Most Helpful Customer Reviews
28 of 28 people found the following review helpful:
4.0 out of 5 stars
Hitchcock's under-valued Cold War drama, July 22, 2002
TORN CURTAIN was a film which Hitchcock never wanted to make; he still owed Universal one more film under his contract and was waiting for the right story to come along. At Universal's insistence, he made this under-valued Cold War thriller. Michael Armstrong (Paul Newman - CAT ON A HOT TIN ROOF) is a world-famous scientist to goes to an international congress in Copenhagen with his fiancee/assistant Sarah Sherman (Julie Andrews - STAR!, DARLING LILI). While there, Sarah mistakenly picks up a message meant for him and discovers that he is defecting to East Germany. Or is he? As Armstrong goes undercover to glean top-secret information, the couple are swept up in a heart-pounding chase to escape with their lives.... Hitchcock reportedly hated working with Newman and Andrews (he did not personally cast them, they were assigned to the film by the studio). The music was provided by John Addison, although Hitchcock veteran Bernard Herrmann was originally going to provide the score. However, the film does have some very good scenes: the bus ride, the post office, the climactic MAN WHO KNEW TOO MUCH-esque ballet sequence and the fight in the cottage. Also starring Lila Kedrova, Tamara Toumanova, Ludwig Donath and David Opatoshu. The DVD includes the making-of documentary "Torn Curtain Rising", a condensed version of the film with Bernard Herrmann's original score, an art gallery and the trailer.
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35 of 37 people found the following review helpful:
5.0 out of 5 stars
One of Hitchcock's Greatest Villains-- GROMEK, November 21, 2001
By A Customer
I absolutely loved Gromek, the German agent in this film. One of the most likable villains Hitchcock ever put to film, he throws about 'Americanisms' in wonderfully broken English while smacking on a piece of gum. Very sinister and funny at the same time, and the scene of his death definitely belongs in the Hitchcock highlight reel. Unfortunately, as in "Psycho," this most interesting character is killed within the first half of the movie, and the rest lags afterwards. Really, really a shame...he's far more interesting than Paul Newman's character. If I were to rank this among Hitch's other later films, I'd say it's better than "Topaz" or "Marnie," but not as good as "Frenzy." 5 Stars, however, because nobody can touch Hitchcock. HERE'S AN IDEA FOR A DVD RE-RELEASE...WHY NOT PUT OUT A VERSION OF THIS FILM WITH THE OPTION OF LISTENING TO BERNARD HERRMANN'S ORIGINAL SCORE?!?!? IF YOU LIKE THIS IDEA, SEND A MESSAGE BY VOTING THIS REVIEW 'HELPFUL.'
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
A Highly Underated Hitchcock Classic, September 24, 2000
This is one of Hitchcock's last truely great films. Is Paul Newman really defecting to East Berlin, or is he a double agent?His secretary, and fiancee, Julie Andrews (shedding her Mary Poppins image) tries to find out. The bus scene is classic Hitchcock, and the murder of the German agent is one of the best scenes ever filmed. I also love the scene when Paul and Julie are at the ballet. This film has all of Hitchcock's trademarks, suspence, comedy, love, and, of course, his cameo appearence. This can not be missed by a true Hitchcock fan. Watch it at least twice to really appreciate it!
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