From Publishers Weekly
Brett's mother and father were Holocaust survivors who moved to Australia, where she is still known best and where this wonderful book became a #1 bestseller after its publication about 18 months ago. Brett has a body of work behind her poems, essays and three other novels so why her latest has taken so long to reach these shores, especially with a glowing blurb by no less than Simon Schama, is a mystery. It is the story of Ruth Rothwax, a successful New York businesswoman who decides to take her 80-year-old father, Edek, back to his native Poland to revisit the scenes of his childhood and the camps where he spent the desperate wartime years. Ruth and Edek are both vivid creations, she a highly organized person who speaks her mind and is constantly outraged by the lingering anti-Semitism and evasiveness she finds everywhere in Poland; he a seemingly simple man driven by a powerful lust for life food, friendship and sex. Their adventures in Poland as they revisit Edek's childhood home, barter for some of his expropriated household items and share visits to Auschwitz and Birkenau with busloads of tourists who see themselves as following in the footsteps of Steven Spielberg, are at once haunting, riotously funny and deeply touching. Brett's style is so deceptively easy that the book, though long, reads as swiftly as a thriller; and what might seem a claustrophobic dependence on two characters is avoided by a series of canny devices: Ruth's sardonic meditations on life in New York; a strange meeting with a German hotel guest whose husband wished he was a Jew; the introduction of a pair of lusty Polish widows with their sights set on Edek; and, above all, a series of imaginary conversations Ruth has with Auschwitz commandant Rudolf Hoess, from his postexecution existence in a kind of posthumous limbo, where he must attempt to pass impossible tests for heavenly access. These plumb the depths of the astounding banalities of evil and give the book a surrealistic richness of reference. The hardest effect to bring off in fiction is a vision that is at once tender, deeply comic and yet aware of the ultimate sadness of life, the lachrymae rerum. Brett has succeeded triumphantly in the most delightful surprise of the year so far. Agent, Heather Schroeder, ICM. (Aug.)Forecast: This has real bestseller potential if carefully promoted, and what is so far planned as only a local New York tour could be extended. Powerful reviews and excellent word-of-mouth could make it a natural for handselling by independents.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
In poet and novelist Brett's fourth book of fiction, Ruth Rothwax, a successful, single New Yorker, travels to Poland with her elderly father, Edek, to see his boyhood home, remember life before World War II, and confront the horrors of the Holocaust. Only Ruth can hear the voice of an invisible, imaginary character Rudolf H?ss, commandant of Auschwitz from 1940 to 1943 as he speaks to her from the hell he is in. The three main characters triangulate a novel of ideas and memory, family history and world events, improbable conversations and everyday details. Unfortunately, these details weigh the book down and make it overly long it seems that every bite of Edek's breakfast, every street of Ruth's morning jog, every pain in Rudolf's still-aching bones are described. There may be "too many men," but there are also too many words. Readers with plenty of time may enjoy this tale of one family's confrontation with the past; others may prefer to contact their own relatives and collect a personal history before it is too late. Yvette W. Olson, City Univ. Lib., Renton, WA
Copyright 2001 Reed Business Information, Inc.
Copyright 2001 Reed Business Information, Inc.
