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5 of 5 people found the following review helpful:
5.0 out of 5 stars Out Of Context
Although I'm glad that people thought enough of the Maestro, aka "The Walrus of Love", to rate and review this album, I'm semi-surprised at how confident people were in downgrading it, in spite of never having seen the movie. Granted, it would be impossible to do so, since for one thing, it was originally released back in 1974, and for another, the film has never been...
Published on November 15, 2008 by C.T. Chase

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1 of 3 people found the following review helpful:
3.0 out of 5 stars Maybe it sounded better in '74...
Inasmuch as I am a huge fan of "The Maestro", I have to admit that the score to "Together Brothers" is one of his weakest compositions.

Repetitive, unoriginal, and missing the sultry sound that so categorizes White's music, the score's only strong suit is the fact that the theme was later recycled in the 90's dance hit "Come and Ride This Train" by Quad City DJ 's...

Published on June 8, 2003 by Reginald D. Garrard


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5 of 5 people found the following review helpful:
5.0 out of 5 stars Out Of Context, November 15, 2008
This review is from: Together Brothers (MP3 Download)
Although I'm glad that people thought enough of the Maestro, aka "The Walrus of Love", to rate and review this album, I'm semi-surprised at how confident people were in downgrading it, in spite of never having seen the movie. Granted, it would be impossible to do so, since for one thing, it was originally released back in 1974, and for another, the film has never been made available on any format, VHS or otherwise.

Because I did see the movie, this music - one of only two soundtracks that Barry White ever did for films - holds a special meaning and affection for me. Maybe a quick synopsis of the film will help put the style and arranging in context.

TOGETHER BROTHERS is set in the ghetto, circa 1974, and opens with the brutal murder of a uniformed police officer, who patrols this part of the city and serves as a mentor to some of the troubled youth there. He is shot multiple times by an unseen assailant, and then, in a bizarre twist, the killer pulls the dead cop's pants down around his ankles. All of this happens while a horrified young boy looks on, stunned into silence by what he has just witnessed. The killer walks over to the frozen child, puts the gun to his head and pulls the trigger. Nothing happens - the gun is empty, all the bullets used to kill the cop. As people approach having heard the gunshots, the killer flees, leaving the boy.

The people who find the boy and the cop's body turn out to be four friends (the TOGETHER BROTHERS of the title), one of whom is the young boy's older brother. These were the teens the cop was mentoring, and now they are determined to find out who killed him, which they try to do for the remainder of the film. All the while, the killer waits in the background for an opportunity to silence the boy once and for all. Ironic, really, since the traumatized child does not speak one word for the rest of the movie, until the very end.

Each track helped to tell the story, and as you can tell from the arrangements and the titles, it escalates to a very gripping, suspenseful ending when you're not really sure what's going to happen. The most famous track from the album, "Theme From Together Brothers" (which was sampled for the hit dance mix "C'mon Ride The Train"), was actually music for a scene when the Brothers, determined to follow the clues that will lead to their friend's murderer, turn to the leader of a local Latino gang for help. A surprising plot point for a movie from this time period, since African-American and Latinos were more likely to be rivals than friends working together (especially gang members.)

The film's main cast members were all mostly first-timers hired from a national casting call, with the exception of Rodney Allen Rippey - a famous black child actor for some popular commercials of the day, who played the little boy; Ed Bernard (Detective Stiles from the Angie Dickenson series POLICE WOMAN), who played the doomed but well-meaning cop, and Lincoln Kilpatrick (THE OMEGA MAN) as the killer. The setting and the unfamiliarity of the actors to the audience gave the movie a very gritty, docudrama feel to it.

The music and the movie were indeed very much a product of their time, but the movie's themes were universal (if the depiction of some characters in the movie would now not only be considered stereotypical, but downright non politically-correct.) My only hope is that someday, Fox will release a DVD of this "lost" film, so that people will have a frame of reference when reviewing the music that accompanies it.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Real cool, versatile & stylistic (4&1/2 stars), November 28, 2006
This review is from: Together Brothers (Audio CD)
The soundtrack is fantastic with alot of arrangements from the horns & strings. And strong rhythm section. The title them was the Smash which been sampled by a couple hip-hoppers. Barry White (RIP) deserves this piece of work credit. One heckuva performer and one legend truly left us too early. This is a great score even I haven't seen the original movie of it. Long lives the Maestro and Overall Genius of Barry White.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars awsome, September 5, 2000
By A Customer
This review is from: Together Brothers (Audio CD)
if you've seen Together on mtv you'll love the soundtrack!The hilarious lyrics are out of this world!!!!
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4.0 out of 5 stars excellet, August 7, 2010
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This review is from: Together Brothers (Audio CD)
If you didn't know, would you believe that the Together Brothers Soundtrack was a Barry White album? That depends on which half of the apple you bite from.

Barry White sings only on a few tracks here, and obviously, his voice is his and his alone. If God ever truly appeared in popular music, it was through Barry Whites unmistakeable baritone.

Also identifiable as the master are the dense, perfect, towering orchestrations. In the house of 1970s music, that of White's was the imperial purple shag carpet.

The difference: on Together Brothers, White applies his limitless skill to a hard funk we usually don't associate with his music. It is spellbinding to hear White's giant, Wagnerian approach applied to chunky bass lines and driving riffs.

Far too people know of this album, even fans of White. You are in the bubble bath if you listen to Barry Whites love ballads, but to get the full swim of this American music master, you have to hear Together Brothers.
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1 of 3 people found the following review helpful:
2.0 out of 5 stars Average, July 9, 2003
This review is from: Together Brothers (Audio CD)
while I'm a Big Barry White Fan(RIP) this SOundtrack was pretty average&seems like Barry didn't bring the Goods fully here.the title track was catchy but after that it sounds like a Left-Over Project from other better Produced Soundtracks by Other Composers&Producers.Barry White brought the Musical Pain but not on this Set.
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1 of 3 people found the following review helpful:
3.0 out of 5 stars Maybe it sounded better in '74..., June 8, 2003
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This review is from: Together Brothers (Audio CD)
Inasmuch as I am a huge fan of "The Maestro", I have to admit that the score to "Together Brothers" is one of his weakest compositions.

Repetitive, unoriginal, and missing the sultry sound that so categorizes White's music, the score's only strong suit is the fact that the theme was later recycled in the 90's dance hit "Come and Ride This Train" by Quad City DJ 's.

It's too bad that the remainder of the album is so forgettable.
But, it is Barry; thus, I can't give him less than three stars.

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Together Brothers
Together Brothers by Barry White (Audio CD - 1999)
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