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Too Late The Phalarope [Paperback]

Alan Paton (Author)
4.5 out of 5 stars  See all reviews (17 customer reviews)

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Book Description

January 3, 1996
TOO LATE THE PHALAROPE is set in South Africa, as well as its predecessor, CRY, THE BELOVED COUNTRY. And like that earlier novel, TOO LATE THE PHALAROPE uses the lives of ordinary people to illustrate the inhuman quality of South African apartheid.

Racial segregation is odious in concept, impossible in application. To prove it, Paton tells us the story of Pieter, a white policeman, who has an affair with a native girl. He is betrayed and reported, and thus brings shame on himself and his family.

--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

From the Publisher

7 1-hour cassettes --This text refers to an out of print or unavailable edition of this title.

About the Author

Alan Paton, a native son of South Africa, was born in Pietermaritzburg, in the province of Natal, in 1903. While his mother was a third-generation South African, his father was a Scots Presbyterian who arrived in South Africa just before the Boer War.

Alan Paton attended college in Pietermaritzburg where he studied science and wrote poetry in his off-hours. After graduating, he wrote two novels and then promptly destroyed them. He devoted himself to writing poetry once again, and later, in his middle years, he wrote serious essays for liberal South African magazines, much the same way his character, Arthur Jarvis, does in Cry, the Beloved Country.

Paton's initial career was spent teaching in schools for the sons of rich, white South Africans, But at thirty, when he was teaching in Pietermaritzburg, he suffered a severe attack of enteric fever, and in the time he had to reflect upon his life, he decided that he did not want to spend his life teaching the sons of the rich.

Paton was a great admirer of Hofmeyr, a man who dared to tell his fellow Afrikaners that they must give up "thinking with the blood," and "maintain the essential value of human personality as something independent of race or color." Paton wrote to Hofmeyr and asked him for a job. To his surprise, he was offered a job as principal of Diepkloof Reformatory, a huge prison school for delinquent black boys, on the edge of Johannesburg. It was a penitentiary, with barbed wire and barred cells, and under Hofmeyr's inspiring leadership, Paton transformed it. Geraniums replaced the barbed wire, the bars were torn down, and soon the feeling in the place changed.

He worked at Diepkloof for ten years, and though it was certainly a fertile period, at the end of it Paton felt so strongly that he needed a change, that he sold his life insurance policies to finance a prison-study trip that took him to Scandinavia, England, and the United States. It was during this time that he unexpectedly wrote his first published novel, Cry, the Beloved Country. It was in Norway that he began it, after a friendly stranger had taken him to see the rose window in the cathedral of Trondheim by torchlight, Paton, no doubt inspired, sat down in his hotel room and wrote the whole first chapter. He had no idea what the rest of the story would be, but it formed itself while he traveled. Parts were written in Stockholm, Trondheim, Oslo, London, and the United States. It was finished in San Francisco. Cry, the Beloved Country was first published in 1948 by Charles Scribner's Sons. It stands as the single most important novel in South African literature.

Alan Paton died in 1988 in South Africa.


Product Details

  • Paperback: 288 pages
  • Publisher: Scribner; 1 edition (January 3, 1996)
  • Language: English
  • ISBN-10: 0684818957
  • ISBN-13: 978-0684818955
  • Product Dimensions: 8 x 5.4 x 0.6 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #765,578 in Books (See Top 100 in Books)

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Customer Reviews

17 Reviews
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4 star:
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Average Customer Review
4.5 out of 5 stars (17 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

15 of 15 people found the following review helpful:
5.0 out of 5 stars Even better than Cry, the Beloved Country, July 22, 2008
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This review is from: Too Late The Phalarope (Paperback)
Until I read "Too Late the Phalarope," I could not imagine a novel richer and more rewarding than "Cry, the Beloved Country." Alan Paton obviously loved South Africa. In "Cry" he wrote of the wretched lives and condition of the black South African. But he imagined a better world through the lives of his major characters.

