Tomboy

April 12, 2011 | Format: MP3

$9.49
Song Title
Time
Popularity  
30
1
2:32
30
2
4:55
30
3
4:36
30
4
4:09
30
5
4:39
30
6
4:00
30
7
4:16
30
8
3:52
30
9
5:54
30
10
6:49
30
11
4:11

Customers Who Bought This Item Also Bought


Product Details

  • Original Release Date: April 12, 2011
  • Release Date: April 12, 2011
  • Label: Paw Tracks
  • Copyright: 2011 Paw Tracks
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 49:53
  • Genres:
  • ASIN: B004U42OD8
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #40,369 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Once the third track starts up, I'm starting to feel that I've had too much of a good thing.
Hbar
The melody, idea, hook, or whatever, behind each song is simpler but the mood of each song and the spacey atmospheric production makes simple sound BIG.
Robby
Tomboy is signature Panda Bear style in the way of the droning vocals, but here the "droning" aspect expands into the music as well.
LBC

Most Helpful Customer Reviews

14 of 17 people found the following review helpful By Robby on April 15, 2011
Format: Audio CD Verified Purchase
With just one review so far, I think we should get the ball rolling on Tomboy...

This is a very sucessful album. As many reviews have mentioned, Tomboy is not necessarily a 'follow-up' album to Person Pitch. The sound is simpler in a way that is hard to describe. The melody, idea, hook, or whatever, behind each song is simpler but the mood of each song and the spacey atmospheric production makes simple sound BIG. Listen at high volume.

The sound: not exactly organic as some reviews would have one think. Imagine heavily processed guitar over a simple beat, with layer after layer of reverberating vocals. The obvious reference might be the infamous 'wall of sound' but I really don't have another record that sounds like this one.

Tomboy has an interesting history because of the rather odd way in which it was slowly secreted by its creator. Panda has toured these songs and released many in a rawer form as 7" singles. This has given the listener the odd choice of having a choice. The work of Sonic Boom on the LP version of these songs is certainly noticable. If one word has been used as jornalistic shorthand to describe the music of Panda Bear and his legions, it is "nostalgic". Sonic Boom knows this adjective; in fact, MGMT's Boom produced album Congratulations has beocme one of this reviewers go-to records due to this nostaligic touch that is heard in songs such as "I Found A Whistle" and "Siberian Breaks". He was an excellent choice to mix these songs for the LP. The synth line on Tomboy is one example of a welcome addition that his mixes have provided, as are the percussive additions to "Last Night at the Jetty" and "Slow Motion".

Surprises include the pulsing "Afterburner", the sole track that Panda is willing to stretch to any great length.
Read more ›
3 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
9 of 12 people found the following review helpful By s.t. on April 23, 2011
Format: MP3 Music
Having considered myself a devotee of all things related to Animal Collective, I was thrilled to hear some advance tracks from Panda Bear's third solo album, "Person Pitch." The 12 minute "Bros" was (and is) simply stunning to me. Panda Bear's voice had long been the honeyed chaser to Avey Tare's more manic delivery in Animal Collective, but here that beautiful yearning coo was the main focus of the music, mixed with washes of hazy synths and drifting in a hypnotically repetitive epic that owed as much to minimalist techno as to Brian Wilson and hippie jam bands. Perhaps most impressively, the sound of "Bros" was a significant departure in sound from anything anyone from the Collective had done previously, including Panda's own solo work. Surely, this was a sign that the AC spirit was going strong, and promised many more releases showcasing their restless experimentalism and constant evolution of sound.

Alas, I was a bit disappointed with the proper release of Person Pitch. I belong to a minority of people who feel that PP would have been much more effective and impressive as an EP rather than as a full album. For me, "Take Pills," "Bros," "I'm Not," and "Good Girl/Carrots" sound fantastic on their own, and are brought down by the surrounding tracks. I realize that this is heresy to some, but I found myself overdosing on the syrupy sweetness of the album as a whole. I enjoyed certain tracks, but waited anxiously for the next AC-related release to offer some nice contrast to Panda's Wall of Pet Sounds experiment.

For the most part, AC's Strawberry Jam (released shortly after Person Pitch) did offer a new direction in sound (some a bit questionable to me, see review for details), although Panda's contributions were again sunny, Wilson-inspired numbers, somewhat reminiscent of PP.
Read more ›
3 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
1 of 1 people found the following review helpful By Jeff on November 29, 2013
Format: Vinyl Verified Purchase
It took me a while to warm up to this album, and now, I have no idea why. This album is amazing, nothing short of a brilliant follow-up to Person Pitch. With the limited ed. 4 LP set, there's even a bonus track included (The Preakness) not found on other pressings.

As mentioned in another review, the arrangement of tracks is somewhat different due to the bonus track, but for such a good cut, missing out on the infinite runout is a small price to pay for The Preakness.

Presentation here is great! Sturdy box with individual LP sleeves for each record and an art book.

The 3rd and 4th records are bonus discs that include single mixes, instrumentals, and acapellas. The acapellas are a bit misleading, in the sense that they don't have additional vocal tracks recorded to replace the instruments, they're more "vocal tracks only" versions. Still very interesting to hear given the talent of Mr. Noah Lennox.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
1 of 1 people found the following review helpful By LBC on April 20, 2011
Format: Audio CD
Tomboy definitely isn't Person Pitch, and though I do prefer Person Pitch overall, Tomboy demands just as much respect. Tomboy is signature Panda Bear style in the way of the droning vocals, but here the "droning" aspect expands into the music as well. It is a definitely a peaceful album, almost to the point where it creates a floating feeling. All the tracks are worth listening to, but the standouts are "Last Night at the Jetty", "Slow Motion", "Scheherazade", and "Afterburner". Definitely check this one out. Now when's the next Animal Collective album coming out...
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Most Recent Customer Reviews


What Other Items Do Customers Buy After Viewing This Item?