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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
5.0 out of 5 stars
grew on me,
By A Customer
This review is from: Too Loud for the Snowman (Audio CD)
I had heard good things about Sanford Arms and decided to try them out (after I downloaded an MP3). This is definitely a "lazy album" as mentioned by one of the other reviewers. The truth is the first time I put this album in I was kind of turned off. It seemed a bit too slow and drawn out. but after listening to it a couple more times I started to appreciate it.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Devil in the Woods, Issue 3.3, 2001,
By A Customer
This review is from: Too Loud for the Snowman (Audio CD)
5 Stars. After far too long in hiding, former Alcohol Funnycar frontman Ben London returns with a devastatingly world-weary collection of songs. The guitars have been turned down from London's previous work, yet this effort still boils over with fervor. "Too Loud for the Snowman" is a painfully detailed account of how it feels to have life collapse on you. London's exceptional eye for how people lose their direction provides comfort for the wasted days, and the morning after.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Entertainment Today, Oct 11, 2001,
By A Customer
This review is from: Too Loud for the Snowman (Audio CD)
Those of us who are originally from places with distinct seasons - where the end of summer actually signifies something - may be better equipped to handle Too Loud for the Snowman. The debut from Ben London's Seattle-based pop outfit is so good that it can actually make you cold. These 12 songs all seem to take place on the first night you can see your breath in the air, the last twilight you spend with a fading summer love. "I've been laying here like a yearbook on your shelf," London sings on "Mercury." "Pull out from time to time so you can laugh at yourself." The dreamily pensive guitars build toward a rousing climax as the mercury keeps falling and falling. This is the best song on a strong album; in fact, it's one of the best-crafted pop songs of the year. London is the sole songwriter on the album, and his songs are continually smarter than just about anything else that's out there. The lyrics actually feel like you haven't heard them a million times before, and he continually hones in on sharp imagery. Sanford Arms formed three years ago - composed of veterans from the Seattle indie scene - yet this is their first album together. The patience shows. In terms of mood, the album lingers somewhere near Coldplay's Parachutes. While Snowman may not provoke the same commercial clamoring, it is actually the better of the two albums. London sidesteps mopiness, even if his heart is being broken, and the Sanford sound is both fully rooted and polished. "These days are the hardest," starts "Ohio Summers Ends." London's wistful vocals float over the subtle string arrangement and Rob Dent's lazy cadence. "The silence is uncomfortable for someone who likes to speak." And you know it hurts - you've been hurt like this before - and yet you can't help wanting to be back there again.
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