Tommy

Smithereens | Format: Audio CD

Product Details

• Audio CD (May 5, 2009)
• Original Release Date: 2009
• Number of Discs: 1
• Label: Koch Records
• ASIN: B001WKHZQO
• In-Print Editions: MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (16 customer reviews)
• Amazon Best Sellers Rank: #82,461 in Music (See Top 100 in Music)

Editorial Reviews

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 5-MAY-2009

Customer Reviews

Most Helpful Customer Reviews

27 of 27 people found the following review helpful:

5.0 out of 5 stars Deft, Dumbstruck & Blindingly Brilliant!, May 5, 2009

By 

TAS - See all my reviews

This review is from: Tommy (Audio CD)

In the 40 years since The Who's "Tommy" album was first released, it has been turned into an overblown London Symphony Orchestra production with "guest stars", a motion picture, a Broadway musical and even a ballet. Now The Smithereens have taken what had once become bloated and have stripped it back down to its essence with their no frills "tear it up" version of "Tommy". The Who's producer Kit Lambert originally wanted to make this "rock opera" truly operatic by bringing in an orchestra for the album's recording. However, the Who resisted that idea because they wanted to recreate the album live in concert as a four piece unit. The Smithereens have remained true to that vision and, in fact, their stated intention was to tailor their studio rendition of "Tommy" more like the Who's raucous "Live at Leeds" performance rather than the album version. Judging from their popular energized versions of The Who's "The Seeker" and "Behind Blue Eyes" that they have frequently performed live in concert, The Smithereens have ably demonstrated that they have the talent (and, perhaps more importantly, the no holds barred rock attitude) to render the fury of the Who's music through their own power pop prism. (And all of this musical prowess and reinvigoration in the studio bodes well for a forthcoming Smithereens album of original new songs scheduled for later this year.)

Just listen to this album's appropriately titled "Sparks" instrumental with lead guitarist Jim Babjak's combustible power chords and Dennis Diken's rumbling drums and lightning fast drum fills. They take us on a guided tour through the Who's musical landscape with a quick detour through The Smithereens' rocky terrain. Rhythm guitarist and lead singer Pat DiNizio's distinctive powerhouse vocals enliven and reboot songs like "Acid Queen" while imbuing the subtler numbers like "I'm A Boy" with admirable finesse. "The Thrilla" emulates sensurround with nimble bass lines during such lofty numbers as "Overture". Kurt (The Grip Weeds) Reil adeptly co-produces/reproduces the album with occasional musical contributions of his own (i.e. mellotron, organ and backing vocals). The CD is illustrated fittingly with front and back covers by William Stout (who also designed the iconic "Tales From the Who" album cover) and contains informative liner notes written by Jim Babjak and Bill Crowley.

Other highlights from this album include "I'm Free" which rocks much harder than the Who's more sedate studio version. Here The Smithereens treat it like the rock anthem it always should have been. "Amazing Journey", "Christmas" and "Go To The Mirror" (all featuring Jim on lead vocals) are performed as if the Smithereens were The Who's distant power punk cousins. "Eyesight To The Blind" finds Pat mining the blues fluently on vocals with occasional backup from a celestial choir. When The Smithereens play the soaring "Sensation" (with Dennis on lead vocals), it makes mincemeat out of the Who's rather anemic and horn-drenched 1989 "Tommy Live" tour version of the song (which wasn't even performed live during the "Tommy" portions of their early Leeds and Isle of Wight concerts). "Pinball Wizard" features Dennis singing up front with Pat on tandem vocals (including what may or may not be an homage to Shocking Blue's "Venus" for a few strumming acoustic bars near the very beginning). By the time they close the album by adding some raw punk-tinged guitar chords to "We're Not Gonna Take It", The Smithereens have impressively marked their territory. They've accomplished the nearly impossible task of delivering a 40 year-old Tommy and making him seem newly reborn.

10 of 10 people found the following review helpful:

5.0 out of 5 stars SUPERB Again!!, May 7, 2009

By 

Tremsen (New England, USA) - See all my reviews

This review is from: Tommy (Audio CD)

Be it the recent live recording of their own material or the fantastic tribute records, The Smithereens keep on waxing amazing recordings. With "Tommy," they've again captured magnificent performances amid their own trademark sound, skill, and integrity. The song selections, project length, and shared vocals are perfect. As with the Beatle tributes, this undertaking further accentuates how very gifted, versatile, and talented the band members are. Great job guys. Awesome! This band deserves to be in the Rock 'N Roll Hall of Fame!

13 of 14 people found the following review helpful:

5.0 out of 5 stars The Smithereens Play Tommy indeed! That's an understatement!, May 6, 2009

By 

Donald Bruce Pike, Jr. (New Jersey) - See all my reviews
(REAL NAME)   

This review is from: Tommy (Audio CD)

The Who's original "Tommy" has always been, for me, a far too laid back and tame affair for a band that featured a crazy drummer who drove his Rolls Royce into swimming pools and a guitarist who smashed his instruments on stage. Oh, it's good, but that's kind of the problem. It's never been, in my opinion been, anything better than just good. ("Who's Next" is a far better record, and as a concept allbum, "Quadrophenia" is a much stronger outing than "Tommy.")

Enter - 40 years hence - the Smithereens. Most folks by now are well aware of the Who's profound influence on The Smithereens. In fact, the New Jersey band probably owes its very existence to the Who's work. It's thus fitting and appropriate that the Smithereens are the band that finally delivers definitive, updated and commanding new recordings of that work.

In doing so, the Smithereens (wisely) did not attempt to cover the entire "Tommy" album (as they did with the Beatles on "Meet The Smithereens.") Instead they take 13 of the 24 tracks from "Tommy" and give them an intense makeover, delivering these songs with a fire and bravado reminiscent the live Who... and with stunning effect.

The recording itself is clean and beautifully powerful. Jim Babjak's guitars are up front and Townshend-worthy. Remarkably, drummer Dennis Diken, normally a straight ahead "in-the-pocket" percussion man, evokes Keith Moon's manic attack throughout, particularly on the extended instrumental passages. The Smithereens vocals, here more akin to Townshend's than Daltrey's, are still rock solid, with Pat DiNizio, Babjak, and Diken laying in some real smooth harmonies.

This recording is a most welcome addition to the Smithereens canon, and it's head and shoulders above most other extant versions of "Tommy," save the original 1969 album, and that only because they didn't write the material. "The Smithereens Play Tommy" is a superior recording, and a worthy and worshipful tribute indeed. I highly recommend it. Five stars!