is a prosaic, pedantic, lugubrious, painstaking, ordinary mortal with an orderly mind. He is a hero like no other. Not for him the flashy glamour of the spy world popularized by Alistair McLean, Ian Flemming, and others of their ilk. Smiley's heroism lies in this mediocre methodic brilliance. And in his prodigious memory.

Cast away from the "circus", he is called in from retirement to trap a mole high up in the secret service. His fall from grace is more a reflection of the times than his inherent worth. As the bureaucratic battles yield new order in the ranks of service, Smiley, of the old order, is viewed with suspicion and forced into retirement. But much as the irrepressible James Bond could not be done away by his numerous enemies, Smiley's brilliance cannot be dispensed with by the Service. At a time when no one in the service can be trusted, when it is painfully obvious that one amongst the trusted four is a mole, Smiley is called in for his analysis. Nowhere is it stated that Smiley is brilliant. Nor does he appear to have any special skills.... It is almost as an apology that he is called in to clean up the mess in the circus. He is given no special powers to search and detain. His character is an epitome of the British understatement.

Yet, as the story unfolds, it is evident that Smiley is far from ordinary. Even more extraordinary than his subtly demonstrated analytical skills, is his reluctant human skills. He reaches out into his past. He cajoles his colleagues to share information. Without overt official sanction, his interrogative style is almost an apology. This queries are excruciatingly painstaking and pedantic. His tone is lugubrious and half-sleepy. His attention to detail is phenomenal. His inferences from interrogation is unexplained.

The character of Smiley is an exquisite painting. Smiley appears to be more of an academic than a spy - more at home in the musty libraries than trysting with elite's from the Whitehall. His demeanor suggests a frumpy civil-servant rather than a spy-master. He can be readily pictured as a short, cherubic, owlish, diffident man with a marked disdain for the finer things in life. As he shuffles along the morose London streets, there is nothing to distinguish him from the multitude of middle-aged men beaten by Life. His elegant and beautiful wife, disenchanted by his prosaic existence, and has abandoned him. His chief occupation is in forgetting the time he spent in the Service. Not quite bitter about his ouster, he appears a bit confused. In this, the very ordinariness of the one-time head of the Secret Service is his greatest asset.

Le Carre, in his own way, is probably one of the greatest of story-tellers of our time. He binds his readers in a loose sort of spell. Quite unlike the modern authors who seek to rush their stories along at a great speed, seeking to upstage their own previous chapter with something more breathtaking in the next, Le Carre lets the plot of his novels mature by itself. He lets the reader dwell on the plot. He lets them think and ponder over it. He does not insult the readers intelligence by presuming to give too many details. Some of it, he seems to say, they have to work out themselves. There are no fast-paced change in directions yanking the readers from excitement to excitement. The continuity of the story is seamless. Rather like Alfred Hitchcock, he sometimes seeks to bring the reader to the brink of understanding and leaves him empty-handed. A suspense built in this slow, measured and deliberate manner leaves the reader a bit unfulfilled on one hand, but gives some chaff for thoughtful replay of the plot on the other.

And yet, Le Carre is rich in his portrayals. The details he seeks to give are more to build up clarity than to confuse. Where the details of Tom Clancy's novels drag his readers through a myriad of technical issues obscuring the plot, most of which are ultimately useless, Le Carre's details are like eye-glasses that bring the novel's environment into sharper focus.

Towards the end when Smiley catches up to the mole, we are left wondering how he did it. Trying to make the connections between various incidents and leaps of logic in inferences, we are left with a feeling of trying to catch wisps of smoke. There is presence without substance. It is always so in the shadowy settings of the "circus". Shadowy as it, we merely brush against the even more shadowy figure of "Karla" Smiley's arch-enemy at the Moscow Center - against whom he pits his wits time and again in this and other Le Carre novels. Karla's presence is more felt than seen, less realized than experienced.

Some books are evidently put together hastily. Some are well written. Some are poorly written and asks the plot to make up for the writing talent. A few books are not just well written but well crafted. Tinker, Tailor, Solider, Spy is one such. In the manner of a well-rendered painting, where subtle attention to details lend elegance without attracting attention to itself, so does Le Carre's attention to exquisite details portray a complete picture in the readers mind. The characters are three dimensional, and one can feel them. Like any good book with plethora of details, this novel transports the reader to the physical presence of the plot.

Tinker, Tailor, Soldier, Spy - the title adapted from a nursery rhyme - is a serious read. It is not an easy read, not a fun read, but a read for the discriminating mind seeking serious fiction. The cold war is now past. But the shadowy workings of the tradecraft is still current. This novel captures it in all its realism without sensationalism. It is a simple novel with a complex plot. Read more ›

138 of 160 people found the following review helpful

3.0 out of 5 stars This is a tough read.... December 17, 2007

By Chem

Format:Paperback

For a good positive summary of the book, see the review by Jana Perskie.

Now here's my thoughts: LeCarre's book isn't "bad" per se, but it is definitely a different style from most other spy genre novels. Remember, it was written in the 1970s - so forget the 'techno-thriller' books that Clancey made famous in the late 80s. LeCarre's books - this one included - were however an intellectual step up from the earlier spy/action thrillers...
The problem most readers will have is that there is almost NO action. Roughly speaking, its about Geo.Smiley trying to solve a problem (a mole) in the "Circus" using clues from the past. So a lot of it is contemplative and revolves around the "old boys" of the organization talking in circles at times about their experiences (reminds me of Kerouac and "On the Road"). The writing is very circumspect - and introspective - in that regard.
There are no Jack Ryans here, no cowboy heroes. The characters are all upper class (or have the pretensions, if not the birthright), understated Englishmen, and working in a decidedly bleak period. In fact, LeCarre's style seems to reflect the malaise of England and the west in general of the early 70s. That is due mostly to LeCarre's focus on the mental maze Smiley must navigate which leaves little room for descriptive settings or surroundings. Colors, seasons, etc (or rather, the lack) all seem to suggest a perpetually gray, damp late autumn day at 5 PM...

This is NOT an easy read - one must concentrate, just like Smiley. Don't expect to be able to put it down and pick back up repeatedly without losing the plot. This is a wintertime book, one to read when its rainy and you have nothing pressing to do (and nothing on your mind)....

Its worth reading as an example of a more mature spy (or even drama) genre. But it is easy to see how the modern spy novel (techno-thriller) has supplanted the Karla-trilogy style for most readers... Read more ›