Tokyo Cancelled [Paperback]

Rana Dasgupta (Author)

Book Description

Publication Date: April 10, 2005

Thirteen passengers are stranded at an airport. Tokyo, their destination, is covered in snow and all flights are cancelled. To pass the night they form a huddle by the silent baggage carousels and tell one another stories. Thus begins Rana Dasgupta's Canterbury Tales for our times.
In the spirit of Borges and Calvino, Dasgupta's writing combines an energetically modern landscape with a timeless, beguiling fairy-tale ethos, while bringing to life a cast of extraordinary individuals-some lost, some confused, some happy-in a world that remains ineffable, inexplicable, and wonderful.
A Ukrainian merchant is led by a wingless bird back to a lost lover; Robert De Niro's son masters the transubstantiation of matter and turns it against his enemies; a man who manipulates other people's memories has to confront his own past; a Japanese entrepreneur risks losing everything in his obsession with a doll; a mute Turkish girl is left alone in the house of a German man who is mapping the world.
Told by people on a journey, these are stories about lives in transit, stories that grow into an epic cycle about the hopes and dreams and disappointments that connect people everywhere.

Editorial Reviews

From Publishers Weekly

Dasgupta spins a self-consciously modern tapestry of freewheeling fantasies and subverted fairy tales with his ambitious first book. When a severe blizzard in Tokyo diverts a 747 to a remote airport, the stranded passengers gather around the baggage carousel to trade the sort of stories that strangers don't typically swap, unless one's fellow travelers are Beckett and Borges. Refracting the contemporary world's metropolises through a dystopian once-upon-a-time sensibility, Dasgupta tackles themes of transit, dislocation and uprootedness. His critique of consumerism and the global economy can be humorous: in "The Store on Madison Avenue," Robert de Niro's half-Chinese illegitimate son, Pavel, unites with Martin Scorsese and Isabella Rossellini's love child, who eats a magic box of Oreo cookies that transforms her into an upscale New York boutique. Dasgupta takes a more didactic tone in "The Memory Editor," about the prodigal son of an investment banker who goes to work for a corporate enterprise called "MyPastâ„¢," which gathers and markets ejected memories when a London of the near future literally loses its sense of history. Other tales discover poignant moments of connection, as when a wingless bird hobbles across Europe to reunite two lost lovers. Though Dasgupta's postmodern stories can be too pat, his sprawling, experimental project achieves an exotic luster. Agent, Jennifer Joel. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

In the spirit of Chaucer's Canterbury Tales, Dasgupta's first novel assembles fanciful tales--a baker's dozen of them--told by a random assortment of travelers. In the midst of a blinding snowstorm that shuts down Tokyo's main airport, 13 stranded tourists pass the hours by spinning stories that reflect their diverse and colorful backgrounds. A rural tailor is commissioned by a prince to create a unique silk robe, but his life collapses in ruins when ignorant guards refuse to let him deliver the goods. The disowned son of a wealthy banker lands a job cataloging memories for an increasingly amnesiac population of modern-day London, only to discover his father among the company's customers. In perhaps the most outlandish and risque tale, Robert DeNiro's illegitimate son stumbles on the secret of transforming matter via a magical box of Oreo cookies. Dasgupta's themes run the gamut from loss and betrayal to uprootedness and alienation in a magical realist manner that echoes the best of Garcia Marquez and makes for irresistibly absorbing entertainment. Carl Hays
Copyright © American Library Association. All rights reserved

See all Editorial Reviews

Product Details

• Paperback: 400 pages
• Publisher: Black Cat; First Edition. first australian edition (April 10, 2005)
• Language: English
• ISBN-10: 0802170099
• ISBN-13: 978-0802170095
• Product Dimensions: 5.4 x 8.1 x 1 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars  See all reviews (16 customer reviews)
• Amazon Best Sellers Rank: #1,164,254 in Books (See Top 100 in Books)

More About the Author

Rana Dasgupta was born in the UK in 1971 and grew up in Cambridge. As an adult he lived in France, Malaysia and the US before moving to Delhi in 2000.

His first book, "Tokyo Cancelled", was published in 2005. Narrated by travelers stuck for a night in an airport, "Tokyo Cancelled" is a cycle of folktales about our contemporary world of globalization, corporations, film stars and illegal immigrants. It was short-listed for the John Llewellyn Rhys Prize and the Vodafone Crossword Award.

"Solo" came out in the UK in 2009 and was awarded the Commonwealth Writers' Prize. Set in Bulgaria, "Solo" follows the life and daydreams of a melancholy centenarian, so embarking on an epic exploration of science, memory, music and failure. "Solo" has been translated into twelve languages and will be available in the US in February 2011.

Rana Dasgupta now lives permanently in Delhi, and is at present working on a book-length portrait of his adopted city.

REVIEWS OF "TOKYO CANCELLED"

"Only the most gifted writers can hold the surreal and the real in satisfying equilibrium. This elite now welcomes Rana Dasgupta to its ranks" - Time Out

"Brilliantly conceived and jauntily delivered" - San Francisco Chronicle

"These stories ... ah, they outdo the Arabian Nights for inventiveness. One closes the book with head spinning" - The Guardian

REVIEWS OF "SOLO"

"Solo is ... utterly unforgettable in its humanity" - The Guardian

"A necessary as well as a timely novel" - Sunday Business Post

"Weird, wonderful and warmly wise" - Daily Mail

"This is an important work" - The Australian

Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

5.0 out of 5 stars Extremely captivating and creative, January 2, 2006

By 

Elisabeth Patterson (Montreal, Quebec, Canada) - See all my reviews

This review is from: Tokyo Cancelled (Paperback)

This is one of the most well written, captivating and creative collection of short stories that I have read in a long time. There are so many different plots and twists and turns to each story that one wonders how Dasgupta was able to imagine it all. I very much enjoyed the fact that each story is set in a different city across five continents. For the places that I knew, I really got the feeling that Dasgupta had a good grasp of the cultures he was writing about.

I would definitely recommend reading this book, especially if one enjoys foreign settings and a certain magical atmosphere.

3 of 3 people found the following review helpful:

4.0 out of 5 stars interesting, October 4, 2006

By 

Vahnee (Los Angeles) - See all my reviews

Amazon Verified Purchase

This review is from: Tokyo Cancelled (Paperback)

A modern-day "Arabian Nights" for the next generation. Some of the stories in here are downright odd, but they're all enjoyable and perfect for late-night reading.

7 of 9 people found the following review helpful:

4.0 out of 5 stars Odd, but interesting, May 18, 2005

By 

Jerry Sanchez (New York) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Tokyo Cancelled (Paperback)

This book was not what I expected, and after finishing it, I still do not know what to think. The premise is what made me initially interested: a group of 13 strangers are stranded in the airport in Tokyo for the night and decide to pass the time by telling stories. Sounds interesting, right? I thought that the stories would be global and realistic stories about people and life. I was wrong. The stories are certainly global, and the author describes beautifully each city in the book with intimate knowledge, but the collection of stories are more like fairy tales and fantasies. I did not fully understand many of the stories, but the book kept me reading nonetheless. Overall, it was not a bad book, just different. The author writes well, and for the imaginative, this may be a great book. I just think that I would have liked similar stories about life told without the fantasy better.