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7 of 8 people found the following review helpful:
2.0 out of 5 stars
Poorly written, full of obvious plot twists, February 19, 2009
This review is from: In Tongues of the Dead (Hardcover)
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I had intended to start my review by commenting that 'In Tongues of the Dead' was "a rookie effort by a rookie author." But, when I looked up information on the author, I discovered that Brad Kelln had written at least two other books. Books I will not be reading.
The book is based on a great premise. An autistic child seems to be able to read the Voynich Manuscript, a mysterious and undeciphered book held at a Yale library. According to the premise of the book, the book holds the secrets of the nephilim, the children born from the union of angels and human women. A priest, Father Benicio Valori, must protect the child from the angels that are after him and from his own church, since the Vatican is also after the child.
Although the book has an interesting premise, it is poorly executed. The writing seemed to belong more to that of a beginner's writing class than that of an author who has already written a couple of books. The writing is too obvious, too prosaic (both in language and events) and full of predictable, if not fool's proof, plot "twists". The narration is forced, trying too hard, forcing the intrigue and suspense early on in the novel. The author fails to weave the story naturally, forgetting to let each piece fall into place at its appropriate time. Instead, the writer seems to be working with a puzzle that has been finished from the beginning; all the pieces are in place, there is nothing much to discover and all the characters will eventually, and miraculously, bump into each other some way or another, in the middle of the street, as if it were the most natural thing that should be occuring.
The characters themselves are uni-dimensional and barely fleshed out. They are merely shells and react as such. For example, the Vatican sends two henchmen who are nothing more than two stupid thugs. Come on! The Vatican must have better resources than that! Further, the characters in the books seem all too willing and fast to lose their convictions and beliefs. Priests, Vatican henchmen, and the other characters are all put together with cheap tape and they are not holding together well.
The book is not engaging but, at least it is a fast read.
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2 of 2 people found the following review helpful:
2.0 out of 5 stars
The DaVinci Code revisited, April 16, 2009
This review is from: In Tongues of the Dead (Hardcover)
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I didn't hate this book, but I didn't love it either. A homage to the DaVinci Code in many ways. I felt that a majority of the characters were underdeveloped, and a few of them were very cartoonish in their actions. The plot was okay, but I had a feeling of deja vu; I've been down this road before and down better roads. This book was just an okay read. If you're looking for The DaVinci Code redux, then you'll probably enjoy this, if you're looking for something more original, then pass this one up.
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6 of 8 people found the following review helpful:
1.0 out of 5 stars
Would not recommend this one..., January 25, 2009
This review is from: In Tongues of the Dead (Hardcover)
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Brad Kelln must like periods. He must like them a lot. I say this because he uses so many of them. So did the folks who wrote the words "See Jane. See Jane run."
Unlike other adult books which engage the reader with rich language, complex and compelling sentence structure, and subtle nuances of meaning, Kelln spits out sentences that are as exciting as unfinished lumber being stacked one after the other in a haphazard pile. Substitute "and then this happened, and then this happened..." for his sentences and you have a close approximation of his prose style. While other books may inspire the reader to "hear" the voice of the author reflecting a variety of emotions, inflections and passion, reading "In Tongues of the Dead" only calls forth to one's inner ear the voice of Detective Joe Friday dryly saying "just the facts, m'am."
Character development in this book fares no better. Benecio Valori goes rapidly from a graduate student with a girlfriend, Jenna, whose dimples he loves, to having been `recruited' to become a priest by Cardinal Espinosa. Thirteen years later, Priest `Ben' unbelievably runs into (but not until page 233) Jenna who, coincidentally, had been thinking about him; she shows him to Wyatt's hospital room. No spoilers - what happens in the hospital room "happens" and we don't get back to Jenna until page 240 when Ben suddenly blurts out "I love her. I've always loved her." Pretty abrupt change for a man of the cloth. And that is the sum total of the book given over to exploring the relationship between Ben and Jenna. Not only for Ben and Jenna, for ANY of the characters, there is no build up of the complexities of human motivation, no explanations of the paths taken, decisions made, just bald statements that offer no explanation, no insight. The true irony of this lack is that Kelln is a clinical psychologist; human motivations and behavior are his stock in trade. Thankfully, by page 251, we are released from reading this tome.
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