In "Too Late the Phalarope," published in 1953, five years after "Cry," Paton shows exactly how apartheid negatively affected whites, as well. Instead of murder the central crime in this novel is immorality. Yes, crime. It was on record, meaning against the law, for a white man to have sexual relations with a black South African.

The main character, Pieter van Vlaanderen, taller, stronger, smarter, and more successful than the average Afrikaaner, has a secret sin, a secret guilt: He is attracted to Stephanie, a black South Afrikaaner. What sets Pieter apart from others is his record as a war hero, an efficient lieutenant in the police force, and a celebrated rugby player from his region.

It is not a spoiler if I tell you that Pieter will be destroyed and the family ruined when Pieter is accused of immorality, then proven guilty. One way Paton avoids any description of this ill-gotten pleasure is to have an innocent narrator tell the story. Pieter's aunt, an unmarried woman, never loved by a man, is the narrator. Pieter's journal fills in details the aunt could not know.

Paton raises all sorts of ethical questions in his novel. Can a wife drive a man to another woman if she is unwilling to participate fully in the marriage bed? Does a man develop a weak character, although hidden, because his father is cruel and withholds love? The main question raised several times is this: If God fully forgives, if God gives grace, why then can't the state in crimes such as this? Not only is Pieter ruined, but so is his family, although grace does come into effect in this.

I found "Too Late the Phalarope" (a Phalarope is a bird and no, I cannot explain its meaning in the title), a richer novel than "Cry." It needs an immediate second reading to capture those nuances that run all through the novel that may elude the reader on first reading. And those ethical questions. This is the kind of book that would make an excellent choice for discussion in a book club.
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19 of 20 people found the following review helpful:
5.0 out of 5 stars emotionally wrenching and beautifully written, September 22, 2000
By 
ld (Monte Sereno, CA USA) - See all my reviews
This review is from: Too Late The Phalarope (Paperback)
This is the first time I have been so moved by a book that I have written a review of it. When I think of "the lieutenant" and his goodness, his sin, his longing - deep longing - for fulfilled love with his spouse or his father or his G-d, my heart aches. Because of his physical beauty and bearing, others have set him apart. Where is he at home? Not in either of his own homes, not in his own body or mind. Locked in the unforgiving and puritanical society of the Afrikaaners, the lieutenant is doomed to destroy himself and all around him. The characters are multi-layered, fully believable. His Aunt, as narrator, serves as the conscience of the times. She reveals herself as she details the downfall of the family and as she does, she and the captain question man's right to condemn self-righteously - when G-d condemns and then forgives.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars an unforgettable reading experience, June 2, 1998
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This review is from: Too Late The Phalarope (Paperback)
In unusual and finely styled language we have sensitive portrayals of many characters and a variety of relationships with the main character Pieter, a larger-than-life hero (called a god by one of the townspeople) who is admired by many but nonetheless cannot ignore "the one misery of [his] life." Apartheid is the environment of this novel, not the focus. The most significant relationship is the one between Pieter and his father Jakob, but crucial to the story are the other father-surrogates: the Captain, Pieter's father-in-law, and most important, his friend Kappie. I have taught this novel to my classes every year for the past twenty-five years or so. I always have students who say to me that it is unlike any other book they have ever read. The book always moves some students to tears. It is truly an unforgettable reading experience.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
young dominee, red oath, mad sickness, the phalarope, native constable, grass country
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Alan Paton, Onselen Street, Police Station, Cape Town, Captain Jooste, Sergeant Steyn, Abraham Kaplan, Herman Geyer, South Africa, Social Welfare, Pieter van Vlaanderen, Sybrand Wessels, Lord Jesus Christ, Dominee Stander, Tante Sophie, Pretorius Street, Long Kloof, General Smuts, Immorality Act, Baas Grobler, Women's Welfare Society, Empire Day, Hannes de Jongh, Slabbert's Field, Sergeant Fourie
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