*Starred Review* Garfield is a best-selling writer of irresistible enthusiasm. He has energetically and knowledgeably celebrated stamps (The Error World, 2008), typefaces (Just My Type, 2011), and maps (On the Map, 2012). Now he champions the infinitely expressive and influential tradition of letter writing. For centuries, Garfield observes, letters have been “the lubricant of human interaction and the free fall of ideas,” and he presents many provocative examples, from letters written by the Romans in Britain two thousand years ago, establishing the conventions of “greetings and farewells,” to the correspondence of Cicero, Madame de Sévigné, Virginia Woolf, and Jack Kerouac. Garfield covers the evolution of various postal services, tells curious tales about how letters end up in auction houses and libraries, contrasts letters and e-mails (a “hybrid between a letter and a phone call”), and ponders the challenges of maintaining digital archives. Threaded throughout is a suspenseful British WWII epistolary love story: the courtship-by-mail between post-office employees Chris Barker, serving in the Royal Air Force and stationed in Libya, Italy, and Greece, and Bessie Moore, transferred to the Foreign Office on the home front. Garfield’s robust and propulsive engagement with letters as an essential embodiment of the human spirit and a driving cultural force makes for exciting reading and thoughtful speculation about the future of scholarship and communication. --Donna Seaman
Praise for Simon Garfield's To the Letter:
"Stuffed with marvelous anecdotes, fascinating historical tidbits and excerpts...[Garfield’s] epistolary ardor proves infectious."—The New York Times Book Review
"Garfield's masterstroke is to intersperse his historical sections with a series of letters written by an ordinary British couple... With Chris and Bessie it is the sheer, unclouded openness that captivates... his book is a shining success."—Sunday Times
"A wonderfully elegant history."—Observer
"Fascinating … provides a moving and illuminating insight into a world that will soon be far from our own."—Herald
“Garfield is a best-selling writer of irresistible enthusiasm….[His] robust and propulsive engagement with letters as an essential embodiment of the human spirit and a driving cultural force makes for exciting reading and thoughtful speculation about the future of scholarship and communication.”—Booklist
"Garfield’s knowledge is wide and his enthusiasm endless."—The Times
"Wonderful... One of the things which makes this book so attractive is Garfield’s enjoyment of his subject. He writes with a winning informality and freshness... Apart from its author’s erudition and stylishness, the great strength of this book – the aspect of it which conveys most poignantly what we are losing as letter writing becomes a thing of the past – lies in Garfield’s use of a correspondence between two unknown people."—Literary Review
"This endlessly informative book from one of Britain's best non-fiction writers provides a heartfelt reminder of just how much we'd lose... the book serves up any number of vivid examples from people famous and unknown"—Reader’s Digest
"Read this brilliant account of a lost art… and weep... such fun... engaging"—Mail on Sunday
“He offers hope for the letter as a form of writing – though it is not his theme – because he makes clear that people’s instinct to share, discuss, and transmit their deepest, most strongly held feelings survives and adapts, even as technology changes.”—Financial Times
"An addictive account of a dying artform."—RedPraise for Simon Garfield's On the Map:
"Innumerable modes of seeing the world unfold in this exuberant history of maps. [...] His droll humor and infectious curiosity will keep readers engrossed as he uncovers surprising ways in which maps chart our imaginations as much as they do the ground underfoot."
“A vivid foray into the romance of maps. [...] A fine, fun presentation of the brand of cartography that continues to whet our imaginations.”
"Delightful... If maps be the fuel of wanderlust, read on."
—From the foreword by Dava Sobel, author of Longitudes
“There couldn’t be anyone better to write about our love for maps than Simon Garfield, who is a master at unearthing strange facts and mixing them with a lively personal narrative...fascinating.”
—Giles Foden, Condé Nast Traveller (UK)
Praise for Simon Garfield's Just My Type:
“This is a smart, funny, accessible book that does for typography what Lynne Truss’s best-selling Eats, Shoots & Leaves did for punctuation: made it noticeable for people who had no idea they were interested in such things.”
—Janet Maslin, The New York Times
"An engaging look at the world of fonts. […] Just My Type urges us to put on the brakes and take in the scenery as far as typography goes. Whether you're a graphic designer or a layperson with no background in this area, reading what Garfield has to say will change the way you perceive the written word forever."
—The Los Angeles Times
“Reading Simon Garfield’s Just My Type can transform your daily life into an endless quest for knowledge of the typefaces in which signs, books, magazines, newspapers, etc. are set.”
—The Washington Post
“Highly entertaining … Garfield takes readers on a rollicking tour of the world of typography, from book jackets to road signs, TV shows to computers.”
“A deliriously clever and entertaining book”
—The Boston Globe
“Informative, delightful — and essential reading for word geeks everywhere.”
—The Seattle Times
“Lively […] intriguing […] a cheeky book about the human side and our reaction to fonts.”
—Seattle Post Intelligencer
“This is a book for typography lovers who just can't get enough of their favorite fonts. In this well-researched book, Garfield takes a look back at the history of typefaces and how they've influenced consumers throughout the years. Using specific examples, Garfield shows just how powerful different fonts can be.”
“For typomaniacs […] who can't rest until they've identified a font, Garfield's engaging history of letter design will be eye candy.”
—The Huffington Post
“Garfield’s romping history (with multitype text) is zestfully informative.”
“Garfield dances across 560 years of typographic history, sprinkled with fascinating anecdotes and vignettes, to infect you with his own inability to walk past a sign without identifying the typeface and some curious factoid about it. Funny and fascinating, irreverent and playful yet endlessly illuminating, the book is an absolute treat for the type-nerd, design history geek, and general lover of intelligent writing with humor.”
“A thoroughly entertaining, well-informed tour of typefaces”
A “lively romp through the history of fonts. Garfield’s evocative prose entices us to see letters instead of just reading them.”
“Whether you’re a hardcore typophile or a type-tyro, there’s something here for you: be it the eye-opening revelations of Eric Gill’s utter and complete perversity, or the creation of the typeface that helped Mr. Obama gain entrance to the White House.”
"Just My Type is an entertaining romp through the world of type design. Mr. Garfield explains the angst and the joy of typography; this is a great book for design geeks to press into the hands of the uninitiated in hopes of conversions, like missionaries with a religious tract."
—Audrey Niffenegger, author of The Time Traveler's Wife
“With wit, grace and intelligence, Simon Garfield tells the fascinating stories behind the letters that we encounter every day on our street corners, our bookstore shelves, and our computer screens. As someone who's worked with typography for over three decades, I kept finding lots of surprises. So will anyone who cares about the culture of reading and writing and this most ubiquitous of design forms.”
—Michael Bierut, Partner, Pentagram Design, New York
"There is even a photograph of a quick brown fox literally jumping over a lazy dog. What a clever, clever book."
“Did I love this book? My daughter's middle name is Bodoni. Enough said.”
"Mapping out the historical intricacies of the ampersand and the short-lived interrobang, the serif and the sans serif, Simon Garfield reveals an invisible world behind the printed word. From Trajan's Column to the ubiquitous Helvetica to the latest typefaces, like Dirtyfax, the lives of the designers and the letters they've created have never been more clearly detailed with so much flair."
—Jessica Kerwin Jenkins, author of Encyclopedia of the Exquisite