Tokyo '96

Keith Jarrett | Format: MP3 Download

Product Details

• Original Release Date: January 25, 2000
• Release Date: January 25, 2000
• Label: ECM
• Copyright: (C) 1998 ECM Records GmbH under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
• Record Company Required Metadata: Music file contains unique purchase identifier. Learn more.
• Total Length: 1:18:59
• Genres:
• ASIN: B000VA09PU
• Average Customer Review: 4.2 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #66,162 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

9 of 10 people found the following review helpful:

5.0 out of 5 stars ARE YOU KIDDING?? GORGEOUS!!, September 12, 2003

By 

dave bass (Atlanta, GA United States) - See all my reviews

This review is from: Tokyo 96 (Audio CD)

As a professional singer/saxophonist with a collection of thousands of records and cds, I often delight in playing new things for people, not only to introduce things to them, but to see their reaction.

My girlfriend was sitting on the couch one night, reading in silence. I put on "Never let me Go" from this CD, and went to work on some reeds in the kitchen.

Less than a minute later, she put the book in her lap and looked up at me. "I can't read this while that's playing - it's so amazing. It just commands your attention. It sounds like backround music, but it's definately NOT - it's so intense, and I can hear the feeling in everything he's doing. It just commands me to listen." So she put her book down and enjoyed.

And I, of course, was ecstatic that she got the fact that Keith Jarrett is one of those few musicians who lock into their inner voice from the moment go and never let go. Whether or not you like his forays into all genres, his experimentations, or even his phrasing or note choices here and there - you have to concede that his PROCESS of creating, along with that of his cohorts, is absolutely vital, essential, and pure.

So put the book down, and dig!

4 of 4 people found the following review helpful:

4.0 out of 5 stars Bravura and Tenderness in One, August 11, 2001

By 

C. David LaRoche (Halifax, N.S.) - See all my reviews

This review is from: Tokyo 96 (Audio CD)

Tokyo 96' is an excellent LP for any fan of the Jazz Piano. Jarrett's volcalizations never intrude on the wonderful music, making this album accesible for anyone. The trio's ability to communicate only gets better with age, and this is one of their peaks. While the moodful melodies and ballads are truly stunning on this album, the spotlight is stolen by Jarrett simply digging into some up-tempo bop standards. Highlights? The entirety of Billie's Bounce and I'll Remember April are ecstatic (the latter featuring a marvelous drum-solo intro punctuated by rhythmic chords on behalf of Jarrett), however, the true gem is the brief, almost frantic and assuredly intense John's Abbey. One can almost see the sparks flying from these three masteful musicians!

3 of 3 people found the following review helpful:

5.0 out of 5 stars Oh...my...goodness...great balls of fire!, August 1, 2010

By 

the way I see it (Midwest) - See all my reviews

This review is from: Tokyo 96 (Audio CD)

What a recording! As good as anything the trio has put out for our listening pleasure including Standards I and II and the complete Blue Note set. This CD is so incredibly balanced with a seamless flow between ballads and up-tempo songs. All three artists are completely on fire! My only complaint, and it is a very minor one, is that I wish the two standards that segue into compositions by Jarrett were both about fifteen minutes longer (Harold Arlen's "Last Night When We Were Young" segues into Jarrett's "Caribbean Sky" and Rodgers and Hart's "My Funny Valentine" segues into Jarrett's "Song"). There are at least three such long standard-to-Jarrett composition segues on the complete Blue Note set, which I adore and which have spoiled me. On Tokyo 96, both "Carribean Sky" and "Song" should have gone on for much longer, especially "Carribean Sky". But that's a minor "complaint" and really just a personal desire to hear more of Jarrett's beautiful compositions that flow so nicely out of particular standards. It's still a perfect recording--but it could have been even "perfecter"!

As for those who find Jarrett's vocalizations to be annoying--and I sometimes fall into that camp, though I still own dozens of his recordings--I didn't notice much on this CD. In my opinion, what little there is almost had to be there because the music was truly worth shouting over and making all sorts of primal sounds. (If I had been at this concert, I would have been screaming like a madman!) But again, given how stunning and magical this evening was, I think Jarret showed incredible restraint. If you have a chance, I encourage you to listen to the entire CD through some headphones. Oh...my...goodness...great balls of fire!!!!!!!