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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Tarantino + Gibson, April 18, 2010
This review is from: Tokyo Zero: A Novel (Paperback)
On a whim, I gave this book a shot. I thoroughly enjoyed it. It's a thinking fast paced book.
Marc is able to synthesize a big-think technology near-future with lyrical prose. That said, Tokyo Rose isn't about what the future looks like. Instead, it's about a real and conflicted character. Someone else said it best - think of a Tarantino character in a Gibson-esque Tokyo ruminating on viral memes and the end of times.
That mix is just a blast to read, and I'm looking forward to his next book (where I'm hoping some of the rough edges have been ironed out re: clarity) The Unhappy Planet.
Best of all, it raises the bar for independently published fiction.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Great book finially in print, October 18, 2008
This review is from: Tokyo Zero: A Novel (Paperback)
I read this book a few years ago when it was on the internet under a creative commons liscence. I thoroughly enjoyed it and am glad to see it on Amazon. I will be buying a copy so that I can reread it.
The story is smart and engaging, with enough detail to make you feel a part of the action, but enough twists to keep you guessing. Marc Horne is a masterful author who makes the life of a westerner in a Tokyo death cult seem plausible. The ending is great. A unique vision that will leave you to think about where we are headed.
I recommend this book to anyone looking for an enjoyable read.
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4.0 out of 5 stars
It's the end of the world, and you'll feel fine..., June 24, 2011
The first thing you'll notice about this book is the descriptions. They're magnificent. Nothing is really done in simple nouns and adjectives, it's done with a flourish. I'm not sure I can explain what I mean, but each thing that is described...Japan, the people, the buildings...is not just described, it's opinionised. Don't know if that's a word, but that's pretty much what I want to say. But this method really brings the story to life, and the country too...you'll see what I mean when you read it.
There's a good story to this...one of those Japanese cults, a Westerner with an ambiguous background as the protagonist [or antagonist depending on which way you think], and a lot of Japanese cultists who seem ordinary but are usually killers too. And potentially big killers. There are times when I felt it went too much into the history of each character...example, the main character walks into a room, meets three new people in the cult, and we're led through histories of all three of them, one by one...as well written as it is, it can get a little tiring sometimes...but that's a tiny complaint really.
And this thing is really well-written. There aren't many writers who can put sentences together like this, and move through time the way he does...there are no surplus actions with the characters, and pretty much every scene ends in the right way and at the right time...it's almost like a movie in that aspect...the only difference being the narrator, who reveals himself more through his opinions than his actions...although later in the book this flips sides and he becomes more active...if that makes sense. I think it does.
Basically, I liked this a lot.
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