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1 of 1 people found the following review helpful:
5.0 out of 5 stars About This Book..., June 14, 2009
This review is from: Titian and the Altarpiece in Renaissance Venice (Hardcover)
Hardcover: cloth over boards with dustjacket. Sewn binding. 260 pp, b&w and color illustrations. Four appendices, 35 pp of narrative and bibliographic end notes. A 10 p bibliography.

TABLE OF CONTENTS
Venetian Altarpieces of Saints
The Martyrdom Altarpiece: Its History and Significance
The Stimulus for Innovation: The Menace to Faith

Peter Martyr and Venice: His Life and Cult
The Peter Martyr Altarpiece Comes into Being: The Particulars
Titan at Work: Responding to the Challenge

Titan's Achievement: The Fabrication of Reality
Natura si Vinta Dell'arte: The Peter Martyr Altarpiece as Sign for the Venetian Aesthetic
The Peter Martyr Altarpiece Interpreted: Subsequent Altar Painting in Venice

Excursus: The Drawings Connected With the Peter Martyr Altarpiece
Appendix 1: Documents
Appendix 2: Texts
Appendix 3: Restorations
Appendix 4: Significant Painted Copies

Notes
Bibliography
Index

Blurb...
"This study examines the development of the altarpiece in sixteenth-century Venice. Focusing closely on Titian's St. Peter Martyr Altarpiece, which was the most famous work by this painter, destroyed in 1867, Meilman considers how this painting irrevocably changed the course of altar decoration.She also examines the social, religious and historical events of the decades just before the Tridentine reforms and their impact on devotional imagery and practices."
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Titian and the Altarpiece in Renaissance Venice
Titian and the Altarpiece in Renaissance Venice by Patricia Meilman (Hardcover - March 13, 2000)
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