Titus Groan (Gormenghast Trilogy) [Paperback]

Mervyn Peake (Author)

Book Description

Series: Gormenghast Trilogy | Publication Date: November 1, 1991

The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Amazon.com Review

Mervyn Peake's gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle. The Gormenghast royal family, the castle's decidedly eccentric staff, and the peasant artisans living around the dreary, crumbling structure make up the cast of characters in this engrossing story. Peake's command of language and unique style set the tone and shape of an intricate, slow-moving world of ritual and stasis:

The walls of the vast room which were streaming with calid moisture, were built with gray slabs of stone and were the personal concern of a company of eighteen men known as the 'Grey Scrubbers'.... On every day of the year from three hours before daybreak until about eleven o'clock, when the scaffolding and ladders became a hindrance to the cooks, the Grey Scrubbers fulfilled their hereditary calling.

Peake has been compared to Dickens, Tolkien, and Peacock, but Titus Groan is truly unique. Unforgettable characters with names like Steerpike and Prunesquallor make their way through an architecturally stifling world, with lots of dark corners around to dampen any whimsy that might arise. This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded. --Therese Littleton

From Publishers Weekly

In this illustrated Gothic trilogy, a young heir matures within the confines of bleak Gormenghast castle. Volume three includes 12 critical essays and Peake's unfinished Titus Awakes .
Copyright 1992 Reed Business Information, Inc.

Product Details

• Paperback: 396 pages
• Publisher: Overlook TP (November 1, 1991)
• Language: English
• ISBN-10: 0879514256
• ISBN-13: 978-0879514259
• Product Dimensions: 7.8 x 5.4 x 1.1 inches
• Shipping Weight: 15.2 ounces
• Average Customer Review: 4.2 out of 5 stars  See all reviews (62 customer reviews)
• Amazon Best Sellers Rank: #1,406,825 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

52 of 54 people found the following review helpful:

5.0 out of 5 stars The subtle and patient reader will be rewarded, December 29, 1999

By 

John L. Velonis (Dobbs Ferry, NY USA) - See all my reviews
(REAL NAME)   

This review is from: Titus Groan (Gormenghast Trilogy) (Paperback)

I read the Gormenghast Trilogy for the first time when I was in high school, some eighteen years ago, and while many of the scenes and the overall mood remained in my memory, I completely missed most of the humor and beauty in the writing itself, as I discovered when recently rereading Titus Groan. The sonorous, skewed beauty of the language demands to be read slowly and savored as prose poetry -- I read only a few pages a day over several months. Take a passage like the following:

"Suns and the changing of the seasonal moons; the leaves from trees that cannot keep their leaves, and the fish from olive waters have their voices! ... Stones have their voices and the quills of birds; the anger of the thorns, the wounded spirits, the antlers, ribs that curve, bread, tears and needles. Blunt boulders and the silence of cold marshes -- these have their voices -- the insurgent clouds, the cockerel and the worm. ... Voices that grind at night from lungs of granite. Lungs of blue air and the white lungs of rivers. All voices haunt all moments of all days; all voices fill the crannies of all regions."

If you find this sort of thing boring, by all means skip this book. This has almost nothing to do with either Tolkien or his less skilled successors who churn out a 500-page volume every six months. I think it has more in common with a book like Moby Dick (which I have been advised not to read until I reach forty years of age), in that it demands that the reader relate the text to his own experience of life and literature.

Many of the characters are grotesque parodies, but as with other masters of satire, Peake's exaggeration rings truer to life than a more "realistic" depiction would. The characters are neither good nor evil -- even Steerpike, though ambitious and unscrupulous, is not the evil villain of so many fantasy epics, but is in many ways a sympathetic character. Perhaps the main character is the castle Gormenghast itself, the concrete embodiment of the venerable yet often dysfunctional traditions under which the human characters labor.

Mervyn Peake has here created a true fantasy -- a unique vision with its own consistency and texture, sometimes stifling and febrile, morbidly comic, but with glimpses of pathos and tranquility, sustained by an amazing elasticity of language and poetry.

24 of 24 people found the following review helpful:

5.0 out of 5 stars Underrated Classic, February 16, 2002

By 

Westley (Stuck in my head) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   

Amazon Verified Purchase

This review is from: Titus Groan (Mass Market Paperback)

Titus Groan is impossible to classify. Is it fantasy? Is it gothic? Is it a Dickensian flight of fancy? Well it's been classified as all of these things, but none of these labels is quite adequate. It is perhaps ultimately best described as a black comedy. The book begins with the birth of the 77th Earl of Gormenghast, a gigantic castle were ritual rules all. Gormenghast castle seems to exist in an alternative universe to ours; however, there is no magic or cuddly hobbits, just grim realism.

The plot chronicles the ramifications of when the royal family and servants encounter Steerpike, a young kitchen worker who finagles his out of kitchen service (most jobs in the castle are assigned along heriditary lines). A self-possessed rebel and clever 17-year-old, Steerpike turns their world upside down. Steerpike is like many people you may know, manipulative, self-serving, and solicitous. However, the royal family and servants are so exceedingly self-occupied, that they are easily tricked by this young upstart. Steerpike may just be the most likeable villian ever; it's hard to blame him for the things he does considering the easy targets he selects.

The book is packed with other extremely memorable characters, including the sullen royal daughter (Fuschia), the Countess who seems to care only about her "pets," innumerable wild birds and and white cats, and her sisters-in-law, the identical twins (Cora and Clarice) who are the primary pawns of Steerpike. The book also provides splendid details about the castles and its world, not surprising considering that Peake is perhaps best known as an illustrator (a few of his illustrations are included here). The writing is dense and ponderous at times, but provides so many laughs and pleasures, that it is well worth the time investment. Of course, Titus Groan is just the first part of an epic. I have not read the remaining two books yet, but am tremendously excited to do. A most highly recommended read.

32 of 35 people found the following review helpful:

5.0 out of 5 stars Oh, yeah...., February 3, 2000

By 

JeremyG - See all my reviews

This review is from: Titus Groan (Gormenghast Trilogy) (Paperback)

This is one of those excellent books that I have been fortunate enough to find. I actually picked it up while in the waning stage of my annual Tolkien revival, hoping to find some similar fantasy. I was pleasantly surprised to find a story that was nothing like our present day conception of celtic/teutonic based fantasy. In fact, this book is so completely different that it reminds me more of Dickens's The Old Curiosity Shoppe than anything. Yet I believe, yes, I believe that I prefer this book to anything Dickens. Peake is a beautiful artisan of prose, but he also has a humerous bite to his language that plays strongly off the parody stereotypes introduced in this epic. I'm not British, but I cannot help but wonder if the English see this book as a parody of their monarchy. This may answer the reason for Titus's popularity in England, whereas we Americans don't seem to pay Gormenghast the attention it deserves.

So if you are into GOOD fantasy, read this book; and when I say GOOD fantasy, I'm refering to Tolkien, not the novel-a-minute writers whom we see so often at present. This book also takes a bit of work, so if you don't like Dickens, you probably won't like Peake.