From Publishers Weekly
Starred Review. British actress Juliet Stevenson makes for a better reader of Woolf's words than Nicole Kidman's Oscar-winning turn as Woolf in The Hours
. Stevenson carefully sorts through Woolf's famously tangled modernist masterpiece about the interior lives of a well-to-do British family, and the ways in which the First World War permanently damaged European society. She reads in an amplified hush, her exaggeratedly formal British diction adding poignancy to the sense of dislocation and disorder that marks the book's transition from pre- to postwar. Her reading is quietly, carefully precise, and that precision is a solid complement to Woolf's own measured, inward-looking prose. (June)
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--This text refers to the
“To the Lighthouse
is one of the greatest elegies in the
English language, a book which transcends time.” –Margaret Drabble
“Without question one of the two or three finest novels of the twentieth century. Woolf comments on the most pressing dramas of our human predicament: war, mortality, family, love. If you’re like me you’ll come back to this book often, always astounded, always moved, always refreshed.” –Rick Moody
“[Woolf’s] people are astoundingly real…The tragic futility, the absurdity, the pathetic beauty, of life–we experience all of this in our sharing of seven hours of Mrs. Ramsay’s wasted or not wasted existence.
We have seen, through her, the world.” –Conrad Aiken