Product Details

• Actors: Toby Jones, Linus Roache, Geraldine Somerville, Maria Doyle Kennedy
• Directors: Jon Jones
• Writers: Julian Fellowes
• Format: AC-3, Box set, Dolby, DTS Surround Sound, NTSC, Widescreen
• Language: English
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.77:1
• Number of discs: 3
• Rated: Unrated
• Studio: Entertainment One
• DVD Release Date: April 24, 2012
• Run Time: 184 minutes
• Average Customer Review: 3.4 out of 5 stars  See all reviews (69 customer reviews)
• ASIN: B0074JOCV8
• Amazon Best Sellers Rank: #109,839 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

The BBC miniseries Titanic approaches the famous disaster in a cunning and evocative new way: each of the first three episodes starts before the launch and follows different characters through to the ocean liner's collision with the iceberg, slowly unfolding more information and approaching scenes from different perspectives--until the final episode follows everyone as the ship begins to sink, to powerful emotional effect. Some characters are from history (the ship's crew, Hollywood starlet Dorothy Gibson) but others are fictional, and writer Julian Fellowes (creator of Downton Abbey) explores the collisions of wealth and class through these fictional characters: the wife (Geraldine Somerville) of the Earl of Manton (Linus Roache) is appalled to share a table with a middle-class lawyer and his wife (Toby Jones and Maria Doyle Kennedy); an Italian steward (Glen Blackhall) avidly pursues a ship's maid (Jenna-Louise Coleman) through the first- and second-class decks; an electrician who helped build the ship (Peter McDonald) fights to keep his family together in steerage, even as his wife (Ruth Bradley) finds herself compulsively drawn to a mysterious, violent stranger (Dragos Bucur). These and other storylines are slowly joined together like puzzle pieces, until a larger picture of loss and hope is unveiled. This format has its frustrations; getting more of stories that were only touched on in previous episodes makes you aware of how much more could be revealed, and some intriguing characters get left on the sidelines--but there's only so much they could fit in. The culminating horror and sadness of the final episode is wrenching and well worth the journey. Extras include the usual making-of puffery, but a documentary about the Titanic's sister ship, the Britannic, which also sunk under mysterious circumstances, is fascinating. --Bret Fetzer

Product Description

The original four-part miniseries written by Julian Fellowes (Downton Abbey, Gosford Park) marking the Titanic’s 100th Anniversary.

Brought to life by a stellar, award-winning ensemble cast, this extraordinary re-telling of the doomed voyage reveals a world built upon class distinction – headed towards destruction as surely as Titanic towards the iceberg. From the aristocratic elite to the officers, crew, second class and steerage passengers, TITANIC follows the destinies of both victims and survivors as their stories of passion, betrayal and hope unfold amidst the tragic events of that fateful evening.

INCLUDES 2 HOURS OF BONUS MATERIAL:
Six Making-of Featurettes, Titanic: Behind-the-Production, “The Curse of the Titanic Sisters” Documentary
Episode One Audio Commentary with writer Julian Fellowes, producer Nigel Stafford-Clark and director Jon Jones

See all Editorial Reviews

Most Helpful Customer Reviews

34 of 38 people found the following review helpful

4.0 out of 5 stars The Pros and Cons of this Series April 17, 2012

By JMGraber

Format:Blu-ray|Amazon Verified Purchase

I am a historian, but I have also fairly accepted all Titanic movies and TV shows. So I will tell you about the Pros and Cons about this series and you can decide if you like it or not.

First off, let me say that I liked it. This series presented a new dynamic to seeing the Titanic and it also presented new real people who were on the ship (the Wideners, the Duff Gordons, and Dorothy Gibson are some examples). However, the first thing I will talk about is how the series is set up. The first three episodes have generally so many different point of views that are happening on the show. This is an awesome new way to look at a TV show, but you may not like this new style and thus the whole way the series is filmed will not be good for you. So in the end I liked this new dynamic, but depending who you are you may not like the way it is filmed with various point of views.

Now what are the plots? The good news is that this series did not generally rip off the popular James Cameron Titanic movie. This series does not really have a person from one class falling in love with another. Instead, there is a story in each class. The first episode will be off course first class where the wealthy elite of society are. The main character is the Earl of Manton is travelling with his wife Lady Manton and daughter Georgiana. Before the the voyage, Georgiana had ended up in jail and her father had to get her out. So Manton hopes to keep his daughter away from England while he goes to business in New York City. He also hopes she finds a husband. They also end up in conflict with some people who work for them in second class.

The second class story stars John Bately and his wife Muriel. John finds out his employer, the Earl of Manton, will be on board travelling first class. Bately is an attorney hired by Manton to hide a bad incident in his past. Muriel does not like her husband's business with people like the Earl of Manton.

Another story stars a perspective from the crew. Paolo, an Italian immigrant is travelling as a waiter in the first class dining room. He ends up falling in love with Annie, a maid for the second class passengers. The questions is if she will come with him to America and leave the ship when it docks in New York.

