From Publishers Weekly
This marvelously entertaining audio dramatization will appeal to fans of noir mysteries, old-time radio plays and 1940s swing music. Musician Katy Green is between gigs when she runs into her ex-boyfriend, songwriter Ted Nywatt, at an amusement park, along with the members of the all-girl swing band, the Ultra Belles, he has formed to showcase his songs. As they talk, the Ultra Belles' violinist is suddenly pushed off the pier by an unknown assailant. With the violinist out of commission, Ted asks Katy to take her place for the Ultra Belles' upcoming tour. From there, the action is fast and furious as, one by one, the Ultra Belles and their entourage are murdered. The audio production is excellent, with appropriate sound effects enhancing the settings without ever distracting from the story. Best of all is the authentic-sounding 1940s swing music, performed by Ann Hampton Callaway backed by a studio band. The entire cast acts superbly; especially convincing are Susan Egan as earnest, intelligent Katy; Simon Jones as the band's unflappable British publicist; Barbara Rosenblat as drunken Suzanne and Ann Meisels as defiant Jack, the tomboyish Communist member of the group. Fans of inventive audio drama will be thrilled to discover that this adaptation is merely the first installment in an original series of Katy Green mysteries. (Sept.)
Copyright 2000 Reed Business Information, Inc.
Review
"A sort of film-noir for your tape deck....[It] combines the best of both radio plays and audio books." --
Computertimes, Sept. 2000"Almost too good to be true....If you like old-time radio [and] show tunes, you oughta be in heaven." --
MERMANIAC, A Show Tunes Weblog, Sept. 2000"Last year's best of the best.... [A] feast for the listener.... [T]ruly outstanding." --
Publishers Weekly, Jan. 1, 2001"Marvelously entertaining...Outstanding production values, an excellent cast, an admirable attention to detail and some toe-tapping swing music." --
Publishers Weekly, Dec. 4, 2000"The cat's meow....[1940] period details are spot on, and he [Glatzer] livens up the proceedings with catchy original songs." --
Los Angeles Times, Dec. 31, 2000