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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Unbelievable,
By "coco_blanco" (NYC) - See all my reviews
This review is from: Top Percussion (Audio CD)
A truly unbelievable record, and a wonderful introduction to both Latin percussion and the Afro/Cuban folkloric tradition. Though Puerto Rican by birth, Tito was an initiate to the Cuban Santeria religion, and in this album he pays homage to the spiritual and musical roots of the Mambo and Cha Cha styles for which he became most famous. Tito, Mongo, Willie Bobo, Julito Collazo, etc., all play at an unsurpassed level of virtuosity and creativity, maintaining a dizzying array of poly-rhythms that provide a virtual catalog of the West African rhythms that filtered through Cuba to become the Latin music we know and love today. As honest, beautiful, and interesting a record as any Tito Puente made. An absolute must for anyone with even the slightest interest in Latin music, drumming, Cuban culture and experience, Tito Puente, or even rhythm in general. Go get it!!!
8 of 8 people found the following review helpful:
4.0 out of 5 stars
Getting to Roots,
By
This review is from: Top Percussion (Audio CD)
Great sample of Tito's understanding of Afro music. If you're looking for actual songs/mambos you won't get it here. This is pure, unadulterated percussion and a lot of Afro-Cuban chants. There's 2 sizzling tracks with Tito and famous percussionist Willie Bobo wailing on timbales. The 12th track is one of the most beautiful afro-cuban jazz suites I've ever heard and is a testament to Tito's genuis in composition and arrangment.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
The world's best latin-american percussionist- in full swing,
By DJ Joe Sixpack (...in Middle America) - See all my reviews (TOP 500 REVIEWER) (HALL OF FAME REVIEWER)
This review is from: Top Percussion (Audio CD)
In case anyone had any doubts -- at all -- that Tito could play the real, hardcore, pure Afro-Cuban percussion, then this album should settle that question. With Mongo Santamaria and several other percussion heavyweights on board, Tito pounds away on some of the toughest-sounding rhythm work imaginable. The second half of the album gets funkier and more slinky, with a subtle, jazzy bass added into the mix. This is a killer instrumental album, formidable and funky in every aspect. Recommended!
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