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3 of 3 people found the following review helpful:
4.0 out of 5 stars Start your collection now
Caryn Lin's CD is a blend of soft dream-scapes and energetic rhythms. Her sound is much more organic than synthesizer especially with the good use of percussive elements in tandem with the electric violin. Each song is distinctive which will only draw you in further.

Her live shows are quite magical and her latest CD, "No one to blame", comes closest to...

Published on December 29, 2003 by raveneye

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2 of 3 people found the following review helpful:
3.0 out of 5 stars creative electric violin and percussion
Track samples here don't do justice to the disc's entrancing rhythms and intriguing electric violin play. (Only two tracks have vocals.) Some tracks are upbeat, percussive and funky. A couple have hooks that can run in your head for hours. Others are spare, bleak. You might call them "depressing" and avoid them or you might call them "haunting" or just "moody."
I...
Published on June 24, 2000 by ltp1


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3 of 3 people found the following review helpful:
4.0 out of 5 stars Start your collection now, December 29, 2003
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raveneye (Hurst, TX United States) - See all my reviews
This review is from: Tolerance for Ambiguity (Audio CD)
Caryn Lin's CD is a blend of soft dream-scapes and energetic rhythms. Her sound is much more organic than synthesizer especially with the good use of percussive elements in tandem with the electric violin. Each song is distinctive which will only draw you in further.

Her live shows are quite magical and her latest CD, "No one to blame", comes closest to capturing that magic. Start your collection now.

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2 of 3 people found the following review helpful:
3.0 out of 5 stars creative electric violin and percussion, June 24, 2000
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ltp1 "ltp1" (Manchester, NH USA) - See all my reviews
This review is from: Tolerance for Ambiguity (Audio CD)
Track samples here don't do justice to the disc's entrancing rhythms and intriguing electric violin play. (Only two tracks have vocals.) Some tracks are upbeat, percussive and funky. A couple have hooks that can run in your head for hours. Others are spare, bleak. You might call them "depressing" and avoid them or you might call them "haunting" or just "moody."
I prefer Caryn Lin's Honour the Rain to this CD because it's a little warmer and its title track is an incredibly evocative five minutes of percussion, melody, and changing landscapes.
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Tolerance for Ambiguity
Tolerance for Ambiguity by Caryn Lin (Audio CD - 1997)
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