Tocqueville (New Issues Poetry & Prose) [Paperback]

Khaled Mattawa (Author), Libya in 1964 and immigrated to the U.S. in his teens. He is the author of four books books of poetry ISMAILIA ECLIPSE (Sheep Meadow Press 1995) ZODIAC OF ECHOES (Ausable Press 2003) Amorisco (Ausable Press 2008) and TOCQUEVILLE (New Issues Khaled Mattawa was born in Benghazi (Author)

Book Description

ISBN-10: 1930974906 | ISBN-13: 978-1930974906 | Publication Date: April 5, 2010 | Edition: First

Poetry. "In his masterful fourth collection, Khaled Mattawa is concerned, above all, with the ramifications of a new global culture that most American poets have thus far ignored and neglected, partly out of incomprehension, partly out of fear. By setting himself against such timidity, Mattawa offers his most sustained and experimental reckoning with matters of cultural and social witness. TOCQUEVILLE is part personal lyric, part jeremiad, part shooting script, and part troubled homage to the great wry chronicler of American society evoked in the book's title. It is a book of relentless invention that is also relentlessly urgent and that is a very rare thing indeed. Khaled Mattawa is, quite simply, one of the finest, fiercest, and most original poets of his generation"--David Wojahn.

Editorial Reviews

Review

In his masterful fourth collection, Khaled Mattawa is concerned, above all, with the ramifications of a new global culture that most American poets have thus far ignored and neglected, partly out of incomprehension, partly out of fear. By setting himself against such timidity, Mattawa offers his most sustained and experimental reckoning with matters of cultural and social witness. Tocqueville is part personal lyric, part jeremiad, part shooting script, and part troubled homage to the great wry chronicler of American society evoked in the book's title. It is a book of relentless invention that is also relentlessly urgent and that is a very rare thing indeed. Khaled Mattawa is, quite simply, one of the finest, fiercest, and most original poets of his generation. --David Wojahn

Tocqueville names the names, walks the walk, and definitely talks the talk. Here's a book of marvelous poems for our times; its textured complexity radiates and sings. --Yusef Komunyakaa

Tocqueville, living up to the truthful irony implicit in its title, is politically astute, formally daring, grips the reader with an intelligence that spotlights, too, its sensual and emotional (and historical) accuracy. --Marilyn Hacker

About the Author

Khaled Mattawa was born in Benghazi, Libya in 1964 and immigrated to the U.S. in his teens. He is the author of three previous books of poetry, Ismailia Eclipse (Sheep Meadow, 1995), Zodiac of Echoes (Ausable, 2003), and Amorisco (Ausable, 2008).

Product Details

• Paperback: 71 pages
• Publisher: New Issues Poetry & Prose; First edition (April 5, 2010)
• Language: English
• ISBN-10: 1930974906
• ISBN-13: 978-1930974906
• Product Dimensions: 9.5 x 5.9 x 0.3 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #798,330 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

5.0 out of 5 stars A political astuteness combined with a genuine talent for a well crafted composition, March 15, 2010

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Midwest Book Review (Oregon, WI USA) - See all my reviews

This review is from: Tocqueville (New Issues Poetry & Prose) (Paperback)

A 71-page collection of wry poetry drawn for keen observation of American society, "Tocqueville" is Khaled Mattawa's fourth anthology and continues to document him as an exceptionally skilled wordsmith who combines the lyric qualities of written expression with a remarkable perception of an American dominated global culture especially afforded to someone born in Benghazi, Libya, in 1964 and only immigrated to the U.S. as a teenager. "Tocqueville" is especially commended to the attention of those who appreciate a political astuteness combined with a genuine talent for a well crafted composition and scripting layout on paper provides a visual composition that works smoothly to enhance the ideas and word images in the mind's eye of the reader.

1 of 1 people found the following review helpful:

5.0 out of 5 stars Kenyon Review, November 26, 2010

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reader - See all my reviews

This review is from: Tocqueville (New Issues Poetry & Prose) (Paperback)

Despite my Bunkered Heart:
Khaled Mattawa's Tocqueville
New Issues: Kalamazoo, MI, 2010. 72 pages. $15.00.
Khaled Mattawa's fourth collection of poetry, Tocqueville, answers to its title, bearing witness to consequences of US foreign and domestic policy. The endeavor is "enough to turn a reporter into a novelist, / and the novelist toward myth for rescue / and the poet running toward the white heat of his soul / fed on the fuel of indignation." Tocqueville journeys within and beyond American borders, its setting the years of the US war on Iraq--a world in which technological advancement and media sophistication have become atrocities of shock and awe. Mattawa's poems bring us a Chevron tanker named for Condoleezza Rice, Somalian war stories, Vietnamese sweatshops, child pornography, torture, suicide bombers, "Abel's / blood streaming endless from your veins."

Formally, the poems in Tocqueville range from lyric prose to PowerPoint presentations, documentary film scripts, and conversations with a shrink. Mattawa's lenses pan over, click through, devastating historical and political content, but seek out the individual: "The village women carry the moon on their heads. // Each carrying a piece. // Or each carrying her own moon." He joins a rigorously nuanced political vision with a lyrical mythos, a sense of "a world now, a world then." The final poem, "Before," insists, "Somewhere beyond faith and grace there is / the footprint of logic lost in the purest light," and the collection frequently finds the classical in the contemporary. Even in many of the poems' dense, wide-ranging experimentation--complete with matrices and graphics--Mattawa foregrounds the continuity between the present-day political world and the mythic.

The lyrical, imperfect language that connects these worlds also unites the book's many speakers, locations, and dictions, though Mattawa is skeptical of this function of poetry: "Who is talking now? Which `we' are you inserting yourself into now?" Mattawa maintains a distance from the figure of Tocqueville, whose failure in the case of Algeria looms on the horizon. Tocqueville was famously a foreign critic on American soil; the poet today cannot have the purity of foreignness but is implicated, not free to be a stranger to the objects of his knowledge. To Mattawa, even the "white heat of [the poet's] soul" is another danger, its indignation fueled by the "cum-light of self-love / a technique now perfected and taught / at military academies."

Mattawa's skepticism goes to the heart of the question of poetry's ethical value. "There are potential applications for this concept in the real world," "Power Point (I)" tells us, "but why take the dark turn, why mistake the swimmer's head-gear for that of the one-eyed mullah of Kandahar?" Throughout, Tocqueville considers what it may be to "take the dark turn," to shed light on any object of inquiry when the speaker knows that all acts of illumination cast shadows. In "Terrorist," the problems of critical vision become the body's blinding light:

. . . despite what I've
told myself, what I've grown to believe,
despite my bunkered heart and fortified
skin, my thick bile and phlegm, I am bled
white by an appalling battle.

For Mattawa, even "my silences / spill an ooze that fastens me" to the other. The result is a poetry in which politics are considered through both potent emotion and exacting investigation, a work haunting in its scope and, most of all, in its critical self-awareness that "lyric resolution / demands an arrival into what does not suffice." Tocqueville commences with a question: "Will answers be found / like seeds / planted among rows of song?" The answer that emerges has the enduring fragility of lyric itself: "Someone will resist and a new song will nest in our heads and a river will run between hands as they shake a doubtable peace."

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Hilary Plum is codirector of Clockroot Books and an MFA cadidate in fiction at UMass Amherst. Recent prose and criticism have appeared in Diagram and the Quarterly Conversation.