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The Torrents of Spring [Hardcover]

Ernest Hemingway (Author)
4.1 out of 5 stars  See all reviews (16 customer reviews)


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Book Description

December 16, 1987
An early gem from the greatest American writer of the twentieth century

First published in 1926, The Torrents of Spring is a hilarious parody of the Chicago school of literature. Poking fun at that "great race" of writers, it depicts a vogue that Hemingway himself refused to follow. In style and substance, The Torrents of Spring is a burlesque of Sherwood Anderson's Dark Laughter, but in the course of the narrative, other literary tendencies associated with American and British writers akin to Anderson -- such as D. H. Lawrence, James Joyce, and John Dos Passos -- come in for satirical comment. A highly entertaining story, The Torrents of Spring offers a rare glimpse into Hemingway's early career as a storyteller and stylist.

--This text refers to the Paperback edition.

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About the Author

Born in Oak Park, Illinois, in 1899, Ernest Hemingway served in the Red Cross during World War I as an ambulance driver and was severely wounded in Italy. He moved to Paris in 1921, devoted himself to writing fiction, and soon became part of the expatriate community, along with Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and Ford Madox Ford. He revolutionized American writing with his short, declarative sentences and terse prose. He was awarded the Nobel Prize for Literature in 1954, and his classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. Known for his larger-than-life personality and his passions for bullfighting, fishing, and big-game hunting, he died in Ketchum, Idaho, on July 2, 1961. --This text refers to the Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Yogi Johnson stood looking out of the window of a big pump-factory in Michigan. Spring would soon be here. Could it be that what this writing fellow Hutchinson had said, "If winter comes can spring be far behind?" would be true again this year? Yogi Johnson wondered. Near Yogi at the next window but one stood Scripps O'Neil, a tall, lean man with a tall, lean face. Both stood and looked out at the empty yard of the pump-factory. Snow covered the crated pumps that would soon be shipped away. Once the spring should come and the snow melt, workmen from the factory would break out the pumps from piles where they were snowed in and haul them down to the G. R. & 1. station, where they would be loaded on flat-cars and shipped away. Yogi Johnson looked out of the window at the snowed-in pumps, and his breath made little fairy tracings on the cold windowpane. Yogi Johnson thought of Paris. Perhaps it was the little fairy tracings that reminded him of the gay city where he had once spent two weeks. Two weeks that were to have been the happiest weeks of his life. That was all behind him now. That and everything else.

Scripps O'Neil had two wives. As he looked out of the window, standing tall and lean and resilient with his own tenuous hardness, he thought of both of them. One lived in Mancelona and the other lived in Petoskey. He had not seen the wife who lived in Mancelona since last spring. He looked out at the snow-covered pump-yards and thought what spring would mean. With his wife in Mancelona Scripps often got drunk. When he was drunk he and his wife were happy. They would go down together to the railway station and walk out along the tracks, and then sit together and drink and watch the trains go by. They would sit under a pine-tree on a little hill that overlooked the railway and drink. Sometimes they drank all night. Sometimes they drank for a week at a time. It did them good. It made Scripps strong.

Scripps had a daughter whom he playfully called Lousy O'Neil. Her real name was Lucy O'Neil. One night, after Scripps and his old woman had been out drinking on the railroad line for three or four days, he lost his wife. He didn't know where she was. When he came to himself everything was dark. He walked along the railroad track toward town. The ties were stiff and hard under his feet. He tried walking on the rails. He couldn't do it. He had the dope on that all right. He went back to walking along the ties. It was a long way into town. Finally he came to where he could see the lights of the switch-yard. He cut away from the tracks and passed the Mancelona High School. It was a yellow-brick building. There was nothing rococo about it, like the buildings he had seen in Paris. No, he had never been in Paris. That was not he. That was his friend Yogi Johnson.

Yogi Johnson looked out of the window. Soon it would be time to shut the pump-factory for the night. He opened the window carefully, just a crack. just a crack, but that was enough. Outside in the yard the snow had begun to melt. A warm breeze was blowing. A chinook wind the pump fellows called it. The warm chinook wind came in through the window into the pump-factory. All the workmen laid down their tools. Many of them were Indians.

The foreman was a short, iron-jawed man. He had once made a trip as far as Duluth. Duluth was far across the blue waters of the lake in the hills of Minnesota. A wonderful thing had happened to him there.

The foreman put his finger in his mouth to moisten it and held it up in the air. He felt the warm breeze on his finger. He shook his head ruefully and smiled at the men, a little grimly perhaps.

"Well, it's a regular chinook, boys," he said.

Silently for the most part, the workmen hung up their tools. The half-completed pumps were put away in their racks. The workmen filed, some of them talking, others silent, a few muttering, to the washroom to wash up.

Outside through the window came the sound of an Indian war-whoop.

