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Tokyo Drifter [VHS]
 
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Tokyo Drifter [VHS] (1966)

Tetsuya Watari , Chieko Matsubara , Seijun Suzuki  |  NR |  VHS Tape
4.0 out of 5 stars  See all reviews (21 customer reviews)

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Frequently Bought Together

Tokyo Drifter [VHS] + Branded to Kill (The Criterion Collection) [Blu-ray] + Design for Living (The Criterion Collection) [Blu-ray]
Price For All Three: $56.38

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Product Details

  • Actors: Tetsuya Watari, Chieko Matsubara, Hideaki Nitani, Ryûji Kita, Tsuyoshi Yoshida
  • Directors: Seijun Suzuki
  • Writers: Kôhan Kawauchi
  • Producers: Tetsuro Nakagawa
  • Format: Color, Letterboxed, NTSC
  • Subtitles: English
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: Homevision
  • VHS Release Date: June 13, 2000
  • Run Time: 82 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (21 customer reviews)
  • ASIN: 0780020510
  • Amazon Best Sellers Rank: #389,838 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Seijun Suzuki transforms the yakuza genre into a pop-art James Bond cartoon as directed by Jean-Luc Godard. The near-incomprehensible plot is almost negligible: hitman "Phoenix" Tetsu (Tetsuya Watari), a cool killer in dark shades who whistles his own theme song, discovers his own mob has betrayed his code of ethics and hits the road like a questing warrior, with not one but two mobs hot on his trail. In a world of shifting loyalties Tetsu is the last honorable man, a character who might have stepped out of a Jean-Pierre Melville film and into a delirious, color-soaked landscape of a Vincent Minnelli musical turned gangster war zone. The twisting narrative takes Tetsu from deliriously gaudy nightclubs, where killers hide behind every pillar, to the beautiful snowy plains of Northern Japan and back again, leaving a trail of corpses in his wake. Suzuki opens the widescreen production in stark, high-contrast black and white with isolated eruptions of color that finally explode in a screen that glows in oversaturated hues, like a comic book come to life. His extreme stylization, jarring narrative leaps, and wild plot devices combine to create a pulp fiction on acid, equal parts gangster parody and post-modern deconstruction. Andrew Sarris described Sam Fuller's films as works that "have to be seen to be understood," a characterization that applies even more in this case. Mere description cannot capture the visceral effect of Suzuki's surreal cinematic fireworks. --Sean Axmaker

Product Description

To experience a film by Seijun Suzuki (Branded to Kill) is to experience Japanese cinema in all its frenzied, voluptuous excess" (LA Weekly). With its visual daring and breathless action, Tokyo Drifter represents the best of Suzuki's outrageously inventive yakuza films. The conventional story--about a gangster who honors the old code long after it has been abandoned by the new mob--spins deliriously out of control. Hunted by rival mobsters and his own bosses, the pop-idol hero pouts, poses, and sings through a mad chase across Japan. Suzuki, who has been compared to maverick director Samuel Fuller, delivers a disordered, violent, and irreverent film that succeeds marvelously as a thriller and a parody. Tokyo Drifter

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Customer Reviews

21 Reviews
5 star:
 (7)
4 star:
 (11)
3 star:    (0)
2 star:
 (1)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (21 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 10 people found the following review helpful:
4.0 out of 5 stars One of the most brilliantly edited films I have seen!, July 8, 2000
By 
Lance Swanson (Santa Clara, CA United States) - See all my reviews
The only reason Seijun Suzuki's "Toky Drifter" is getting four stars instead of five is because the story gets hokey and hard to follow at times. But what a wallop the visual fireworks and rapid-fire, jump-cut editing pack! "Tokyo Drifter" is easy to understand after viewing it a few times, but initially the story takes a back seat to Suzuki's inventive, French-New-Wave style of creating the images, which are breathtaking. "Phoenix," a reformed killer for the Yakuza, dreamily walks around Tokyo after quitting the racket, expecting to be executed. But when he is called back into duty to help rid the city of a rival gang, the film "drifts" into a surreal mix of equal parts Luis Bunuel, Sam Fuller and Jean Luc Godard. The action never lets up, and the film is a wonderfully funny mix of comedy and violence. The performers even break out into song at unexpected times, although the film is certainly not a musical. You just never know what to expect, which is what makes this little-seen film so much fun. "Tokyo Drifter" is unlike any film you have ever seen. It's a true original and Criterion presents it in a widescreen version that is terrific. Contains a rare, insightful interview with Japanese director Seijun Suzuki. In Japanese with English subtitles.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Stylish, August 21, 2007
A stylish gangsta piece of work by the great late Seijun Suzuki. If you've watched Kurosawa or Ozu then this is much different. More comparable to Kinju Fukasaki(BATTLE ROYALE). Not as good as BRANDED TO KILL but a fine Criterion piece none the less. A lonely soul gets pulled back into one last score to settle. Visually masterful and the score is brilliant. A little slow at times but the action is pretty much non stop throughout. Plus a big payoff at the end. I know you will be amazed with what you see. Quentin Tarantino may not admit this is one of his inspirations for RESOVOIR DOGS, but when you have the blue room, red room, white room, etc, it's hard not to believe there's some sort of connection there between Mr. White, Blond etc. A must see film if you're a lover of art and crime noir. One of Seijun's top 5 films.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars that BLUE suit!, May 14, 2002
By A Customer
Stylin' color, smooth story, catchy tune... and that blue suit with those white shoes! A thorough pleasure from start to finish. Also, fascinating interview with the director - gives a real insider view on the Japanese film studio business in the 50's.
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