16 hours 40 minutes on 14 compact discs
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Most Helpful Customer Reviews
39 of 41 people found the following review helpful:
5.0 out of 5 stars
A Wonderful Look at Ireland,
By
This review is from: Tipperary: A Novel (Hardcover)
"Tipperary" it is safe to say, is one of the most enjoyable works of historical fiction I have read.At first I had a bit of a struggle with Delaney's style. Delaney told his tale from alternating points of view. He often switched points of view in the middle of a page and without any distiction other than the "voice" of the narrator. I have participated in enough reading groups to know that there are readers who would have issues with this. To them I would advise that they "hang in there" because the story is well worth the effort. It doesn't take long for Delaney's voices to become distinct. The author's format allows for a very large perspective on the lives of his characters. I loved this about the book. Delaney also has a very low key sense of humor which I really enjoy,very subtle but very funny when he uses it. I didn't know very much about Ireland when I started this novel. I tend to shy away from sob stories or "poor me" type books. It was a wonderful surprise to hear about Ireland and the Irish people from Delaney's perspective. The story was heartfelt and not at all sappy or over dramatized. After completing this book, I will no doubt read Delaney's first novel titled "Ireland". The author tells a good story in a captivating style.
14 of 15 people found the following review helpful:
4.0 out of 5 stars
Tipperary,
By clamairy (CT, USA) - See all my reviews
This review is from: Tipperary: A Novel (Hardcover)
Played out against the backdrop of one of the most turbulent periods of Irish history, Tipperary doesn't read like a history lesson, yet it paints a vivid picture of those brutal days. If it is a love story, then it is a tale of the Irish and their great love of the land, revealed through journal entries, some penned more than half a century apart. This device works well, if a bit awkwardly in a few places. The overall effect is one of a chorus of voices weaving a complex tale of turmoil, with the predominant theme being the people's great passion for Ireland itself. The romances between people mostly take a back seat here, thankfully.We see predominantly through the eyes of Charles O'Brien, who has an almost Forest Gump-like ability to meet and interact with nearly every important player who graced that period of Irish history. His encounters include that tragic genius Oscar Wilde, the legendary Charles Parnell, those brilliant writers William Butler Yeats and James Joyce, and culminate with his interactions with many crucial participants in the battle for Irish Home Rule, including Michael Collins himself. While I initially felt these meeting to be too contrived, I came to the realization that a member of the Irish upper class in that period could indeed have interacted with many of the history makers of those days. I could barely put the book down while finishing off the final third of it, and having finished, I am left not only with a longing to fill those woefully large gaps in my knowledge of Irish History, but also with a desire to seek out more works by Frank Delaney.
21 of 27 people found the following review helpful:
2.0 out of 5 stars
A Major Disappointment,
By
This review is from: Tipperary: A Novel (Hardcover)
I enjoyed Frank Delaney's first novel Ireland : A Novel so much that I went on record as favoring it over Edward Rutherfurd's sweeping epic of Irish historical fiction. After reading 'Tipperary' I wonder if that earlier judgment was wrong or whether Delaney's second book has really fallen that far short.'Tipperary' centers around an Irish itinerant folk doctor named Charles O'Brien who falls in love at the age of 40 with a young English woman named April Burke in Paris, but the love is decidedly unrequited. The telling of his story is choppy with multiple narrative voices each in a different time period. Delaney has O'Brien meet numerous lights of Irish literature and politics of the late 19th century - among others he meets Wilde, Yeats, Joyce, Shaw, Parnell, de Valera, and Collins. Annoyingly most of these people make only brief cameo appearances and add nothing to the story. What is the point of the name-dropping? At nearly the half way mark, the book finally gets a purpose, albeit a rather unlikely one as O'Brien and April Burke join forces after a fashion to bring Tipperary Castle, an Anglo Irish Great House in O'Brien's neighborhood back to its former glory. With the Irish Civil War in the background, Delaney also finally delivers a little sustained history. `Tipperary' disappoints and only in part due to high expectations based on Delaney's `Ireland'. Having waded through 200 pages of tedium as Delaney struggled to pull the story together, this reader found it hard to work up much of an interest in what happened to Charles O'Brien and April Burke and the bloody stupid `castle'. Once I find an author whose work I enjoy I tend to go back to them again and again - like Edward Rutherfurd, for example: The Princes of Ireland: The Dublin Saga, Sarum: The Novel of England, London: The Novel. `Tipperary' has put readers on notice to exercise caution in picking up a Delaney novel not called 'Ireland'.
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