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Tomasi: Concerto For Trumpet & Orchestra/Jolivet: Concertino For Trumpet, String Orchestra & Piano/Concerto No.2 For Trumpet
 
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Tomasi: Concerto For Trumpet & Orchestra/Jolivet: Concertino For Trumpet, String Orchestra & Piano/Concerto No.2 For Trumpet

Wynton Marsalis , Andre Jolivet , Henri Tomasi , Esa-Pekka Salonen , Philharmonia Orchestra , Craig Sheppard Audio CD
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Born in New Orleans, Louisiana in 1961, Wynton Marsalis received his first trumpet at the age of six, a gift from the legendary Al Hirt. Fostered by his community and family, Wynton began to perform in local bands. At the age of 17, he was accepted into The Juilliard School in New York City and soon thereafter was… Read more in Amazon's Wynton Marsalis Store

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Product Details

  • Performer: Craig Sheppard
  • Orchestra: Philharmonia Orchestra
  • Conductor: Esa-Pekka Salonen
  • Composer: Andre Jolivet, Henri Tomasi
  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Label: CBS Masterworks/Sony
  • ASIN: B0000026EC
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #197,829 in Music (See Top 100 in Music)

 
1. Concerto for trumpet & orchestra: Allegro and cadenza
2. Concerto for trumpet & orchestra: Nocturne
3. Concerto for trumpet & orchestra: Finale
4. Concertino for Trumpet, Strings & Piano
5. Trumpet Concerto No. 2: Mesto-Concitato
6. Trumpet Concerto No. 2: Grave
7. Trumpet Concerto No. 2: Giocoso

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Customer Reviews

3 Reviews
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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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14 of 16 people found the following review helpful:
4.0 out of 5 stars Marsalis performs French warhorses, July 27, 1999
This review is from: Tomasi: Concerto For Trumpet & Orchestra/Jolivet: Concertino For Trumpet, String Orchestra & Piano/Concerto No.2 For Trumpet (Audio CD)
This recording is now 12 years old and has few alternatives in the US market. Sergei Nakariakov recently recorded the concerti of Tomasi and Jolivet for Teldec. Maurice Andre and Eric Aubier both give excellent accounts on Foreign labels. Musically, I agree with most of what Marsalis says in these interpretations. However, I am dissapointed in his choice of instrument. By this time, Marsalis was already using instruments made by Dave Monette which I do not feel are idiomatic. Andre's account of the Tomasi with the Radio-Luxembourg is right on track in terms of sound and style. The playing here is too heavy at times and is too often not light and resilient -qualities the piece needs. The performances are rather exciting. Both of Jolivet's works are given exceptional readings. My same aural criticisms apply, but Marsalis seems better suited in these works. The Concerto No. 2 is wildly ecclectic and rarely recorded - it is the highlight of the recording. Salonen and the Philharmonia work hard and are well-suited while remaining English and not French. The Paris Opera Orchestra accompanies Eric Aubier in his account splendidly. Recommended highly on the fact that comparable recordings are not only rare but more-often-than-not nonexistent or out of print.
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6 of 7 people found the following review helpful:
2.0 out of 5 stars A misguided approach, July 19, 2009
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This review is from: Tomasi: Concerto For Trumpet & Orchestra/Jolivet: Concertino For Trumpet, String Orchestra & Piano/Concerto No.2 For Trumpet (Audio CD)
Repertoire-wise, this is an interesting release of three rather fine 20th century works. Henri Tomasi is stylish, elegant and urbanely neo-classical with some memorable ideas and skillful writing both for soloist and orchestra in the outer movement but a rather less memorable, slightly wayward and sentimental central Nocturne. Jolivet's concertino for trumpet, piano and strings is more propulsively energetic with syncopated, slightly jazzy writing. The second trumpet concerto also includes elements of jazz, in particular the opening for muted trumpet, and is overall an engaging, variegated work, generally buoyant and high-spirited.

The question is whether Marsalis is the best advocate for this music - his approach is certainly more jazzy than classically oriented, and he is too often accusable of taking the presence of jazz elements as a license to exaggerate. The music would almost universally benefit from a more restrained approach playing out the more detached neo-classical elements - and not the least a lighter touch; as it is, all three works come across of some sort of strange hybrids with Marsalis attempting to realize an improvisatory, deeply emotional quality which simply isn't there. In short, everything sounds rather wrong.

The London Philharmonic also sounds tentative, almost as if they are wondering what is really going on here. Their playing is of course technically impeccable, but too often they (and Salonen) seems confused about the overall structures of the works. And a disc playing for less than 35 minutes is stingy, regardless of price. Overall, then, I cannot really recommend this disc to anyone but ardent Marsalis fans.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Rare Gems, March 26, 2009
This review is from: Tomasi: Concerto For Trumpet & Orchestra/Jolivet: Concertino For Trumpet, String Orchestra & Piano/Concerto No.2 For Trumpet (Audio CD)
These are excellent performances of French solo trumpet masterpieces. Wynton's jazz background works well here, as all of these pieces are jazz-influenced. While there are fine (though hard to find) recordings of these works by Sergei Nakariakov and Maurice Andre, Marsalis' more subtle approach, Sony's excllent recording and mastering, and excellent orchestral accompaniments (the Philharmonia Orchestra and a then-unknown Esa-Pekka Salonen) make this recording the standard of excellence in this genre. Enjoy.
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