Customer Reviews

Toccata and Fugue: Bach Organ Music

5 star:		(6)
4 star:		(0)
3 star:		(1)
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1 star:		(0)

 

 

The great tragedy of Baroque music is that we no longer really know how it was actually played. Various attempts to reconstruct the Baroque flavor of the music have been made. Karl Richter, and Wanda Landowska are perhaps the pre-eminent interpreters of Baroque music in the 20th century.

Within this album, Karl Richter's breaks away from his contemporaries, playing on the massive organs for which Johann Sebastion Bach wrote these pieces, instead of the small portable organs. He does not try to play the pieces fast or slow, but rather play the piece at a pace in which each note has meaning. A great deal of thought and consideration has gone into each performance, and they display a profound understanding of the music Bach was trying to create.

I do not want to discount the modern performances of Bach's music, many of which are top notch--for example Glen Gould's rendition of the Well-Tempered Clavier, but they do not fully reveal the mastery of harmony that Bach displays in each and every piece on this album. Modern renditions display Bach's genius in creating music that can be played on many different instruments, but they do not display Bach's vision for the specific piece.

This is as close as you can come to listening to Bach's music the way he created it in his mind before setting pen to paper.

I too bought the vinyl version of this disk in my youth in the late '60s (actually it was about half this disk, right?). Itis such a wonderful recording because it plays the very dramatic and popular toccata and fugue in d minor as a serious and intelligent piece on a magnificent instrument - not as some kind of madman's nightmare. Yes, there is drama and fire, but it is all there with purpose and intellect.

But there is SO MUCH MORE on this disk. Wonderful recordings of trio sonatas, fantasies, and chorale preludes. This is such a wonderful disk I really believe you would be very happy to own it and listen to it again and again.

The ONLY negative is that the liner notes are not included (or weren't on the disk I have). Please email me with what you think of this disk once you hear it, particularly all the other selections.

I bought my first copy of this recording in 1967 (on vinyl, of course). It immediately became the definitive performance of the Toccata and Fugue in D-minor for me -- the one by which I measure everyone else's.

I just picked this up again after having lost it some years ago. I'd like to second everything mentioned in the reviews below. These are very rich, dense, wonderful pieces and the performances on each of them are - at least as far as a non-classical person like me can tell - flawless.

The first two tracks are, incidentally, pretty fine examples of what would come to be known as the wall of sound some two hundred years later. And they're really considerably better than most of what Phil Spector came up with.

This disc collects some of Karl Richter's better known interpretations from the organ works of Bach. The performances certainly convey the modern notion of `authentic interpretation,' but I find they lack that which makes the music worth listening to: namely, a communicative intent on the part of the performer which is perceptible to the listener.

Though I am hesitant to throw around words like `expression' and `musicality' in a subjective review, I will say that I find Karl Richter's cold, austere, Bach rather distasteful. Needless to say, Karl Richter plays the works with mastery and conviction - but, I find nothing in his interpretation to be surprising, moving, or even interesting. This is cookie-cutter Bach.

Furthermore, I would challenge the notion that the interpretation of any organ work of Bach could be, as reviewer Patrick Walsh suggests, "as close as you can come to listening to Bach's music the way he created it in his mind before setting pen to paper." What a preposterous notion! First, no one really knows what Bach was thinking when he put pen to paper. And furthermore, who cares? Johann Sebastian Bach was a product of his time just as much as we are a product of ours. To suggest that music and its interpretation have not evolved is ridiculous. I fail to see how "authentic" performance practice should be the sole factor when considering an interpretation of a work of art. There is so much more to consider!

For lovers of Baroque organ music, this CD will remain a winner. Of particular interest to period-organ enthusiasts will be Mr. Richter's selection of instruments, which is decidedly late 17th century German Baroque in nature. However, I implore those who are seeking a less black and white Bach to consider the accounts of other great performers, including E. Power Biggs, Virgil Fox, Kate van Tricht, and David Sanger. Their diverse, vivid renditions of the classic works remind us how unique Bach's genius really is.

I need it music for the introduction Of satan in the play Of our church! Just perfect! Had some other tracks but it worked just the way I planned!

I have to admit that I bought this CD for a relative who has a strong liking for the classical music of J.S Bach. The CD arrived quickly and in mint condition.