There are far more stories including one for third class, one for the captain and officers, and one for the private servants who work for the Mantons.

In terms of realism, the people a Titanic historian would know are all in the crew and are travelling first class and I will say some of them are not portrayed well as they seem really angry. That maybe the only problem.

Also don't expect to see a big Grand Staircase, or the lookouts before hitting the iceberg. Some of the effects are a little moderate.

Also one last thing, I really wanted to see more of some of the characters in the end because you will not really see all their fates.

20 of 25 people found the following review helpful

3.0 out of 5 stars Julian Fellowes Lost At Sea April 16, 2012

By Grady Harp HALL OF FAMETOP 50 REVIEWERVINE™ VOICE

Format:DVD

The DVD hasn't been released here yet but the 'mini-series' is now over. It is difficult to call this amalgamation of snippets about an historic tragedy a miniseries because it was spread out so unevenly (3 hours on first night, one hour on second night) and we are now informed that the film is a total of 184 minutes which means that the fourth hour was completely filled with the most distracting and disrupting of commercials. Why this new version of TITANIC wasn't place on cable television where it could have been enjoyed on one uninterrupted three hour showing is beyond understanding. Perhaps when the DVD is released and there are no loud and ugly commercials every 5 minutes the story will hold together.

Julian Fellowes, so respected for his writing of such series as Downton Abbey, etc. seems to have the urge to tell the story of the event through quick snippets of personal stories among the passengers - a commendable idea, but when the tiny tales are buried in the almost immediate collision with the iceberg and the attempt to flesh out the story by making it about how tragedy affects people's relationships come as little disconnected pop-ups, it is difficult to care about anybody, much less get to know them well enough to remember them at picture's end. Granted there are some moments before the ship is finished that emphasize the fact that the unsinkable Titanic was rushed to completion before it was safely ready, and those flashbacks to offer some interesting moments.

But basically the story is the same as all the other TITANIC movies - a study about class distinction not only among the peerage of Brits but also the differentiation among first, second and third (steerage) classes - with a hefty dollop of snubbing the crass American passengers. Jon Jones directs this amalgamation of ideas. There are some brief but tasty moments for actors such as Glen Blackhall (a memorable Paolo) and Antonio Magro (Paolo's brother Mario), Peter McDonald, Steven Waddington, Ruth Bradley Linus Roache and Geraldine Somerville as the Mantons, Toby Jones and Maria Doyle Kennedy, Celia Emrie, James Wilby and Dragos Bucur (the stowaway Russian). The rest of the cast is so little used that they all but disappear.

The film was apparently shot on digital video. Some of the effects are fine, but the whole film lacks cohesion - at least on the American release on commercial televsion! Grady Harp, April 12

7 of 8 people found the following review helpful

3.0 out of 5 stars Drown-ton Abbey: The Fellowes Formula Falters Due To Uninspired Personal Drama May 17, 2012

By K. Harris HALL OF FAMETOP 10 REVIEWER

I was quite excited when I heard that Julian Fellowes had signed on to write a new miniseries exploring the legendary Titanic tragedy. Fellowes is the reigning champion of upstairs/downstairs drama as evidenced by his Oscar winning screenplay for Altman's "Gosford Park" and his wildly successful production of "Downton Abbey." While that upscale soap opera is currently all-the-rage, it seemed a prime opportunity for Fellowes to branch out. Without a doubt, the class divisions, struggles and tensions aboard the Titanic certainly appeared to match his previous themes. And yet, while the idea seemed like an easy home run, "Titanic" (for all its elegance) is lacking in character drama that makes one actually care. The passengers on this ill-fated voyage are only superficially presented and their back stories are largely uninspired or entirely predictable. While there are still some good elements to "Titanic," therefore, I never felt the time investment in watching the four part miniseries paid off in any appreciable way.

The shortcomings of this particular trip rests almost squarely on the unimaginative screenplay. While I liked the idea of the overlapping structure of the show (each part presents different characters during the same pivotal time frame), it was an interesting narrative device that really didn't amount to much. The huge cast is impressive, but the characters lack dimension. A few stand-outs include Linus Roache (perhaps my favorite character, seen only sporadically after the first episode) as a progressive Earl, Toby Jones (always reliable) as a second class passenger dealing with a disappointed wife (The Tudor's Maria Doyle Kennedy in the series' most thankless role), and Glen Blackhall as an Italian immigrant working on the ship. But these and many more great actors are given an array of lackluster cliche's to serve up.

Plotlines include undying new love in the upper class, undying new love in the lower decks (two characters spend about 30 minutes of real time together before committing to a future), a married woman with an unexplored attraction to an enigmatic stranger, and all the class snobbery that one might expect. A few of the story threads showed signs of life but never get developed beyond the most perfunctory way. And if you're just waiting for the climatic sinking sequence, it lacks any type of visual impact. In the end, it's all about who will live and who will die. And as the show drew to its conclusion, I realized I didn't really care much one way or another. Truly a disappointment! KGHarris, 4/12.