From Publishers Weekly
A family founders after a mother's death in Strayed's beautifully observed debut. Teresa Rae Wood was a teen mother and an abused wife who escaped to Minnesota, fell in love, raised good kids and started hosting a radio program called Modern Pioneers. "Work hard. Do good. Be incredible," Teresa tells her listeners, because that's what she does—until she's diagnosed with cancer and learns she has only months to live. As her loving common-law husband, Bruce, and her children, Claire (a bright, responsible college senior), and Josh, (a brooding 17-year-old), face Teresa's dying and death, Strayed shows how grief can divide people when they need each other the most. Bruce vows to kill himself, but then stumbles into a marriage with his neighbor; Claire drops out of school, cheats on her boyfriend and stops eating; Josh sells drugs and falls in love with a girl he quickly impregnates. The novel, like the family it portrays, loses its center after Teresa's death, as Bruce, Claire and Josh (especially the latter two) push and pull at each other, reaching and only sometimes finding comfort and connection. Strayed's characters are real and lovable, even as they fail themselves and each other; even tertiary players feel fully realized. Though the subject is sad, the novel is not without humor; it shimmers with a humane grace. (Feb.)
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Strayed's debut novel hits with the weight of unwelcome news and tackles head-on some of the most difficult issues a family can face. Critics, who compare Torch to Joan Didion's best-selling memoir The Year of Magical Thinking, praise Strayed's attention to language and her ability to render griefa topic with which she is intimately familiar, see belowthrough well-drawn, restrained details. Some critics comment that the narrative drags a bit after Teresa's death. Still, Strayed, primarily an essayist before the novel's publication ("Heroin/e," an essay about her own experience with her mother's cancer and the author's subsequent battle with drugs, made its way into the Best American Essays of 2000), possesses "a raw, unflinching familiarity with the rhythms of grief" (Oregonian).<BR>Copyright © 2004 Phillips & Nelson Media, Inc.
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