Tom Jones (Norton Critical Editions) (Paperback)

~ (Author), Sheridan Baker (Editor)

Editorial Reviews

Product Description

The Second Edition of this Norton Critical Edition of Fielding’s great novel reprints the definitive fourth edition text (1749, dated 1750), "Carefully revis’d and corrected/By Henry Fielding, Esq;", the last in his lifetime. The novel is fully annotated for undergraduate readers and is accompanied by a Textual Appendix and a map depicting Tom’s route to London.

As in the previous edition, "Contemporary Reactions" by such noteworthy commentators as Samuel Richardson, Samuel Johnson, and the Hill sisters provide rich historical context.

"Criticism" is a collection of fourteen interpretations of the novel spanning the years 1826–1990 by Samuel Taylor Coleridge, William Forsyth, Kenneth Rexroth, R. S. Crane, John Preston, William Empson, Wayne C. Booth, Martin Battestin, Maaja A. Stewart, Eleanor N. Hutchens, Sean Shesgreen, Frederick W. Hilles, and Sheridan Baker.

A new Chronology and an updated Selected Bibliography are also included. .

About the Author

Sheridan Baker is Professor Emeritus of English Language and Literature at the University of Michigan. He is the author of many works, including The Harper Handbook to Literature, Ernest Hemingway: An Introduction and Interpretation, The Complete Stylist, The Essayist, and The Practical Stylist. He is co-author of The Written Word and The Practical Imagination. He is currently at work on two volumes for the Wesleyan University Press’s Works of Fielding.

Product Details

• Paperback: 816 pages
• Publisher: W. W. Norton & Company; Second Edition edition (November 17, 1994)
• Language: English
• ISBN-10: 0393965945
• ISBN-13: 978-0393965940
• Product Dimensions: 9.3 x 5.7 x 1.1 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #64,654 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars Greatest work of English Literature after Shakespeare, April 15, 2008

By	Harold A. Fretheim (Juanita, WA) - See all my reviews (REAL NAME)

I love Jane Austen, but like most English novelists she was only writing about a very small slice of English society. The same can be said for most other great English novelists. Fielding's acheivement stands in utter contrast- In Tom Jones we see full blooded characters from across the entire spectrum of English society- in all of their full blooded vanity, goodness, ugliness, courage, cowardice wisdom and foolishness mixed together. This is England before the Victorians spoiled it. And the wonderful story told with such humor, irony and wit. The observations range from dry wit to bawdy burlesque - the product of a man who had lived the fullest possible life and is now determined to share all of it with his reader. This is absolutely one of my favorite books. You will love it too.

2 of 4 people found the following review helpful:

5.0 out of 5 stars The Earliest Is Still the Best, August 25, 2007

By	Debra J. Matheney "msmouth" (bakersfield, ca United States) - See all my reviews (REAL NAME)

Although Tom Jones is one of the first English novels, it remains my all time favorite, which is saying a lot since I majored in English and have read too many pieces of fiction to count.It is the only novel I have read more than 2 times. The plot is quite inventive, the characters vivid and the romp through 18th Century England engaging. The style of writing may take awhile to get used to for a modern reader, but perserverence will pay off. Enjoy!!

3 of 6 people found the following review helpful:

5.0 out of 5 stars The Invention of the Novel..., June 5, 2008

By	J. Fitzpatrick "Jim" (Cincinnati, OH United States) - See all my reviews (REAL NAME)

1: Fielding is really funny!
2: It takes about 100 pages to really get rolling.
3: He's written a more approachable book that Sam Richardson (Pamela tends to go on a bit... And Clarissa just goes on and on -- great villain though)
4: Henry created one of the great names in literature, Mr. Blifel! Say it a few times and it makes you feel grubby enough that you'll need a shower!
5. Skip the first chapter of each book during your first read, it probably won't be on the test and it's always just Henry's latest blog on his most recent rant.

Jane Austen liked the book, although she seems to have preferred Richardson -- I suspect Sam wrote the first Chick lit while Henry wrote guy noir, so 'of course' Jane would prefer Sam's stuff -- or does she! (add scary Shadow type laugh here...).

You see, before Jane A (except, maybe, for Daniel Defoe [of Moll Flanders fame]), most novels (well, English novels, anyway) used the exchange of letters as the method of progressing the story. The entire novel would be in the form of letters and journals by the varioius protagonists (Bram Stoker used this in Dracula). Fielding utterly drops this conceit and sticks with straight narrative. And he seems to have been completely aware of how extreme this was for his time. Ms Austen made the same decision. So, you see, she may indeed have been more intrigued by the 'bad boy,' Henry Fielding, than we have believed. But let's let the English majors sort all this out. OK?

Oh, one last thing: If you want a bit more blood and thunder in your literature you might try one by Mrs. Ann Radcliffe (I liked The Mysteries of Udolpho); and if you REALLY want some truly serious goth try The Monk by Matthew Gregory Lewis. The Monk also has the advantage of being a frequently banned book and it's always good to support whatever "they" don't like, aye?