Copyright 1926 by Charles Scribner's Sons

Copyright renewed 1954 by Ernest Hemingway --This text refers to the Paperback edition.


Product Details

  • Hardcover: 96 pages
  • Publisher: Scribner & Sons; 1st Scribner edition (December 16, 1987)
  • Language: English
  • ISBN-10: 0025507508
  • ISBN-13: 978-0025507500
  • Product Dimensions: 8.8 x 5.8 x 0.5 inches
  • Shipping Weight: 9.9 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Best Sellers Rank: #2,063,464 in Books (See Top 100 in Books)

More About the Author

Ernest Hemingway ranks as the most famous of twentieth-century American writers; like Mark Twain, Hemingway is one of those rare authors most people know about, whether they have read him or not. The difference is that Twain, with his white suit, ubiquitous cigar, and easy wit, survives in the public imagination as a basically, lovable figure, while the deeply imprinted image of Hemingway as rugged and macho has been much less universally admired, for all his fame. Hemingway has been regarded less as a writer dedicated to his craft than as a man of action who happened to be afflicted with genius. When he won the Nobel Prize in 1954, Time magazine reported the news under Heroes rather than Books and went on to describe the author as "a globe-trotting expert on bullfights, booze, women, wars, big game hunting, deep sea fishing, and courage." Hemingway did in fact address all those subjects in his books, and he acquired his expertise through well-reported acts of participation as well as of observation; by going to all the wars of his time, hunting and fishing for great beasts, marrying four times, occasionally getting into fistfights, drinking too much, and becoming, in the end, a worldwide celebrity recognizable for his signature beard and challenging physical pursuits.

 

Customer Reviews

16 Reviews
5 star:
 (6)
4 star:
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3 star:
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2 star:
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1 star:    (0)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (16 customer reviews)
 
 
 
 
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25 of 31 people found the following review helpful:
2.0 out of 5 stars Changing contracts, September 3, 2000
By A Customer
This review is from: The Torrents of Spring (Paperback)
For one to understand why Hemingway wrote a book of this caliber, it must be understood that Sherwood Anderson, whom Hem parodied, had a contract with the same company Hemingway had signed a contract with. An offer had also been made by Scribner which was more prestiegeous of the two literary firms. To get out of the contract, Hem offered this book, which he knew would be turned down by the firm of Boni and Liveright, thus giving Hemingway the chance to accept the contract from Scribner. The contract essentially said that if the second book of a three book contract was turned down, Hemingway could break the contract. Hemingway knew that Boni and Liveright would never publish a book which lampooned Sherwood Anderson (one of the stars of Boni and Liveright). Hemingway actually had other offers besides Scribner's. He did, however, take Scribner's offer, basically because he had given his word to Maxwell Perkins who worked at Scribner that he would work with them. The book was not intended as a great literary work, and thus must be examined in the light of which it is written. There are many funny idosyncrasies which Hem used for some of the characters in the book. Most of these came from people he knew there in Paris. Entertaining? Yes it was to me. A great literary work? It achieved what he was looking for. So you be the judge.
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12 of 15 people found the following review helpful:
5.0 out of 5 stars Still holds up after all these years., December 5, 1999
This review is from: The Torrents of Spring (Paperback)
I thought I'd read everything Hemingway ever published, but I was not even familiar with this one. When I read that it was a parody, I thought I might not get it, since it had been a long time since I'd read any of the authors he was targeting. Instead I found myself laughing out loud. So much reminded me of best-sellers I had read in recent years(The Bridges of Madison County is one which comes to mind). It just goes to show, great writing can come in many styles, but bad writing remains amazingly consistant over the years.
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5 of 6 people found the following review helpful:
4.0 out of 5 stars to fully enjoy the parody, read the object of the joke first, June 11, 2006
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This review is from: The Torrents of Spring (Paperback)
This isn't a novel that would be very enjoyable to someone who doesn't have much experience with other literary works of the 1920s. Read alone it is pretty silly and vulgar. Read -after- you have finished Sherwood Anderson's _Dark Laughter_, however, this book is very funny. Hemingway spoofs both Anderson's style and his silly plot. And throughout, EH offers a treatise on the art of parody. The book is very short, and tightly controlled by Hemingway (something Anderson didn't get right with Dark Laughther). The book is also interesting for those invested in the perennial Hemingway was/was not a racist argument. Read alone, the bits about Indians would be highly offensive, but read in light of Anderson's horrifying primitivism and liberal use of the N-word in Dark Laughter, Hemingway's depiction of the Indians is really a chastisement of Anderson's silly racist story. Hemingway's complex sense of humor, visible in his other novels under the surface, is fully on display here. Too bad time has eradicated a fuller understanding of all the jokes. I recommend this book for Hemingway aficionados and for students of modernism who need a wake-up call about Hemingway's place (and his understanding of that place) in the modernist canon.
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