Amazon.com Review
Welcome to a world where the Hatch & Hodges stagecoach runs on time or someone will catch hell, and where a man knows the difference between handling a Winchester rifle and a Sharps and a Henry--or pays for it with his life.
Before he became one of the best crime writers in America, Elmore Leonard was one of the best Western writers in America. He churned out short stories for the pulp magazines with regularity; The Tonto Woman collects 19 of the best, including "Three-Ten to Yuma" and "The Captives," which in 1957 became the first two of his stories to be adapted for film (the latter as The Tall T). Reading them and the other stories, you can see why Hollywood has been continually drawn to Leonard: Every encounter between two or more people, no matter how casual, has substance--becomes a matter of great moral significance and can only be resolved through action. Even those stories that rely on O. Henry-style twists of fate to reach their endings are packed with intense character studies disguised as straightforward genre prose. When all is said and done, Elmore Leonard will be mentioned by literary critics in the same breath as Ernest Hemingway--quite likely even mentioned first--and The Tonto Woman will make one of the strongest arguments in his favor. --Ron Hogan
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
As many readers know, Elmore Leonard started out writing westerns before turning to modern-day thrillers with Fifty-two Pickup. These excellent 19 stories may prompt a reexamination of the early novels. Each is clearly based on deep research: we learn a lot about the strains among Apaches (Mescaleros, Lipans, etc.), the black Tenth Cavalry, even the interior of a stagecoach station. As in Leonard's later work, there are three-dimensional, believable good and bad guys. Indians, Mexicans and "white men" interact and we see the power of money, class and racism, as in the classic "Only Good Ones." Anti-lynching (and maybe anti-death penalty) sentiment is strong in "No Man's Guns" and "Three-Ten to Yuma." "Hurrah for Capt. Early" could be a mini-sequel or sidebar to Leonard's newest novel, Cuba Libre. (Aficionados will relish the first sentence: "The second banner said 'Hero of San Juan Hill.'") The last story, "Trouble At Rindo's Station," has almost as many plot turns as Leonard's thriller capers. Written between the 1950s and '80s, these stories have aged as well as a Stetson. Every one is first-rate Leonard: laconic, tough-minded and, naturally, gripping.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.