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I realize that some people can't get enough of this canonical PP sound, but I just wish he'd try something else.
The melody, idea, hook, or whatever, behind each song is simpler but the mood of each song and the spacey atmospheric production makes simple sound BIG.
Tomboy is signature Panda Bear style in the way of the droning vocals, but here the "droning" aspect expands into the music as well.
Predominantly I find the songs blend together and have atonal quality about them. But that said - it is a sound that has the correct moments and in those moments is really worth... Read morePublished 23 days ago by Stones Throw
Although Noahs project with Tomboy wasn't all what I expected, it was still good. Read more
Where Person Pitch is a purely digital deconstruction of the analog sounds that shaped modern American pop music (especially Brian Wilson/Beach Boys), Tomboy finds Panda Bear using... Read morePublished 9 months ago by C.
I first became interested in PB and this release when I heard that Pete (Sonic Boom) Kember was producing it. Read morePublished 17 months ago by john doe
Good album but nothing like Parsons. I guess I was so spoiled by the last one that I had really high hopes for this one.Published 19 months ago by tom mcgovern
this album does not sound any different from its first chords to its last. not a single defining moment or remotely interesting diversion of tactic. Read morePublished on May 23, 2012 by paulpaul
Panda Bear's Tomboy was one of my favorite records of 2011, so I sold my single LP copy so I could buy this. Read morePublished on May 8, 2012 by Matthew J. Gavin
I wish there was a middle ground between the style of Panda Bear and the style of Oneohtrix Point Never. Read morePublished on March 2, 2012 by Jason Harrington
My listening experience with Panda Bear follows a very predictable pattern. I'm digging the sound during the first track I listen to (which may or may not be "You Can Count on... Read morePublished on February 19, 2012 by Hbar