Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays -- written specifically for this volume -- consider the issue from historical, analytical, theoretical, perceptual, and cultural perspectives.
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The issues raised in this book are exciting.
–The Journal of the Society for Music Theory --This text refers to the Paperback edition.
–The Journal of the Society for Music Theory --This text refers to the Paperback edition.
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This review is from: Tonal Structures in Early Music (Criticism and Analysis of Early Music) (Library Binding)
Dr. Collins has filled a large void gathering a strong field to cover this heretofore obscure field. She has managed to bring her subject matter into sharp focus for those of us who lack her music background without reducing content to the simplistic - and therefore trivial - level which would render it irrelevent. We are looking forward to more work by this promising scholar.
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First Sentence:
Analyzing early music is a venture with a rich history of provoking spirited exchanges within the musicological community. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Skill of Song, Briefe Introduction, Englische Musiktheorie, Harold Powers, Aspects of Tonal Coherence, The Pathway, William Bathe, Cristle Collins Judd, Adriano Banchieri, Jessie Ann Owens, William Byrd, Die Lateinische Evangelien-Motette, Charles Butler, Margaret Bent, Thomas Campion, Elizabethan Music, Thomas Morley, Bernhard Meier, Brief Introduction, British Library, The Principles of Musik, Candace Bailey, Diatonic Ficta, Pietro Aron, Sarah Fuller New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Analyzing early music is a venture with a rich history of provoking spirited exchanges within the musicological community. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Skill of Song, Briefe Introduction, Englische Musiktheorie, Harold Powers, Aspects of Tonal Coherence, The Pathway, William Bathe, Cristle Collins Judd, Adriano Banchieri, Jessie Ann Owens, William Byrd, Die Lateinische Evangelien-Motette, Charles Butler, Margaret Bent, Thomas Campion, Elizabethan Music, Thomas Morley, Bernhard Meier, Brief Introduction, British Library, The Principles of Musik, Candace Bailey, Diatonic Ficta, Pietro Aron, Sarah Fuller New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 55
books:
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11
books
cite this book:
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- Musica Britannica: v. 27 by Alan Brown on 6 pages
- The Anthropology of Music by Alan P. Merriam on 4 pages
- The Language Instinct: How the Mind Creates Language (Perennial Classics) by Steven Pinker on page 55, page 57, and Back Matter
- Music in the Renaissance (2nd Edition) by Howard Mayer Brown on page 11, Back Matter (1), and Back Matter (2)
- William Byrd (Music Book Index) by Frank Stewart Howes on page 184, page 235, and Back Matter
See all 55 books this book cites
- A New Way of Making Fowre Parts in Counterpoint/Rules How to Compose (Music Theory in Britain, 1500-1700: Critical Editions) (Music Theory in Britain, 1500-1700: Critical Editions) by Thomas Campion in Front Matter, and Back Matter
- The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception) by Daniel Leech-Wilkinson in Back Matter (1), and Back Matter (2)
- A Briefe Introduction to the Skill of Song (Music Theory in Britain, 1500-1700: Critical Editions) by William Bathe on page 44, and Back Matter
- Synopsis of Vocal Musick by Ab Philo-mus (Music Theory in Britain, 1500-1700) (Music Theory in Britain, 1500-1700) by A. B. Philo-Mus in Front Matter, and Back Matter
- Music and Medieval Manuscripts: Paleography and Performance : Essays Dedicated to Andrew Hughes by John Haines on page 120
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